1905 movie network news　August 26On the day of the film, the poster and role poster of the unit "The Road Back Home" directed by Deng Chao and Yu Baimei were exposed, and the official starring lineup was announced.Deng Chao, Yan Ni, Wang Ziwen, Wang Yuan, Miao Fustarring, Wu Jing, Sun Li, Yue Yunpeng, Jia Ling, Dai Lele, Liang ChaoYue Hong is particularly starring. Rich northern Shaanxi style, a strong cast to help up the ante, looking at the northwest of the motherland of the "road back home" will bring what surprises and highlights?

The film "Me and My Hometown" is directed by directors Ning Hao, Xu Zheng, Chen Sicheng, Yan Fei & Peng Damao, Deng Chao & Yu Baimei, respectively. Zhang Yimou is the director of the film, Ning Hao is the director, and Zhang Yibai is the chief planner. It will meet with the national audience in this year’s National Day file.

　

Deng Chao and Yan Ni led the "Tuwei Township Party" on the road back to their hometowns

Wang Ziwen made a stunning appearance, Wang Yuan subverted his image, and Miao Fu took on dialect teaching

In the first two weeks of the movie "My Hometown and Me", it was exposed that Chen Sicheng directed the "UFO Falling from the Sky" unit, which was called "Tang Tan 2.9", and Ning Hao directed the "Beijing Good People" unit Ge You played Beijing again, both of which were highly discussed and praised by the audience. "The Road Back to My Hometown" is the third unit story exposed by the movie "My Hometown and Me". From the poster, it can be seen that the story took place in the desert of the northwest of the motherland, where the sky was full of yellow sand and flocks of sheep. Deng Chao and Yan Ni led the "local villagers" to embark on the road back to their hometown with laughter and laughter.

Deng Chao, who is both the director and the star of this unit, subverts the past screen image and challenges the role of a man in northern Shaanxi. His temperament is down-to-earth, and he smiles until he squints. What is it that makes him so happy that he can’t help it? When Yan Ni from Shaanxi returned to his hometown, the shopkeeper Tong Xiangyu turned into an elite Yan Feiyan, neatly dressed and embellished with sunglasses necklaces. He left home and returned the eldest. I don’t know if his hometown still looks like what he remembers? Wang Ziwen’s Jessica, who plays the role of Wang Ziwen, can be seen from the name that it has nothing to do with this loess land. What kind of opportunity does an exquisite and beautiful city girl have to go to the countryside in person? Wang Yuan, who plays Teacher Xiao Han, has a subversion to the point where people exclaim, "I almost didn’t recognize it In order to create a character with more than one dark skin, what kind of screen highlight moment will Wang Yuan bring this time? As a native of Shaanxi, it is appropriate for Miao Fu to take on the teaching of Shaanxi dialect in the crew. In front of the stage, he plays a man from northern Shaanxi and takes on the role of dialect behind the scenes. What surprises will Miao Fu, who plays cross-border crosstalk movies, bring?

Wu Jing modeling earthy, Sun Lidang flight attendant, Yue Yunpeng Jia Ling group cp

"My Hometown and Me" celebrates the National Day and Mid-Autumn Festival with the audience

In the "Road Home" unit, the tough guy Wu Jing turned into the boss of northern Shaanxi, with a white towel wrapped around his head to show "rustic", and his ears stuffed with wireless earphones without losing "foreign". What happened to make the boss who combined "rustic and foreign" frown? Sun Li, who played the flight attendant, must have met the "rustic township party" during the journey. This is also the first screen fit between Sun Li and Deng Chao after that. What kind of opponent play will the husband and wife bring in the same frame? Surprise one after another, Xiao Yue Yue and Jia Ling CP, don’t miss it, what sparks will the two people who can be called universal CP form CP? What kind of "laugh" fruit will the two pistachios team up to bring? What’s more interesting is that the character names Yue Longgang and Jia Yuling are also the real names of the two, which can be called "I play myself", and the "Road Home" unit will really play! Actors Dai Lele and Liang Chao, who have starred in many films co-directed by Deng Chao and Yu Baimei, also starred in the "Road Home" unit. Dai Lele played a flight attendant in this film. Liang Chao was once rated as an unreplicable "golden supporting actor" by the audience. What wonderful performances will the two bring in this film? Yue Hong, a powerful actor who has won several Golden Rooster Awards, also starred in this film.

According to Yu Baimei, the director of the "Road Back Home" unit, this story is also Deng Chao and Yu Baimei’s own road back to their hometowns. Both of them are wanderers from their hometowns, and they are also the epitome of thousands of wanderers. Even if they have traveled far for a long time, as long as they hear the hometowns and eat the delicious food of their hometowns, they can instantly awaken their childhood memories. The fallen leaves return to their roots and the wanderers return to their hometowns. The Chinese people’s local consciousness and feelings are deeply engraved in the national genes. The "Road Back Home" unit conveys the hot and rich homesickness by telling the stories of young people staying in their hometowns and returning to their hometowns. Even if the road back to their hometowns As a companion to the 2019 National Day Box Office Champion, "My Hometown and Me" tells the stories of my hometown in the five regions of the motherland, east, west, north, south and middle, with space as the axis. So far, three of the five unit stories of "My Hometown and Me" have been exposed, each of which has distinct regional characteristics and hometown customs, making the audience feel warm and cordial, and also looking forward to the exposure of all the stories and lineups.

　

The national comedy "My Hometown and Me" was jointly presented by the most powerful film companies in China, and nearly 100 actors from nine major directors were assembled to form the "Chinese Comedy Dream Team". It was rated by netizens as the must-see comedy with the first expectation of the National Day file. It will be officially released on October 1, coinciding with the National Day and Mid-Autumn Festival. The cinema will laugh together to celebrate the festival!

A good actor can enter the play in one second no matter how harsh the conditions are. In the eleventh episode of Zhejiang Satellite TV’s OPPO "I am an Actor", the actors brought everyone a new surprise in their acting skills through a short improvisation, which amazed everyone. In addition, the actors’ wonderful competition in the works "Struggle", "Days of Leaving Lei Feng" and "Step by Step" also won praise from the whole network. The surprise birth of the top 9 has detonated the audience’s expectations for the new stage of drama. Many netizens said that "I am excited when I think about it, and the hard-hitting acting competition is set."

Enter Blueberry Video to watch the latest full video of "I Am the Actor" > >

Wang Yang, Tu Songyan, and Zhang Junping’s extreme interpretation made netizens call it "enjoyable"

After Han Xue and Liu Huan successfully advanced to the top 9, Wang Yang, Tu Songyan, and Zhang Junjun also stood out with their extreme performances that were beyond the past. While the three got the direct promotion quota, they also received praise from netizens. "The mentors are really the elites selected by the elites, and these three actors have no problem advancing." "A week has not been in vain, and it is too enjoyable to watch you play." And the breakthrough performances of Li Landy, Jin Shijia, Song Yi, Li Qian, Jingchao, and Tan Jianji were praised by netizens as "the real force in the future".

In addition to the excellent performance in the competition, the actors’ impromptu performances in this issue are also full of excitement. At the scene, the portrayal of ************* Landy, and Jin Shijia as "speech impediments" infected everyone, and some netizens marveled that "it turns out that you can use your acting skills to achieve empathy without lines"; Tu Songyan, Song Yi, and Li Qian’s "tongue twister lines" made many people praise "good actors can really enter any situation"; Zhang Junjun, Jingchao, and Danjianzi’s "Lonely Train" made the audience see more possibilities in their acting skills.

The surprise of the top 9 "actors" was born, and the new stage of the drama detonated the audience’s expectations

In the end, Zhang Ziyi chose to resurrect the "fearsome" Li Landy, while Wu Xiubo gave the resurrection right to Song Yi, who had the courage to challenge himself. The netizens sighed, "Sister Landy, don’t cry, looking forward to a bigger breakthrough between you and Song Yi, both actors are dark horses in my heart." Some audience members encouraged the eliminated actors, "It’s great to have the courage to walk on this stage and accept the test of acting skills."

It is worth mentioning that Li Qian subverted the previous "villain" portrayal and also gained the only benefit of "actor recommendation" Zhang Guoli. In the show, Li Qian and Tu Songyan, who was directly promoted, were only two votes apart, and their superb acting skills were obvious to all. Some netizens affirmed that "Li Qian’s acting skills are worthy of this surprise, and the spring of good actors has really come, borrowing from Brother Shanzheng’s words." So far, the surprise of the top 9 of "I Am an Actor" was born, and many audience members laughed and said, "It is hard to imagine how wonderful the next drama will be, but they are ready to close their eyes and blow."

What exciting moments will the top 9 actors present in the new competition system? Who will get the "ticket" to the finals? Please look forward to next Saturday (December 1st) at 20:15 Zhejiang Satellite TV OPPO "I am an actor".

Yang Mi

Co-produced by Lime Moe Film, Lime Moe Yuexin, Penguin Film and Television, adapted from the novel "The Queen of Shake" by Tianxia Guiyuan, written by Xie Yanyan, co-directed by Yang Wenjun, Xie Ze and Li Cai, Yang Xiaopei served as the chief producer, Yang Mi and Ruan Jingtian starred, Liu Yijun and Wang Jinsong starred in particular, Gao Weiguang, Lai Yi, Zhang Yachin, Hu Ke, Gao Hanyu, Huang Youming, Li Yixiao, Jiang Long and other co-starring TV series "Shake" is currently being broadcast on Zhejiang Satellite TV’s China Blue Week broadcast theater, and the countdown to the end this week. The "Five Continents Burning War" that lasted nearly two months is about to usher in the ultimate peak showdown. Fu Yao (played by Yang Mi) is still moving forward bravely, and the imposing red blood continues to burn. While fans at home and abroad are reluctant to close, they are also eagerly looking forward to the final direction of the plot. The positive energy of "Fu Yao" has spread in an all-round way, and in the midsummer of this year, with a high realistic temperature, it has won the affirmation of the majority of audiences and the recognition of official media.

"Shake" Reality Core Triggers Strong Resonance: Inspirational Growth Explodes Positive Energy

"Fu Yao" runs through the theme of "shaping personal value with an independent spirit and changing destiny with a pure heart" with a realistic and in-depth growth process. Just like the progress of the workplace in real life, many people will encounter confusion, misunderstanding, betrayal and even framing on the road of growth. Fu Yao uses sincere and passionate adventures to break through obstacles with tenacious beliefs, and constantly strives to achieve transformation. In addition, each character in "Fuyao" is fresh and independent, and many viewers can find their own shadows in it: Fuyao’s fearlessness and courage "although tens of thousands of people have passed away", does not change his mind for good and evil in the world, and becomes stronger under the polishing of hardships and trials; Wuji (Ruan Jingtian) "has the world in his heart and will never live up to" dedication and belief, bears the heavy responsibility of protecting the people of five continents, and gradually finds his true self in the rush to solve difficulties, and understands what he wants; Zhan Beiye (Gao Weiguang) and Yalanzhu (Zhang Yachin) accompany each other, step through the ups and downs, and finally fall in love; Zong Yue (Lai Yi) puts down hatred and embraces in the selfless dedication of Qi Yun (Yuan Yuxuan) Life. The unique charm of "Fu Yao" is that through the growth and transformation of characters and the integration of modern values, it stimulates the power of reality to lead the audience to produce more and deeper insights and thinking, so as to form a positive interaction with audiences at home and abroad.

Ethan Ruan

Drama fans are reluctant to part with "Shake" Countdown: "Five Blessings" cp high torture is about to kill each other

Accompanied by the continued enthusiasm of audiences at home and abroad, "Fuyao" is about to usher in the final battle. Many netizens said, "After reading this week’s preview, the plot is abusive, Fuyao knows the ultimate secret of himself, and the fate of life and death is difficult to choose. I feel sorry for Wufu cp to kill each other and book", "In the past two months, I have gone through fire and water with Fuyao and traveled to five continents. Through the growth of Fuyao to improve my own vision of things, I can’t bear to see Fuyao", "Fuyao and Wuji go hand in hand, and we can’t get tired of facing the wind and rain together. The ending is coming soon. Looking forward to Wufu cp overcoming the difficulties together before sending sugar". In the latest plot preview, the eldest grandson (Wang Jinsong) "worked hard" and coerced Fuyao to kill each other with the Empress of Yuan (Chuanzi), with the intention of making Wuji cut off the affair between his children, "Even if everyone betrays each other, let him walk alone like steel"; Fuyao tried his best to influence the eldest grandson, "From beginning to end, Wuji has always regarded you as his biological father. He respects you, loves you, and even feels sorry for you. He has been cautious all the way from Taiyuan and dare not relax in the slightest. It is because he is afraid of failing your expectations. Because you are the person he respects the most in his heart," how will Fuyao solve the "dead end" under the dilemma? In addition, Fuyao will face a cruel attack: his own life affects the safety of the people of Wuzhou, and the person he loves the most in front of him is actually "born as an enemy". The problem of the fate of the "Five Blessings" cp is completely spread out, and it is difficult to escape mutual abuse. Unknown plot, full of suspense, which is exciting.

"Fu Yao" tells the story of an ordinary girl who was born at the bottom, Fu Yao, who set off down the mountain to rescue her companions and embarked on an adventure in five continents. During this process, she accidentally met the eldest grandson Wuji, and stood side by side in love with him; the two adhered to the belief that "although thousands of people are gone", they went through hardships and overcame thorns, and finally succeeded in fighting against an unfair fate.

Original title: "Shen Lian keeps cats because he is lonely" "Yang Mi is the most suitable for Hokusai"

After three years, the "Embroidered Spring Knife" is back. The martial arts movie "Embroidered Spring Knife 2: Asura Battlefield", which has been in theaters for nearly a week, not only continued the strong reputation of the first film, the two Douban ratings were above 7.5 points, and the box office turned over. Compared with the box office results of less than 100 million yuan in the previous film, as of last night, the cumulative box office of the second film has nearly 200 million yuan. The details and easter egg settings that abound in the film have triggered the "analysis fever" of movie fans. Morning News reporters interviewed film director Lu Yang and other main creators to restore a true and complete "Embroidered Spring Knife World" for everyone.

Hot discussion: developing feelings for the two female protagonists

Zhang Zhen: I liked it without much thought

Three months before the first story, Shen Lian, played by Zhang Zhen, was still the male protagonist. Combined with the plot of the two female protagonists who both had true love in their hearts when they met Shen Lian, looking at this beautiful and powerful brocade-clothed guard, female fans quipped: "Why would there be a woman in the world who doesn’t love Zhang Zhen and uses him as a spare tire?" For such an "unscientific" setting, Lu Yang admitted that he only wrote about the girl Shen Lian likes from his own perspective, and it was impossible to consider what kind of girl Shen Lian should like from the perspective of a girl.

Shen Lian’s feelings for Yang Mi’s Beizhai and Liu Shishi’s Zhou Miao Tong, Lu Yang said, were more of a compensation for Zhou Miao Tong at first, "because he caused her suffering, and he felt that saving her was a relief. How and to what extent the love happened later, Shen Lian’s heart is not very clear." Zhang Zhen himself also agreed with this "hindsight" trait, "Shen Lian didn’t think so much, he liked it all the time, he is uninhibited but very focused on emotions." For Beizhai, he felt that Shen Lian only admired each other’s paintings at first, and after getting along, he unconsciously developed feelings for this character.

To the surprise of many fans in this new film, Shen Lian also joined the army of "stroking cats", and the character of "shit shoveling officer" instantly made this character a lot more cute. Lu Yang said that he only felt that Shen Lian was too lonely, so he added a friend to him. "Cats have nine lives, I hope Shen Lian can do the same."

Hot discussion: The actress’s acting skills are not online

Director: Yang Mi is the most suitable candidate

When the first film was released, many fans expressed dissatisfaction with Liu Shishi’s "godless acting skills", while many people expressed "worry" before the release of the second film, which features Yang Mi, who is controversial and has his own traffic, as the core character Hokusai. Now, judging from the effect of the finished film, although some fans still complain about her acting skills, some critics say that the film has captured Yang Mi’s beauty, which is her best performance on the big screen in recent years. It is reported that in order to perform in the best condition, Yang Mi stopped the TV series "Three Lives, Three Worlds and Ten Miles Peach Blossom", which was filmed simultaneously as a producer and star, and did not return to the "Three Lives" cast until all the Hokusai scenes in the film were completed.

As for the female lead casting, Lu Yang, as a director, always insisted on his own opinion, "It should be said that Yang Mi is the most suitable candidate for this role and this movie." He did not mind others commenting on his straight male aesthetic, "My ideal woman is tenacious, does not need to rely on male help, and has a strong and independent consciousness, not as a male accessory."

Hokusai strung together the plot, and the relevant setting was also complained by the fans "logical offline", especially before the end of the movie "Why did the escape team not cross the suspension bridge and then cut the bridge to escape" Bug constantly questioned. In this regard, Lu Yang explained: "The scene of the bridge weighs 9 tons, and when there are pursuers and interceptions in front, Shen Lian needs plenty of time to complete the cutting work, and when he finally cuts the bridge, he can only succeed when the three masters of Lu Wenzhao, Pei Lun, and Ding Baiying join forces to cover."

Hot Discussion: The film does not explain the ending

Director: Life and death are open possibilities

In addition to the male and female protagonists played by handsome men and beautiful women, the "Embroidery Spring Knife" series is best known for its shining supporting roles. In the second part, Zhang Yi’s Lu Wenzhao and Liu Duanduan’s Chongzhen Imperial Capital are amazing. These characters who pursue their own Tao form a sentimental figure for the audience.

One of the most impressive is the highly comic Pei Lun. In "My First Half of Life," Lei Jiayin played Chen Junsheng, the "cheating ex-husband," which people love and hate, while in "Embroidery Spring Sword 2," the seemingly evil-tongued "Lord Pei," who is both brotherly and foodie, turns the audience cute. According to the film’s producer Zhang Ning, he did not agree with Lei Jiayin’s role of Pei Lun at first, "The costume drama actor must have a small face like Brother Zhen, right?" As a result, it was this role that gave the audience the biggest surprise after the film was completed. "Act cute" in the play, and Lei Jiayin is also full of laughs outside the play. He revealed that he also formed a "small group" during filming, called "Two Kings and Two Ers". The members are himself, Xin Zhilei (as Ding Baiying), Li Yuan (as Ding Chong) and Wu Qiang (as Lingyun Kai).

These wonderful characters add icing on the cake to the film, and the ending of the film does not clarify their final ending. Whether it is life or death, Lu Yang said: "In the original script, except for Shen Lian, they all died, but the actors didn’t want to get the bento, so we didn’t have a death shot, and there are open possibilities." Ding Xiu, who interrogates the whereabouts of his junior brother "Jin Yichuan" in the final Easter Egg, is a popular supporting role in the previous film, and the plot of the Easter Egg is seamlessly linked to the first installment.

As for the third installment, Lu Yang revealed: "If it is filmed, there will definitely be Ding Xiu, and the story of Shen Lian and Ding Xiu will probably be many years later." Zhou Yiwei, the actor who currently plays Ding Xiu, is also preparing for the online drama "Embroidery Spring Blade" that he directs.

On May 8th, 2023 Wuhan Xinzhou Investment Promotion Conference was held in Shenzhen. Located in Xinzhou, named "China Xinggu", Wuhan National Aerospace Industry Base has become the "darling" in the eyes of participating enterprises with its good development trend and huge development potential. Many well-known domestic enterprises have signed contracts with Xinzhou District Government for over 10 billion yuan to invest in Wuhan National Aerospace Industry Base.

"Meet Greater Bay Area and Seek New Development" 2023 Wuhan Xinzhou Investment Promotion Conference (photo by Ye Donghui from Yangguang. com)

Shenzhen is the first stop of Xinzhou District’s investment promotion in Greater Bay Area. On the morning of May 7th, the main person in charge of Xinzhou District Government led the investment team composed of the heads of relevant functional departments to Shenzhen to inspect the enterprises. On May 8th, more than 50 key enterprises and associations got together to talk about "Xinzhou Opportunity".

Wuhan National Aerospace Industry Base in Xinzhou (photo by Yang Guangwang and Wu Yi)

"Xinzhou is a rising new city with a story and a dream, an industrial new city with a wind outlet and a track, a science and technology new city with a chance to have a future, an open new city with a pattern and a width, and a livable new city with quality and value …" A poetic and distant Xinzhou aroused the strong desire of Greater Bay Area entrepreneurs to invest in Xinzhou.

China’s first flexible and intelligent satellite production line has been built in Wuhan National Aerospace Industry Base, and the rocket company has been promoted to China Unicorn Enterprise. Since 2022, the "Xinzhou-made" Fast Boat Rocket has been successfully launched in six wars and six victories, and the world-leading new solid rocket Fast Boat No.11 has been successfully launched. The base has initially realized the gathering pattern of stars, arrows, clouds and aerospace materials … The efforts of "China Star Valley" to actively build China Aerospace roof of the world have strengthened Greater Bay Area entrepreneurs’ confidence in investing in Xinzhou.

Eight responsible persons of Greater Bay Area enterprises were hired as "investment ambassadors" in Xinzhou District (photo by Ye Donghui from Yangguang. com).

At the promotion meeting, eight Greater Bay Area entrepreneurs were employed as "ambassadors for investment promotion" in Xinzhou District to speak for investment promotion in Xinzhou District.

Guo Yan, the ambassador of investment promotion and the global human resources director of Shenzhen Feituoke Industrial Co., Ltd., introduced Xinzhou in her eyes to Greater Bay Area entrepreneurs with the company’s successful experience in investing in Xinzhou: "Layout Xinzhou and win in the future."

Tao Siping, the entrepreneur who went out from Xinzhou, solemnly promised: "Invite friendly chambers of commerce and friendly people to start businesses and develop in Xinzhou."

Signing ceremony (photo by Ye Donghui from Yang Guangwang)

At the promotion meeting, seven projects in aerospace, new materials, intelligent manufacturing, big health and other industrial fields signed a contract with Xinzhou, with a total investment of 16.5 billion yuan, of which Wuhan National Aerospace Industry Base signed an investment of over 10 billion yuan, accounting for over 60%.

A well-known domestic enterprise will build an aerospace new material industrial park in Xinzhou. The total planned land area of the project is 2,130 mu, and the construction contents include a new material industry manufacturing center, a product and technology exhibition center, a research and development center and a logistics center.

Zhongshang Industrial City Investment Holding Co., Ltd. plans to invest 600 million yuan to build Shenzhen Zhongshang Xinggu Industrial Incubator Project. The planned land area of the project is 136 mu, focusing on the transformation of industrial technological achievements such as aerospace, high-end equipment and new materials, and building the carrier of Wuhan National Aerospace Industry Base Industrial Incubation Park with high standards and high quality.

Zhuhai Obit Aerospace Science and Technology Co., Ltd. has joined hands with ICBC Cloud Technology Co., Ltd., which has settled in China Xinggu, to invest in the construction of Obit remote sensing satellite application project. This project uses the satellite remote sensing data of Obit Company, gives full play to the data processing ability of Xingyun Company, and forms various data products for monitoring and early warning management of key industries.

Four units including Shenzhen New Third Board Listed Enterprises Association, Shenzhen Wuhan University Alumni Association, Shenzhen Huazhong University of Science and Technology Research Institute and Zhongchuan Huaxia International Cultural Travel Development Group signed a strategic cooperation agreement with Xinzhou District Government. (Cheng Shuxiong Ba Yangang Wang Jinxia Zhang Zhixue Ye Donghui)

1905 movie network news　The film, directed and produced by the director, producer and lead actor, and lead actor, has been released nationwide on July 30. Since its release three weeks ago, the movie "Rage · Serious Case" has been the single-day box office champion, and the total box office has exceeded 850 million. On August 19, the movie was released in Hong Kong, China, and received a lot of praise. Some audience members bluntly said that "not only the action scenes are exciting and enjoyable, but also the delicate literary scenes are also fascinating, which makes people still want to watch them." In addition, the film’s reputation overseas is also very strong, and it has harvested 92% of the freshness of rotten tomatoes, 100% of the popcorn index, and a high score of 7.3 on IMDb.

A few days ago, the movie revealed an ending clip. At the end of the film, Nicholas Tse, who had no way out, climbed onto the piano, smiled wildly, and said what he had been feeling all along, "If you had gone after Coke that day, would our fates have been reversed?" Faced with the questioning of the end of his brothers’ lives, Donnie Yen did not answer, but chose to turn and leave, using a firm step to turn the exclamation mark burning with anger into a question mark about justice and humanity, triggering discussion among the audience.

"From the beginning of the movie, Zhang Chongbang’s rejection of the wealthy businessperson can be seen that he will adhere to justice, keep the bottom line, and will not violate the law for the boss’s order." Some audience members also lamented, "Character determines destiny, but people in destiny do not know it, thinking that the environment changes their lives. A wrong choice, let Qiu Gangao fall into the abyss of sin, and it is really regrettable to end up like this." Regarding the director’s blank space at the end of the film, some audience lamented, "Director Chen Musheng broke through the pattern of commercial films and conveyed something deeper."

　　CCTV News:Recently, "it’s hard to get a taxi, but it’s expensive" has become a hot topic in Moments. Many people complain that it has become difficult to get a taxi through online ride-hailing platforms such as Didi during morning and evening peaks and even many traditional off-peak hours. To increase the probability of a successful ride-hailing, you often have to increase the price. Some people even changed the slogan of Didi’s taxi to "Didi, increase the price immediately". Let’s see what everyone has experienced:

　　Beijing resident Xiong said that two days ago, she refreshed her taxi waiting time: for more than 70 minutes, whether it was through Didi and other platforms to call a car or stop a car on the side of the road, it was unsuccessful.

　　Xiao Liu recently gave up taking a taxi directly. She felt that the Didi platform did not force the delivery of orders, so some drivers did not accept orders when they heard that they did not want to go, or they had to increase the price when they waited. This actually made it convenient for drivers to choose to "refuse".

　

　　According to netizens, not only Beijing, but also Shanghai, Hangzhou, Shenzhen and other places have recently encountered the problem of "difficult and expensive taxi hailing" that has not been mentioned for a long time.

　　@He said his name was Millet: Tell me a real story, last night the company’s annual meeting ended around 10:30, when the Didi platform had already turned to 2.x times. The starting price of the express train was 20 to 48, and no one took the order without increasing the fare of the taxi. The increase of 15 yuan took the order. It usually took more than 50 yuan to get home on the road of five or six kilometers. It was already half past eleven!

　　@Ma Chujun: Shanghai’s Didi taxi is the same as neurosis recently. Not to mention that you can’t get a car, you must increase the price to 100 for the usual 40 yuan journey before someone can take the order. You are going to heaven!

　　@Chanshowhaa: There are obviously n taxis nearby, but it shows that the taxis are no longer available. You have to make an appointment 50 minutes later! At this time, the screen directly pops up the express button and increases the price by 1.6 times! Consumers are not stupid!

　　Didi responds: Changes in supply and demand make it difficult to take a taxi

　　In response, Didi responded that from the background data of Didi, drivers went home early this year and their capacity declined. In two hand-drawn charts on "Didi online driver data" and "Beijing order demand", it can be seen that compared with January 10, the number of online drivers decreased by about 25% on January 20, while the number of travel orders rose by 30% over the same period.

　　However, many people disagree with such a response. Drivers go home every year for the Chinese New Year, not because of the phenomenon of online car-hailing platforms. If it is difficult to get a taxi every year around the Spring Festival, then now with online car-hailing platforms, it is not only difficult to get a taxi, but also have to bear high prices. Is this kind of online car-hailing really what we need?

　　CCTV Review

　　The online car-hailing price increase model is to a certain extent "disguised price increase"

　　In the face of netizens complaining that it is difficult and expensive to take a taxi, it needs to be discussed from multiple levels.

　　First of all, people complain that taxis are expensive, and there must be an implicit sentence: "regular price" taxis are not available. The market price of online taxi-hailing is liberalized, and the price of cruise taxis is regulated, but the price of online taxi-hailing is being transmitted to cruise taxis.

　　It is not difficult for careful people to find that when the vast majority of cruise taxis connect to ride-hailing platforms such as Didi, there are fewer and fewer taxis that are really empty for recruitment. The price of online car-hailing, especially for short-distance online car-hailing, has actually made taxi prices "marketized" to a certain extent because of the "fare increase model". In other words, taxi prices have been hidden and risen! From a practical point of view, this is at odds with the relevant regulations of "government-guided prices for cruise car freight".Through platform technology, you can bypass the hearing to achieve disguised price increases? You can hear the ups and downs of public opinion here. If so, this requires regulatory efforts. Technology cannot become a disguised price increase vest, and Internet ? taxis cannot become Internet ? money.

　　Whether it is related to the dominance of the platform requires the regulatory authority to verify and act as

　　Secondly, from the perspective of economic principles, it is difficult and expensive to take a taxi for two reasons. One is the shortage of supply, and the other is the artificial price increase caused by monopoly. If it is only the relationship between supply and demand, it is obviously difficult to fully explain why there will be price increases during off-peak hours to get a taxi.

　　The dominance of the current online ride-hailing platform is well known. An article on the Internet has pointed out that the recent difficulty of hailing a taxi and the high cost of hailing a taxi are also inseparable from the "dispatch order logic". Under the Didi dispatch order logic, the mentality of taxi drivers who connect to Didi to stand still and wait for passengers to continuously increase their tips is common. The end result is that passengers repeatedly increase the fare to get a car, wasting time and money while damaging the efficiency of passenger transportation. If this statement is consistent with the facts, the difficulty and high cost of hailing a car are related to the dominance of the online ride-hailing platform. This also requires regulatory action.

　

　　What should I do if solving the "travel difficulty" does not mean solving the "taxi difficulty"?

　　Once again, in the long run, the cost and difficulty of taking a taxi may only be superficial. The core of the problem should be how to solve the travel problem.

　　Public: Hope taxi is convenient, cheap and smooth

　　From the perspective of the public, of course, I don’t want it to be difficult to get a taxi. The perfect travel in the eyes of a taxi driver is probably: taxi, cheap, not congested, and free (free access to the market for online car-hailing). But this is an "impossible quadrilateral" that cannot be realized simultaneously with a plump ideal and a sense of reality. The existing traffic pattern of the city is not a blank sheet of paper, the urban network cannot be optimized in a short time, and the use intensity of private cars cannot be compressed. Under such constraints, the free entry of online car-hailing, the car price is low, but the "smooth road" is likely to be more congested; conversely, if you want to ensure the smooth road, you need to implement quantity control of cars or increase the cost of car use through market-oriented means, and either situation will make the taxi driver blocked.

　　Manager: Limited road resources, prioritize the development of public transportation

　　In the eyes of local government officials and road traffic managers: online car-hailing is a new thing that is conducive to social development, but the limited road resources of the city cannot withstand the public taking a taxi to travel, and the priority development of public transportation is the focus of development; online car-hailing and taxi prices will only over-mobilize the demand for taxis. In short, taxis and online car-hailing are only and can only be supplements to urban public transportation. It is under this logic that the Ministry of Transportation’s "Interim Measures for the Management of Online Booking Taxi Business Services" calls for the orderly development of online car-hailing in accordance with the principles of high-quality service and differentiated management, and only then can Beijing "give full play to the leverage of freight rates to adjust the supply and demand relationship of the taxi transportation market".

　　However, if this logic is true, the price increase of high-end online car-hailing is naturally in line with economic laws, but even if the taxi price increases, it should be realized after going through legal procedures, that is, it needs to go through the hearing process. It is not possible to use technical means or the so-called dispatch logic to essentially empty the procedural justice.

　　Hitchhiking and carpooling need the help of online car-hailing platforms

　　Finally, from the experience of Japan and other countries, although the number of private cars is high, the use intensity is not high. While developing public transportation, there is room to improve the use efficiency of private cars, which itself requires online car-hailing platforms to assist.

　　Beijing and Shanghai have no restrictions on ride-sharing and carpooling, and these two forms that truly reflect the spirit of sharing actually have a lot of room for development. This is also to help solve the problem of travel difficulties by improving the efficiency of use under the condition that the stock remains unchanged.

　　Otherwise, from the perspective of the situation of cruise taxis, the online car-hailing platform will not only fail to solve the problem of difficult and expensive taxis, but also may not be able to improve the efficiency of passenger transportation (if the order is logical). Instead, it will bring about an increase in taxi prices. The benefits of such online car-hailing to society are really limited. Because people can’t help but ask, what do you need an online car-hailing platform to do? Don’t go directly to the street to stop a car and try your luck!　

　　Article | CCTV Commentary Contributor, Noyama

　　China News Service, December 5th. On the 4th, the global finals of "Next Stop, Daughter Country" were held. Zheng Baorui, director of the movie "Journey to the West: Daughter Country", announced that Zhao Liying would play the king of Daughter Country. That night in the ultimate PK of "30 into 12", 12 contestants such as Guan Le, Sun Ruoqi, and He Xinlin stood out. Xinghao Films solemnly announced that eight of the contestants would play the role of seven female officials in the movie, and the other four contestants would also receive the role of "High Priest".

　　"Journey to the West: Daughter Country" is the third work in the magical Westward Journey series produced by Xing Hao. It is still directed by Zheng Baorui, and Huang Bo is the first producer. In addition, Guo Fucheng, who plays Sun Wukong, returns together with Luo Zhongqian, who plays the sand monk. With the addition of "Tang Seng" Feng Shaofeng and "Pigsy" Xiao Shenyang, the four mentors and apprentices gather again in "Daughter Country" and work together to break through the most difficult relationship on the journey to the West. "Daughter Country".

　　That night, director Zheng Baorui also personally crowned Zhao Liying with a diamond crown worth 8 million, in order to show that Zhao Liying officially joined the movie "Daughter Country".

　　When asked what was different between "Daughter Country" and her previous works, Zhao Liying responded domineering on the spot: "Now I am the queen." Regarding the new role, she said that she will do more detailed speculation on the word "love" in "ask what love is in the world", hoping to collide with "Tang Seng" Feng Shaofeng. Director Zheng Baorui "kindly" reminded Zhao Liying: "The four mentors and apprentices are more mischievous and naughty, so be careful to deal with them."

　　Compared with the previous work in the series, "Three Dozens of White Bone Spirits", Zheng Baorui, the director, said that he would add more comedic elements to "Daughter Country" and strive to build on the previous work. When asked why Zhao Liying was selected to play the role of the female king, Zheng Baorui responded: "No matter what aspect you measure, Zhao Liying, who has a lively personality but is calm, and whose acting skills are mature and can take on big responsibilities, is the best choice for the queen."

　　In the "Next Stop, Daughter Country" global finals held that night, eight contestants, Guan Le, Jiang Xiyuan, Qi Qi, Sun Ruoqi, He Xinlin, He Miaoyan, Yang Ziyi, and Leng Yitong, won the roles of seven female officials, including "Rouge Deacon" and "Water Deacon".

　　Regarding the situation of eight people playing the seven corners, screenwriter Wen Ning also said at the scene: This is his special design for "Daughter Country", and the specific form will be presented, and the audience needs to enter the cinema to find out.

　　After announcing the roles of the seven female officials, Wen Ning said on the spot that four more roles would be added. Cao Chengfangzi, Wang Xiaobai, Hou Meng and Wang Luqing, who performed well on the spot, finally got these four "fallen from the sky" roles. And the contestants who won the top 1,000 results in this competition may get the "pass" of "Daughter Country" to enter the cast.

　　In "The Rest of Your Life, Please Teach Me More", Yang Zi and Xiao Zhan can be said to be the top combination of traffic. However, the old routines and the repeated characters until the end of the broadcast, the volume it harvested, compared with the traffic levels of the two leading actors, can almost be said to be an upside-down failure

　　Min Scarlett

　　"Agarwood Like Crumbs" is almost a one-to-one replica of "Fragrant Honey Like Frost": starring Yang Zi, an online novel adaptation, an ancient love that spans the past and present, but it failed to replicate the success of 2018. The episode has been broadcast for two-thirds, and has not yet shown a score on Douban; looking at it in another dimension, it has just passed the volume of 42,000 people "watched", and "Fragrant Honey Like Frost" exceeds the mark of 180,000 "seen", which also just shows the quantitative standard between "paste" and "out of the circle".

　　But whether this "paste" is an external problem of the type of ancient puppet drama, or an internal problem of the stagnation of Yang Zi’s acting skills in similar roles as an actor, it may have to be viewed from a more macroscopic perspective, so this year’s other drama "Rest of Life, Please Teach" has become the reference object. Compared with "Agarwood Fragrance", "Rest of Life, Please Teach" seems to have a more "explosive" sense of vision. Yang Zi and Xiao Zhan’s traffic top match combination, and the urban background is also easier for people to enter. However, perhaps because it was filmed in 2019, the routine was old and the characters were repeated until the end of the broadcast. Compared with the traffic level of the two leading actors, the volume it received can almost be said to be an upside-down failure.

　　The decline in the reputation of the two major dramas has brought a point of discussion about Yang Zi. From the perspective of the actor’s life cycle, Yang Zi, who is about to turn 30 this year, is indeed entering a new era. She, who has come all the way from a child star, may be the one who knows the most about the anxiety of appearance among the actresses of the same generation. The interview content that has been repeatedly mentioned, Song Dandan’s kind advice to Yang Zi to "grow up like this, or stop acting", although cruel, also shows the truth. "Grow up like this" refers not to the appearance standard of ordinary people in daily life, but to the appearance ecology of the entertainment industry that takes appearance as an important ranking standard. In her childhood, Yang Zi could still walk beyond this standard by relying on the age limit of her character and her own commonality, but when she grew up, she had to face the aesthetic standards of the adult world.

　　The girl next door and the adult world

　　When we look back at "Family with Children", Yang Zi’s performance is indeed stunning, but this kind of stunning is limited to the role of Xiaoxue: the child next door, excellent, proud, and strong self-esteem. The affinity of the girl next door, a description with a sense of praise, is actually a bit cruel to Yang Zi as an actor, it points to "not beautiful enough" and "ordinary". But a family melodrama like "Family with Children" complements this kind of ordinary, which is the local atmosphere that the audience needs. The delicate situation of the girl as the eldest sister in a multi-child family, the sensitivity of the adolescent girl, and the ruthlessness and pride of the Beijing girl are part of Yang Zi’s performance, and part of it belongs to herself in that period.

　　But the hard truth is that girlhood and national daughters are a state of very short shelf life and time expiration, similar to the "child star curse" often mentioned in Hollywood. Many actors who have become famous as child stars have to face the road of rediscovering their acting direction. Shirley Temple is the best example of losing the magic of the screen in adulthood. In the significantly different Eastern context and Chinese entertainment industry, its cultural background and entertainment ecology have created a more brutal environment. A large number of actors choose to extend their girlhood and girlhood as much as possible. This path is not for everyone. The shelf life of the appearance and the appropriate matching of the characters are indispensable. Zhou Xun is an example of the extremely long girlhood of the screen, and there is a head traffic like Zhao Liying in the field of TV dramas.

　　The appearance conditions determined the path of "prolonging the girl’s sense", which was not suitable for Yang Zi, and the reason was to return to Xiaoxue’s approved affinity. This kind of girl’s sense, which was not equivalent to the "beauty" painting, had almost no acting advantages when she grew up, especially in this era of flattery to beauty.

　　The burnout period is a good proof. After "Family with Children 2" in 2006, Yang Zi, who entered puberty, has works but does not enter the hot discussion field. From today’s perspective of all young traffic, it can be defined as a low period. For Yang Zi at this stage, acting is not the problem, but appearance is the threshold.

　　Yang Zi’s problem may be the problem of ordinary girls. She can’t stay in her teenage years forever, nor can she be put into the characters that use beautiful women as templates in the market. But Yang Zi’s choice is to get close to that template and do everything she can, even if the price is to sacrifice her acting skills.

　　Moderation and performance singularity

　　In 2014, "War in Changsha" was Yang Zi’s highest-rated work. In addition to the bonus of the team, Yang Zi could also make a richer, layered and emotional performance in the performance at that time. The character changes that grew up and woke up in the turmoil could not be said to be profound, but there was a kind of popular moving. But she was still not suitable for the role. Age is one thing, and the Beijing accent also makes people play. The heroine of the cast was not her at the beginning, and the temporary role change brought this turnaround. In the later stage of the story, Yang Zi’s performance was even more cramped, unable to understand or support the heaviness of the turmoil of the big era.

　　"Ode to Joy" and "Dear, Love" should be regarded as the two works with the highest degree of character matching between Yang Zi and her characters. Qiu Yingying’s cramped resume at the job fair, and her flexible position as a mobile person in the relationship between the four girls were all very suitable for Yang Zi at that time, and they were also within the control of her acting performance and performance. But we can already see the price she paid for her beauty from now on, especially when her facial expressions are strong, and the incongruity between her facial features has begun to destroy her acting skills.

　　Compared to Qiu Yingying, Tong Nian in "Dear, Loved" is not so down-to-earth in terms of setting, soft and cute straight-A student is even a bit of an overhead character, so Yang Zi’s Tong Nian will give people a strong sense of "reading white" when saying any lines involving professional parts. This kind of professional performance makes people feel abruptly awkward, and the traces are as heavy as a mask painted on the character’s face. Similarly, there is 2021’s "Female Psychologist".

　　From 2016’s "Ode to Joy" to the present, Yang Zi is indeed gradually approaching the adult aesthetic standards of the entertainment industry, and has also taken on many roles of beautiful women. Accompanied by this, the face muscles are stiff, the emotional details of the face are lost, and the scope of micro-expression activities is limited. This disconnection between the actor’s appearance and acting skills is most obvious in Yang Zi’s first role as a beautiful woman, trying to create a fairy and cold texture in "Qingyun Zhi". In the latest "Agarwood Fragrance as Crumbs", even when angry or angry, Yang Zi can only rely on the eyes, brows, and mouth to touch the face, expressing emotions very limited.

　　But what’s interesting is that on this road that is gradually approaching the aesthetic standards of adults in the entertainment industry and is gradually limited in performance control, "Fragrant Honey Sinking Ashes Like Frost" has instead become a special existence. Jinmi, who ate the Absolute Love Pill, is ruthless and loveless, so in the pre-awakening part, it can be rewarded with numb external stimulation and emotional offensive. This contrast between intensity and indifference is instead an integral part of the Xianxia drama "Su Sense"; in the mid-stage, the part with a veil can cover up the lack of performance to the greatest extent and take advantage of the performance of the eyes. Therefore, the success of "Fragrant Honey Sinking Ashes Like Frost" is due to diverse factors, and the shortcomings in the actor’s career happen to be stuck in the texture and gap of the character’s characteristics. This is the unique singularity in the actor’s career that cannot be repeated or continued.

　　The irreplaceability of "not beautiful enough"

　　Returning to "Agarwood as Crumbs", when we are already tired of Yang Zi’s quirky aesthetic, the fairy tales of the past and present cannot provide a deep performance space, and the protagonist’s dull and rigid facial expressions cannot support the sadomasochistic love that spans generations, so the audience will no longer pay the bill.

　　But a topic worth discussing is that we, as the audience, are very accepting of Yang Zi’s role as the "beauty" in the setting. The daughter of the flower god, the incarnation of the sun, and the white snake are all like this. Objectively speaking, they are all characters that Yang Zi cannot suppress with his appearance at this stage.

　　If we classify Xianxia dramas and idol dramas from the audience’s mentality, most of the successful ones meet the audience’s two expectations. One is the "sense of imagination" that is far away from life and looking at the legend, and the other is the "sense of substitution" that is close to oneself and immersed in the drama. No one will feel that they are Zhao Yazhi in "The Legend of the New White Lady", and very few people will replace Liu Yifei in "Menghualu". Their "beauty" is a highlight and a barrier, isolating the audience under the stage. When we look at them, we are reading the legend.

　　But another type of work is completely different, represented by the popular works starred by Yang Zi, which may be used as a reference. Today’s Yang Zi and Ariel Lin in the "Kiss of Mischief" period have certain similarities. They are cute, but not too beautiful, and sometimes they are not even very good-looking. The performances are flawed, stiff and embarrassing, but it is these rough rough edges that make us feel that we can be "them". Their affinity, sense of neighborliness and dullness are not offensive in any way, and they can also be replaced in the viewing imagination. So the audience gets a sense of substitution in the viewing, and their substitutability of "not beautiful enough" just constitutes the irreplaceability of actors in idol drama products. We see them as entering a legend.

　　The paradox here is that from the perspective of audience psychology, "not beautiful enough" has become the key factor for Yang Zi’s success, but from the perspective of industry standards, "not beautiful enough" has become the appearance anxiety imposed on her. She made a choice for this, and paid a price. As a woman, will "they" who live in other social fields have more choices?