Shen Teng and Mary have finally made a new film together!
Apart from other things, just listening to these two names makes people feel refreshed at once.
The last time I saw the pair lead the big-screen comedy, it was about seven years ago in goodbye mr. loser.
"As soon as Charlotte was born, her father was missing …"
"What may the horse? What winter plum? Madong what? "
In the past seven years, many comedies have made us laugh, but the famous scene of Charlotte has been living in our mobile phones and minds, and it is still worth saying "You are my god".
With Shen Teng and Mary here, no one really needs to give another reason to visit Moon Man, because there is no reason not to visit at all.
This time, Shen Teng is no longer a Charlotte who traveled through time and space, but a maintenance worker who was left alone on the moon.
Mary is no longer Ma Dongmei who is dead set on Charlotte, but Ma Lanxing, the dream lover of Duguyue and the elusive moon landing leader.
We just use all our strength to prepare-laugh!
In the moon shield project, the meteorite struck ahead of time, and all the staff were evacuated urgently, so it happened that Duguyue was left alone on the moon. We thought he would persevere in order to survive, but unexpectedly, his moon was rotten and his jar was broken.
Overeating and unshaven, the moon base was created by him alive as a "pigsty".
Until suddenly one day, I found another surviving companion.
It has slender legs, tight and round hips and developed chest muscles …
This strong red kangaroo has just become the eldest brother of the moon, and she doesn’t know Duguyue without fighting.
Duguyue’s getting along with Gangzi shows Mahua FunAge’s skill in creating comic effect in body movements.
A kangaroo wearing a spacesuit on the moon, thinking about it is enough to open a brain hole, but carelessly, this kangaroo is still crazy about manipulating the spacecraft.
It’s funny and exciting.
Even because of the existence of Gangzi, the middle part of the story is pushed to a romantic climax. As for how romantic and magnificent it is, we can only shut it down first and wait for everyone to see for themselves.
Uncle Teng and Gangzi’s scenes are really unexpected and funny, but when they fall back to Shen Teng and Mary, their comedy effect is as usual, and the burden is very dense, with homophonic stalks and comedy stalks one after another.
Although some comedians think that homophonic stalks are not complicated and advanced enough, in movies, if they are used in the right place, there will always be unexpected beauty.
The director played by Li Chengru in the film, "Is there a play?" Then play a play. Suddenly changed the homophonic terrier of Hong Kong and Pu, passing by, but in a daze, we felt that the old man was "a little interesting".
For supporting actors, this effortless little burden can always create interesting people in the details and add comedy atmosphere. This is also essential for a comedy.
In addition to this kind of simple and easy-to-operate homophonic stalks, there are many comedy stalks that Mahua FunAge is very good at, which is simply enjoyable.
Mary anxiously, subordinate (Chang Yuan ornaments) brought a glass of water, and Mary gulped it down.
Chang Yuan: Just boiled.
The next second, Mary’s voice had been burnt hoarse, and he asked hoarsely with hot air: Have you contacted Duguyue?
This is a very typical Mahua FunAge-style comedy burden. Without redundant situational settings, extremely concise lines and action feedback constitute a very contrasting comedy paragraph.
Short and pithy, hit it with one blow.
And this "hot water stalk" was not used up in the film, and it was repeated several times in different forms, deepening everyone’s impression of this stalk by constantly call back, so that this stalk was played to the extreme.
This is a very typical twist comedy practice, with a spirit once.
And this "hot water stalk" has also formed a certain echo with the "drink more hot water" that we spit out every day. It can be said that the stalk is played to the extreme and played thoroughly.
After the lonely moon on the moon finally contacted the earth, she couldn’t help confessing to Ma Lanxing, "Ma Lanxing, I don’t blame you at all for leaving me on the moon. If I go back then, will you still leave me?"
This was originally a very affectionate paragraph, with Shen Teng’s deep voice and sensational atmosphere music. Everyone thought that Ma Lanxing would be moved and shouted "Never again" in the next second.
But what happened?
Ma Lanxing answered without hesitation: Yes.
Duguyue, who fell into a deep feeling, was instantly planed, and a stool fell out of the camera.
It is also a very extreme emotional reversal, and sensational and funny are on the line. As soon as we were ready to receive the protagonist’s deep affection, we were awakened by the reality mercilessly. For a time, we would suddenly turn the emotion that flooded our hearts into a bitter laugh, and we couldn’t tell whether we were laughing at the role or ourselves.
But then, Du Guyue dispelled the little bitterness in our laughter with a self-deprecating spit, and turned the self-pity of the affectionate person into a love full of joy.
"You are so cold-blooded, I really like it!"
Between spitting and self-mockery, the ending of laughter was completed.
During the twists and turns, our emotions experienced moving-disappointment-self-mockery-letting go, and these complicated and unspeakable emotions were relieved by laughter.
This is a very adult emotional expression, but also a very clever comedy technique-with a simple paragraph, a few simple dialogues, creating a very bipolar emotional tension.
This emotional tension between relaxation and relaxation is precisely the charm of Moon Man.
Its funny lies in words, baggage and plot, but its charm lies in that it can make us laugh one second and burst into tears the next. This extreme emotional experience is the real moving part of this film.
Some people say that the core of comedy is tragedy. Although it sounds unreasonable, we have to admit that sometimes there is only a thin line between laughter and tears.
The transition between laughing and crying is a gap in the character’s true feelings.
Under the package of laughter, we walked into the inner world of the characters little by little.
Duguyue, who was forgotten on the moon, thought that she was the only surviving human being in the world after witnessing the accident, so she smashed it every day and mixed it for death. Calling the earth failed again and again, and he gradually gave up hope and self until Gangzi appeared.
Gangzi and Duguyue can’t get along harmoniously, even every day, the chicken flies and the dog jumps, and the face is black and blue, but at least, Duguyue is no longer lonely, and there is a companion on the moon.
Chang ‘e is accompanied by a moon rabbit, and Duguyue is accompanied by a kangaroo. At least, she is no longer alone.
He even formed a strange little family with Gangzi. The family members include photos of Duguyue, Kangaroo Gangzi and Ma Lanxing.
It sounds incredible and looks very funny, but deep down, this is the most real emotional need of a human being isolated on the moon alone-the desire for family and family.
Even on the moon, people’s attachment to family and emotions can’t be cut off by time and space, and even because of the vastness of the universe, they are increasingly attached to home.
From this, we have a more personal experience of the love and killing between Duguyue and Gangzi. This greedy and grumpy kangaroo gave Duguyue family-like warmth and companionship.
Extending from the emotional ties of this "small family", standing on the moon and looking at the earth, the earth is home, which is the local ties of all mankind.
There is a funny and crying scene in the film. Duguyue points to the distant blue planet and says to Gangzi, "Earth, mother".
The tonality of comedy makes the sensation stop, but it does not detract from the emotional resonance we get from the picture.
Standing alone on the distant moon, Duguyue looks at the earth from afar. Behind the desolation is the yearning for home. This is a very primitive and sincere home feeling, which has an extremely amazing appeal in itself.
Therefore, when he thought that the hope of "returning to the earth" was shattered, he would lose hope and direction.
From building a strange little family on the moon to returning to the home of the earth. The whole story understands the "homeland complex" of modern people layer by layer.
We have seen what a person can pay and sacrifice for his home.
From this emotional core, it is really very touching and good enough to cry.
The wonderful thing is that it finds a very delicate balance between crying and laughing, changing emotions at all times and mobilizing all our emotions.
Proper limit, who holds the comedy film, immediately used the baggage to change her mood when the tears just poured out, making everyone smile through tears …
For example, the earth sends a signal to Duguyue to let him know that he is not alone in this universe.
The moment when the signal lights up is very touching. Everyone is about to cry under the emotional inspiration, but in the next second, they laugh wildly because the slogan is not well played.
"How can you swear!"
That’s it. Between laughing and crying, we are like sitting on an emotional rocket and experiencing laughter and tears in a subtle sense.
This subtle proper limit is the unique charm of this film in emotional balance, which pushes comedy into a richer and more multidimensional emotional field.
Of course, after pushing emotional feelings to the extreme, it also explores a broader world visually.
We used to see more urban comedies, romantic comedies, nonsense comedies, etc. Under the traditional creative concept, comedy is a story with a small incision, but this time, the boundaries of comedy have become extremely vast, covering the Milky Way.
The moon base built entirely, and 95% of the shots in the whole film involve special effects …
This very "make a mountain out of a molehill" method shows us that comedy can also bring the ultimate visual shock in such a heavy industry way.
When comedy and science fiction meet, behind this type of hybridity, it reflects that the inflection point of comedy and science fiction comes at the same time-comedy can strike hard in visual effect, and science fiction can also lift the weight lightly in the story.
There is no answer at the end of the universe, but the end of the movie is always the common emotion of human beings.
Whether it is comedy or science fiction, we have paid a lot of emotions, tasted life in tears, laughter, acidity and happiness, and spent a wonderful journey.
In this sense, Moon Man shows a brand-new future for comedies with his extreme emotional experience and super visual shock.
