＂Railway Hero＂ exposure special edition Zhang Hanyu Fan Wei and the Japanese aggressors struggle to the end.

1905 movie network news Since November 19th, the film has been highly anticipated by the audience. Both the production team that strives for perfection and the strong lineup led by the film have provided a strong quality guarantee for the film.

On November 2nd, the film released a special feature of "Little People and Great Heroes". Zhang Hanyu and Fan Wei, two powerful actors, vividly portrayed the brave and resourceful captain of the railway team and the undercover hero who was dormant with great concentration with superb acting skills. Two ordinary little people were responsible for fighting against the Japanese in their own ways, and wrote magnificent and poetic anti-Japanese war stories in troubled times. From the thrilling action scene of grabbing a train to the touching "deep affection between father and son", Railway Hero highlights the texture of a large film, but at the same time, it does not forget to incorporate ingenious ideas into its creation, striving to bring different screen experiences to the audience.

Zhang Hanyu performed the hard-core captain’s injury and insisted on filming "Pretender". Fan Wei’s wonderful crying moved the director.

During the War of Resistance against Japanese Aggression period, Lunan Railway Brigade, the 115th Division of the Eighth Route Army, hijacked trains and seized materials and weapons in Lunan, which was ravaged by Japanese invaders, creating many impressive records and dealt a heavy blow to the enemy. The film Railway Hero was based on the deeds of this team, reappearing the heroic spirit through brand-new stories and roles, and the "Lao Hong" and "Lao Wang" created by Zhang Hanyu and Fan Wei were the most representative figures. As the leader of the railway team, Lao Hong took the Jin-Pu railway line as the main battlefield with well-trained and orderly division of labor, and fought bravely with the Japanese invaders, "How to get on the train quickly" and "When to jump down", and the actors worked together to polish the interlocking details and wholeheartedly present the professionalism of the whole team.

Zhang Hanyu, who plays the hardcore captain, has many action scenes in the film. His back injury suddenly recurred for many years in one shooting, but he went into battle without changing his face and insisted on "shooting again", which was very professional. Lao Wang, the train dispatcher, "covered his face with wine", lurked around the Japanese aggressors through subtle camouflage to provide information for the railway team. A tortuous and different "father-son play" enriched the sense of hierarchy of the role.

Fan Wei devoted many wonderful crying scenes, whether it was "forbearing crying" to hide his identity or crying in the corner to vent his emotions, all of them showed solid skills, which made director Yang Feng and the staff on the side unable to help but shed tears.

Cosmetic clothing design is ingenious, and outlines the national justice of the little people with awe.

This film adheres to the awe of history and heroes in its creation. From the layout of large and small scenes to the characters, it has been thoroughly studied and devoted to the characteristics of the times. "The makeup of the time drama is more complicated and requires higher requirements." In fact, the heroes who defeated the enemy in the film were all ordinary people, and the creative team carefully studied and carefully designed each role. Lao Hong always has dirty fingernails, the rosacea formed by Lao Wang’s frequent drinking, the black-and-white beard that confirms his age, and the details make the characters more convincing.

In clothing, in order to present an old texture, the staff specially put stones and sand in the washing machine to wash with the clothes, and it takes several months to dye them into finished products. "In that special period, there were many people like Lao Wang", as Fan Wei said, every man is responsible for the rise and fall of the world, and Qian Qian’s "China nobody" ignored life and death and fought the Japanese aggressors to the end in exchange for a great victory in the war of resistance and defended the national justice.