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Xinhua News Agency, Beijing, April 8-the Supreme People’s Procuratorate, the Ministry of Public Security and the Ministry of Finance recently jointly issued "Several Provisions on Protecting and Rewarding Informants of Duty Crimes". The full text of the regulation is as follows:

Provisions of the Supreme People’s Procuratorate Ministry of Public Security and Ministry of Finance on Protecting and Rewarding Informants of Duty Crimes

Article 1 In order to safeguard the lawful rights and interests of informants and encourage individuals and units to report duty crimes according to law, these Provisions are formulated in accordance with the relevant provisions of the Constitution of People’s Republic of China (PRC) and the Criminal Procedure Law of People’s Republic of China (PRC) and in combination with judicial practice.

Article 2 Individuals and units are encouraged to report duty crimes by real names according to law.

If you use your real name or unit name to report, and you have specific contact information and recognize the reporting behavior, it is a real name report.

Article 3 People’s procuratorates, public security organs and financial departments shall work closely together to protect and reward informants.

Article 4 Any individual or unit that reports a duty crime to the People’s Procuratorate according to law shall have its legitimate rights and interests protected by law. The people’s procuratorate must keep the contents of the report and the information of the informant strictly confidential.

Article 5 The People’s Procuratorate shall take the following confidentiality measures for reporting duty crimes:

(a) the report shall be accepted by a special person, in a special place or through a special website or telephone, and irrelevant personnel shall not be present.

(two) the clues should be entered into a special computer by a special person, and the password should be strictly managed. Special computers should be physically isolated from the Internet. Without the approval of the attorney general, other staff members may not view it.

(three) the report materials shall be stored in a place that meets the confidentiality requirements, and irrelevant personnel shall not enter.

(4) When reporting clues to the procurator-general, the relevant materials shall be sealed in confidential bags, and the confidential number shall be filled in, which shall be unsealed by the procurator-general himself.

(five) it is strictly prohibited to disclose the contents of the report and the personal information such as the name, address and telephone number of the informant, and it is strictly forbidden to transfer the report materials to the reported person or the reported unit.

(six) when investigating and verifying the situation, it is strictly forbidden to produce the original or photocopy of the report materials; Except for the need of investigation and the approval of the chief procurator, it is strictly forbidden to identify the handwriting of anonymous reporting materials.

(seven) when contacting and replying to an informant through a special reporting website, the inquiry password obtained by the informant at the time of reporting shall be checked, and the reply shall not involve the specific content of the report.

(eight) other security measures that should be taken.

Article 6 After accepting a real-name report, the people’s procuratorate shall, in accordance with the relevant provisions, make a comprehensive assessment of the possible risks and their nature, degree and impact, draw up the risk level, and make a plan for the protection of informants according to the determined risk level.

In the process of handling a case, the people’s procuratorate shall adjust the risk level in a timely manner according to the changes in the actual situation.

Article 7 In any of the following circumstances, it is an act of retaliation against an informer:

(1) Violating the personal safety of informants and their close relatives by violence, threat or illegal restriction of personal freedom;

(two) illegal possession or damage to the property of informants and their close relatives;

(three) planting and framing informants and their close relatives;

(4) Insulting or slandering informants and their close relatives;

(five) dismissal, dismissal or dismissal of informants and their close relatives in violation of regulations;

(6) Deducting or disguising the wages, bonuses or other welfare benefits of informants and their close relatives;

(seven) the whistleblower and his close relatives were given disciplinary and administrative sanctions without reason, or deliberately violated the regulations to increase the punishment;

(eight) making things difficult for informants and their close relatives in terms of job promotion, job arrangement, rating assessment, etc.;

(nine) the reasonable application made by the informants and their close relatives should be approved without approval or delay;

(ten) other acts that infringe upon the lawful rights and interests of informants and their close relatives.

Article 8 If an informer and his close relatives suffer or may suffer retaliation after reporting his real name to the People’s Procuratorate and request protection from the People’s Procuratorate, the People’s Procuratorate shall promptly verify it and take the following measures according to different situations:

(1) If the personal and property safety of informants and their close relatives is threatened, necessary protective measures shall be taken in accordance with the provisions of Article 9 of these Provisions;

(2) If the whistleblower and his close relatives have been wrongly dealt with due to retaliation, they shall advise the relevant departments to correct them;

(three) informants and their close relatives suffered serious personal injury or heavy property losses due to retaliation, they should coordinate with relevant departments to provide assistance in accordance with the provisions.

If there is evidence that the whistleblower and his close relatives may be subjected to retaliation by the person in charge of the unit, the people’s procuratorate shall ask the relevant unit or individual to make an explanation or explanation. If it should be given organizational treatment or disciplinary action, the people’s procuratorate may transfer relevant evidence and other materials to the organization department and the discipline inspection and supervision organ, and the organization department and the discipline inspection and supervision organ shall handle them in accordance with relevant regulations.

Article 9 If the personal and property safety of informants and their close relatives is threatened, the people’s procuratorate shall take one or more of the following protective measures:

(a) prohibit specific personnel from contacting informants and their close relatives;

(two) to take special protective measures for the person, property and residence of the informants and their close relatives;

(3) Other necessary protective measures.

If the people’s procuratorate needs the assistance of the public security organ in the work of protecting informants, it shall consult the public security organ for handling, and the public security organ shall give assistance within the scope of its duties.

If an informant directly requests protection from the public security organ and emergency measures must be taken, the public security organ shall take emergency measures first and notify the people’s procuratorate that accepted the report in time.

Article 10 If an informer and his near relatives suffer retaliation, resulting in personal injury, reputation damage or property loss, the people’s procuratorate shall support him in making a claim for compensation according to law.

Article 11 If it is really necessary for an informer to testify in a lawsuit, and his or her close relatives are in danger of retaliation for testifying, the people’s procuratorate shall take protective measures to keep personal information such as his or her real name, address and work unit secret, and may use a pseudonym instead of the informer’s personal information in legal documents and evidence materials such as the indictment, inquiry record, etc., but it shall explain the use of the pseudonym in writing, indicate the classification and file it separately.

If the people’s court notifies the reporter as a witness to testify in court, and the reporter and his close relatives are in danger of retaliation for testifying, the people’s procuratorate shall suggest that the people’s court take measures such as not exposing the appearance and true voice of the reporter to testify in court.

Twelfth take revenge or instruct others to take revenge against informants and their close relatives, shall be punished according to discipline; If it constitutes a violation of public security administration, it shall be punished according to law; If a crime is constituted, criminal responsibility shall be investigated according to law.

If a criminal suspect who has been released on bail pending trial or under residential surveillance retaliates or instigates others to retaliate against informants and their close relatives, the people’s procuratorate shall arrest the criminal suspect according to law. Before deciding to arrest, you can detain first.

Thirteenth people’s Procuratorate’s protection of informants shall be coordinated by the reporting center, and the investigation department, public prosecution department and judicial police department shall strengthen cooperation and jointly do a good job in protection.

Article 14 If the tip-off clue is verified and the reported person constitutes a crime, the real-name tip-off person who actively provides the tip-off clue and assists in solving the case shall be given certain spiritual and material rewards in accordance with the relevant provisions of the state.

Units that report meritorious service may be rewarded in accordance with relevant state regulations. However, if the reporting unit is a crime unit, it shall comprehensively consider the actual situation of the unit and its role in case detection and other factors to determine whether to give rewards.

Fifteenth people who report meritorious service shall be rewarded according to the relevant provisions of the state. Personal reward methods are honor reward and bonus reward. Honorary awards include awarding flags, certificates, medals, certificates, etc.

Rewards for reporting meritorious units generally take the form of honorary awards.

Article 16 The rewards for informants of duty crimes shall be decided by the people’s procuratorate.

If a bonus is given, the people’s procuratorate shall determine the amount of the bonus according to the nature, circumstances and the value of the reported crime. The bonus amount of each case is generally not more than 200,000 yuan. Informants who have made significant contributions, with the approval of the provincial people’s procuratorate, can be rewarded at more than 200 thousand yuan, with a maximum of 500 thousand yuan. Have a particularly significant contribution, approved by the the Supreme People’s Procuratorate, not subject to the above amount restrictions.

Seventeenth for many people to jointly report the same case, the implementation of a case of a prize, the sum of the reward amount of each meritorious person shall not exceed the upper limit of the reward amount of each case as stipulated in Article 16 of these Provisions.

If more than one person reports the same case successively, in principle, the whistleblower who reports the case first or plays a major role in detecting the case will be rewarded. If the reporting materials provided by other informants play a direct role in detecting cases, they may be rewarded as appropriate.

Eighteenth reward informants, generally should be carried out after the relevant judgment or ruling takes effect.

If the people’s procuratorate decides not to prosecute the informer in accordance with the second paragraph of Article 173 of the Criminal Procedure Law of People’s Republic of China (PRC), it may decide whether to reward the informer according to the specific circumstances of the case.

Article 19 The reward may be applied by the informant to the reporting center of the people’s procuratorate, or decided by the people’s procuratorate ex officio.

Article 20 The list of persons to be rewarded, the method and amount of rewards shall be put forward by the reporting center of the people’s procuratorate and submitted to the chief procurator for decision.

Twenty-first reporting bonus issued by the people’s Procuratorate reporting center is responsible for. The reporting center may, through appropriate means, notify the winners to collect them at the people’s procuratorate or at a place it deems appropriate. When issuing, there should be more than two prosecutors present.

Twenty-second people’s Procuratorate timely announced to the public the reward work. Involving the disclosure of informer information, it shall obtain the consent of the informer.

Article 23 If an informant who meets the reward conditions dies, is declared dead or loses capacity before receiving the reward, the people’s procuratorate shall distribute the bonus to his successor or guardian.

Twenty-fourth reward funds by the financial sector included in the budget, overall arrangement.

Twenty-fifth people’s procuratorates shall strengthen supervision over the work of reporting rewards. If the reporting center, investigation department, public prosecution department, and planning and financial equipment department find that there are fraudulent and other violations in the reporting and reward work, they shall report to the procurator-general for correction. If the people’s procuratorate at a higher level finds that the people’s procuratorate at a lower level has violated the provisions in reporting rewards, it shall correct it.

Twenty-sixth in any of the following circumstances, the directly responsible person in charge and other directly responsible personnel shall be punished according to discipline and law; If a crime is constituted, criminal responsibility shall be investigated by judicial organs according to law:

(1) Deliberately or negligently disclosing the name, address, telephone number, report content, etc. of an informer, or transferring the report materials to the informer;

(two) should make a plan for the protection of informants and take protective measures without making or taking them, resulting in serious personal injury or heavy property losses to informants and their close relatives;

(three) interception, embezzlement, misappropriation, misappropriation of reward funds for reporting, or payment of reward funds for reporting in violation of regulations.

Article 27 The term "duty crime" as mentioned in these Provisions refers to the crime of corruption and bribery committed by state functionaries as stipulated in Chapter VIII of the Specific Provisions of the Criminal Law, the crime of dereliction of duty as stipulated in Chapter IX of the Specific Provisions of the Criminal Law, the crime of violating citizens’ personal rights and the crime of infringing citizens’ democratic rights committed by state functionaries by taking advantage of their powers.

Twenty-eighth individuals and units report violations to the discipline inspection and supervision organs, and after the relevant cases are transferred to the people’s procuratorate for investigation due to suspected duty crimes, these Provisions shall apply to the protection of informants.

Article 29 These Provisions shall come into force as of the date of promulgation.

　　Zhang Gan, a professor at Tsinghua University Academy of Fine Arts, recently gave a special report entitled "Plague and Western Art —— The Influence of Disease and Plague on Western Painting" in Lecture 10 of "Spring Breeze Lecture Hall" in Tsinghua University. He studied the influence of "disease and plague" on western art from the perspective of art appreciation from three aspects: the plague in works of art, the new theme of the birth of plague and the art interrupted by plague.

　　No.1Plague in works of art

　　Plague and disease run through the development of human civilization. People who have experienced disasters often record or express disasters and the thoughts they bring to people in the form of literature and art.

　　For example, works of art with the theme of war, some patrons at that time hoped to show their military achievements or achievements through their works, and some artists hoped to accuse the atrocities of war by expressing the theme of war.

　　However, there are not many works that show plagues and diseases in paintings. Because the plague brings painful memories to everyone and the state of illness has no aesthetic feeling at all, artists rarely show the sick scenes directly in their works. However, the rethinking of life caused by disease and plague, such as the cycle of life and death, the relationship between man and society and the influence of plague itself on human society, all play a lasting role in art.

　　In western painting, there are some works related to plague or disease, and occasionally artists directly express the visual impact brought by plague in their works. These worksIt reflects the disaster and catastrophe brought by plague and disease to human beings, and the brilliance of human nature highlighted in it..

　　01

　　Plague has been accompanied by human history, and the most serious one in western historical records is the Black Death in 1348. American writer Joseph P. Bourne once wrote in The Black Death: "Neither Western Christianity nor the Islamic world can express such a disaster as the Black Death with visual images." Although few works of art are expressed, we still found some images. These paintings played a certain role in the later study of the Black Death.

　　The scene of survivors burying the dead,

　　The only existing work during the first outbreak of the Black Death.

　　Scenes of priests helping to treat and bury the dead,

　　Bronze prints during the outbreak of Florence plague in 1348.

　　The doctor who treated the Black Death wore a beak mask as a protective measure.

　　02

　　The painting of the altar of Isenheim in the museum of Antlinden in Coma, France, shows the monastery’s treatment of the disease under the epidemic of ergot poisoning. The work comforts the believers through the theme of Christian resurrection, and will surely overcome the disease.

　　Eisenheim altar painting

　　Matthias Gruenewald

　　Painting of the Altar in Isenheim (Unfolded), the central altar was carved by nikolaus Hagenau in 1490, and the hospital chapel of St. Anthony’s Cathedral in Isenheim, Germany, about 1510 ~1515. Altar, painted gilded basswood, 298.4cm× 250.1cm× 92.7cm (center), 74.9cm× 340.4cm (lower sketchpad), oil painting on the side boards, 250.1cm× 92.7cm..

　　Saint Anthony is the patron saint of patients with skin diseases (Isenheim is a village 15 miles from Cole Ma Yinan). In art, pigs are usually accompanied by Saint Anthony, which refers to the use of pork fat to treat skin infections. But it also led Saint Anthony to become the patron saint of pig farmers, and the protectors of basket weavers, pen makers and grave diggers had nothing to do with his treatment (he lived as a hermit, a religious hermit for the first time, in an empty grave).

　　At Isenheim Hospital, the monks of St. Anthony’s Monastery devote themselves to taking care of sick and dying farmers, many of whom suffer from ergot disease. Ergot disease is a disease caused by eating rye grains infected with fungi. Ergotism, commonly known as the fire of St. Anthony (St. Anthony‘s fire) can cause hallucinations, skin infections and attacks on the central nervous system, eventually leading to death.

　　03

　　In the history of western art, there are some outstanding works that reflect plagues and diseases.

　　3.1　The plague of Ashdod

　　In the 17th century, the works of Nicolas Pu Sang, a famous French classicism representative painter, according to the description in Samuel, showed the scene of children crying on the body of their mother who died of the plague, and showed people’s desire to be free from the plague.

　　The Plague of Ashdod， 1628-1630

　　Oil on canvas, 148×198, Louvre, Paris.

　　3.2　Napoleon visited the plague patients in Jaffa.

　　In the 19th century, the works of Antoine-Jean Gro, a pioneer of romanticism and a famous French painter, described Napoleon’s inspection and care of soldiers infected with plague in the monastery of Saint Nicholas, Armenia, and showed Napoleon’s heroic image as a leader who loved soldiers like children and the real scene of treating plague patients.

　　In 1804, oil painting on canvas, 532×720, Louvre, Paris.

　　3.3　Death in the Sickroom

　　At the end of 19th century and the beginning of 20th century, several works by Norwegian expressionist painter edvard munch set off the sad and depressed mood with cool colors, and showed the atmosphere of suffering from diseases incisively and vividly.

　　1893， 134cm ×　160cm，　Munch Museum， Oslo

　　1895， oil on canvas， 150cm ×　168cm， Nasjonalgalleriet， Oslo

　　3.4　Science and Kindness

　　In 1897, Picasso’s work was only 16 years old. The doctor in the picture is modeled after his father, and the girl in the hospital bed is modeled after a gypsy girl Picasso met in the street. This kind of works expressing the theme of science and technology and benevolence was very popular at the end of the 19th century, which was closely related to the development of medical science and technology in this era, and expressed the theme that although the disease was painful, science and technology brought hope to mankind.

　　Pablo Picasso， Science and Charity， 1897， 200 x 250cm

　　3.5　The Plague

　　Marx klinger’s prints depict the sudden appearance of a crow symbolizing death, which shocked the nuns who comforted the patients and filled the whole environment with an ominous atmosphere.

　　1857-1920， From Vom Tode II （Berlin， 1898-1910） Engraving and drypoint， 36 × 31.4cm

　　The psychological impact of the plague on human beings is well reflected in the form of painting. Art is a record of human history, not only an aesthetic expression, but also an important carrier of human thought and civilization.

　　No.2

　　A new theme born of plague

　　Due to the plague, some new themes were born in the history of western painting. For example, after the Black Death, the themes of "Death’s Victory" and "Death’s Dance" appeared. These two themes remind us that people can’t avoid death: the former is more active, persuading people to work hard in this life and strive for good results; The latter is more pessimistic, emphasizing that no matter whether he was a king, a monk or other people from all walks of life, he would eventually be born to die.

　　These thoughts related to death were very popular in the 14th century, which was closely related to the underdevelopment of medicine and technology at that time. People were helpless in the face of diseases and plagues, and their despair and helplessness were understandable. Today, through unremitting efforts and exploration of mankind, there is new hope to overcome the epidemic.

　　Three living people meet three dead people

　　"Death’s Victory" has been popular in Europe since the 14th century. The above picture is selected from the book "Poems and Prayer Books" written by Bonn, Duke of Normandy in Luxembourg, who died of the plague. The dead in the painting said to the living, "We used to be like you, and now we are you in the future." This theme became more popular in the late Middle Ages.

　　The theme of "Victory of Death" series has been shown in Italy, Belgium, France and Germany. The Italian work The Triumph of Death with the Dance of Death is very typical. At the top of the picture is an image of a god of death wearing a crown and the helplessness of people from all walks of life in the world in the face of death, indicating that no one can defeat death; The bottom of the picture embodies the "dance of death", expressing that death has accompanied people all their lives and cannot escape.

　　Giacomo Borlone de Burchis， The Triumph of Death with The Dance of Death， 15th century， Oratorio dei Disciplini in Clusone， Italy

　　The image of death gradually fixed in the Middle Ages: a skeleton with a sickle and an hourglass representing time, and some with wings similar to bats.

　　"Seven Ages of the World: The Image of Death" is a woodcut illustration made by Michal Wohlgemuth for Hartman Scheedel’s Chronicle. In the picture, corpses with different degrees of corruption are dancing, and there is a paragraph under the image: "Nothing is better than death …" It reminds people that death will eventually overcome the body.

　　Death shoots an arrow from a bow on a skinny horse, targeting people of all social classes. The horse occupies the center of the whole scene, its ribs are clearly visible, and its bony head shows its teeth and tongue. Death has just shot an arrow and hit a young man in the lower right corner. Death will also wear a sickle beside the saddle, which is its typical feature.

　　Wet frescoes of Abbatilis Palace in Palermo, circa 1446. Entrusted by the king of Aragon in Naples.

　　01

　　Ponico Di Martino or Ponico Boufard Marco has a famous work "Victory of Death". The picture is divided into two parts: on the left, a young man rides a horse for an outing and meets a hermit. The old man shows you three coffins with the bodies of a king, a priest and a noble respectively. The bodies are swollen and rotted, and the young people cover their noses and mouths; On the right is the scene of young people playing the piano, playing and dancing in the garden. It shows that people were powerless in the face of death at that time, and people were happy in time, while angels and demons in the sky were fighting for people’s souls, which warned everyone that life is short and we should live actively.

　　Cemetery of Pisa Cathedral, Buona Mico di Martino or Buona Mico Buffalo Macco (Active C.1315-1336).

　　02

　　Part of Gorgeous Daily Classics was written by Jean Collomb. In the picture, armed soldiers were beaten out of the water by three skeletons, which also represented the victory of death.

　　A variant of death’s victory

　　Most classic: Old Peter Bruegel, Victory of Death

　　In the lower left corner of the foreground of the painting is the king caught by death, who is still thinking about his gold and silver when he dies. On the right is the priest caught by death, and a pilgrim in white who is lying asleep on the ground in the middle is also killed by death. The skeleton on the left pulls a car full of human skulls. Under the car, there is a woman who is cutting off the textile thread representing the thread of life with scissors, which is a metaphor for the fragility of life. There is a dining table in the lower right corner of the picture. Everyone who is having a banquet is interrupted by death. On the right, there is a trap like a mousetrap. All human beings are driven here by death, which means that human beings will eventually be defeated by death. The background of the whole picture is a barren battlefield, filled with smoke, and the skeleton army completely defeats human beings.

　　Pieter Bruegel the Elder，　Triumph of Death， c。 1562， oil on panel， 117x162cm， Museo del Prado， Madrid。

　　The Dance of Death by the German artist Hans holbein (1497-1543) is an excellent print work in the Renaissance. In a series of dynamic pictures, death invaded the daily life of 34 people from all walks of life, from the Pope to the doctor to the farmer who plowed the fields.

　　Adam and Eve were expelled from the paradise, and death waited excitedly.

　　The samurai struggled with death, and it was hard to defeat after all.

　　A lady was visited by death.

　　Al Brecht Diu Lei was the greatest painter in the German Renaissance. There are four knights in his Four Horsemen in Revelation, representing conquest, war, hunger and death. Among them, death can kill a quarter of the people on the earth with swords, famines, plagues and wild animals. Although this work does not directly show the plague, it warns everyone about the influence of the plague on human beings through the image of death.

　　These works represent the pessimistic attitude of the west in the face of plague in this specific period of the 16th century. These emotions are a portrayal of the world at that time, representing people’s views and understanding of the world. At the same time, artists also satirize social reality through their works, which also reminds us how to look at the present world.

　　But in the history of western painting, this is only a small part, and most of the works face life with a positive and optimistic realistic attitude. The themes derived from the plague are not all pessimism, but there are some changes in the later period.

　　Corpse monument

　　During the outbreak of plague, many people can only be buried in nameless graves or graves. Out of fear of this feeling of complete disappearance, people with conditions demand that enough marks be left on their graves. For about two centuries, rich people put life-size statues of themselves on the top of tombs. In the 1490s, a new form of burial emerged, which was mainly characterized by the juxtaposition of neatly dressed images of bishops, cardinals or nobles and life-size decomposed corpses, and was called the Cadaver monument.

　　The earliest carrion tomb in England belongs to Henry Chichele, Archbishop of Canterbury. The inscription in the mausoleum reads: "I was born in poverty and was later promoted to bishop." If you can’t afford to get sick now, it will become food for maggots … You will be like me after death: all terrible dust, maggots and carrion. "

　　John FitzAlan’s body monument, 14th Earl of arundel, died in 1435. Arundel Chapel in Arendal Castle, Sussex.

　　Ma Saqiao: Trinity, 1425-28 wet mural, Notre Dame de Florence.

　　At the bottom of the picture is a painted corpse monument. This work is the earliest known preserved work using scientific perspective in the history of western art.

　　A patron saint from the plague

　　Based on everyone’s wish to avoid plague infection, two protected saints came into being: St. Sebastian (St. Sebastian) and St. Roche (St. Roch）。

　　San sebastian

　　San Sebastian lived in the early 4th century. His relationship with the plague stems from the fact that he can survive the rain of arrows. In western tradition, arrows are associated with diseases initiated by God. There are many times in the Old Testament that arrows are used to compare God’s punishment. Such as Deuteronomy (32: 23): "Shoot my arrows at them." Psalm (64: 7): "But God wanted to shoot them, and suddenly they were wounded by arrows." Psalm (7: 12): "The bow must be bent and ready." Wait a minute. Classical writers and Christian writers in the first Black Death pandemic also compared the plague to an arrow. The earliest known recourse to Sebastian occurred in pavia and Rome in the 7th century.

　　The earliest known work of Saint Sebastian is a mosaic of the existing New Saint Apolinar Church in ravenna, Italy, which was created around 527-565 AD. Another earlier painting, St. Sebastian, a mosaic of St. Peter’s church in chains in Rome, was created around 682 AD.

　　South Nederland painter Levering Cox

• Josse Lieferinxe (Working CA 1493–1503/08) The intercession of Saint Sebastian for the Plague Stricken, The Walters Art Museum.

　　St. Roche

　　Saint-Roch was born in Montpellier, France, in a noble family, between the 1990 s and 1350 s. On his way to Rome for pilgrimage, he encountered a plague, so St. Roch stayed in Akua Pontent, Tuscany to help the patients. A few years later, he was infected with plague on his way home. A dog licked his wound and brought him food, and finally recovered. After returning home, he was mistaken for a spy and died in prison. People found "angel handwriting" on him, saying that he would become a patron saint of plague patients after he ascended to heaven. The earliest evidence of worshipping him appeared in the early 15th century. His legend is very popular in Venice. St. Roch in the portrait is usually standing, wearing a pilgrim’s hat, holding a cane and a shell, with a dog giving him food. The left leg is exposed, showing a lymph node mass at the root of the leg.

　　Burial place of Saint Roch， Church of San Rocco in Venice， Italy

　　During the Black Death that ravaged northern Italy from 1477 to 1479, people’s worship of St. Roch was growing.

　　St. Roch Hall in Venice

　　Scuola Grande di San Rocco

　　No.3

　　Art interrupted by plague

　　In 1951, art historian Milad Mais published The Paintings of Florence and Siena after the Black Death: Art, Religion and Society in the Mid-14th Century. In the book, he pointed out that the Black Death had a profound influence on the artistic style and content of Florence and Siena. It is precisely because of the fear of plague that the patrons of religious painting gave up the artistic development for half a century and turned back to a more traditional, more religious and spiritual style.

　　Mays believes that the Black Death delayed the reality of Renaissance style and the development of humanistic art for decades. However, more art historians, such as Hank Van Oath, point out that many key artists and patrons died because of the plague, which is the reason for the delay in the change of artistic style. For example, Luo Renzetti, a painter in Siena, died of the Black Death, and the nine-member government in Siena collapsed, which led to the end of the sponsorship of art. Judith Steinhoff, an art historian, believes that the "new patron" with low taste led to the decline of artistic taste at that time. Italians who experienced the plague became very concerned about being remembered, which was reflected in the construction of churches, art sponsorship and donations. The individual’s concern for the name behind him directly triggered human’s concern for artistic realism, which will be the symbol of Renaissance art in the 15th and 16th centuries.

　　Giotto di Bendone

　　（Giotto di Bondone， c.1277-1337）

• Boccaccio said Giotto brought light to the art of painting.

• Dante wrote in the eleventh song "Proud people become humble people" in the Divine Comedy Purgatory: Chemapu wanted to be invincible in painting, but now Giotto has won the praise, so the other one’s reputation is unknown.

• A monument commissioned by Lorenzo de’ Medici in Florence Cathedral to commemorate Giotto. The inscription was written by humanist Poliziano: I am the one who gave new life to the lost painting art.

　　One of the earliest works using the central single-point perspective method.

　　The Birth of Mary 1342， Tempera on wood， 188 x 183 cm， Museo dell‘Opera del Duomo， Siena

　　Titian (1488/90-1576), Mourning Christ.

　　Pietà，　1576，　Oil on canvas， 352 x 349 cm，　Gallerie dell‘Accademia， Venice

　　Titian was infected with the plague and died of a high fever on August 27, 1576. Mourning for Christ was not finished before his death, but was finished by his student Palma.

　　the spanish flu

　　■ Another plague that has an important impact on western art is the Spanish flu. The Spanish flu lasted from January 1918 to December 1920, and about 500 million people were infected in the world. It was estimated that the death toll reached 17 million to 50 million, and some people thought it might reach 100 million.

　　Two very important Austrian painters died of Spanish flu, Egon Schiele and Klimt.

　　Emergency hospital set up in Kansas

　　Egon Schiele painted himself in the image of San Sebastian. The arrow not only represents the plague, but also represents the gossip that denies his art.

　　Self-Portrait as St。 Sebastian （Poster for Arnot Gallery exhibition）， 1914/15，　Indian ink and opaque， 67 x 50 cm， Historisches Museum der Stadt Wien， Vienna

　　02

　　Aids and Art in the 20th Century

　　In the 1980s and early 1990s, AIDS caused by human immunodeficiency virus (HIV) broke out and swept across the United States and other parts of the world. Since the beginning of the AIDS epidemic, more than 70 million people have been infected with HIV, and about 35 million people have died of AIDS.

　　Posters designed by keith haring:

　　Keith Haring，　Ignorance = Fear， 1989， Poster Collection Noirmontartproduction， Paris。　

　　In 1990, Harlem died of AIDS at the age of 31.

　　The test of human nature brought by the plague is also what we need to face today. Diseases make us think about several issues: first, the relationship between man and nature (man and environment, man and animals); Second, the relationship between people and society (individual and whole); Third, the relationship between people (with relatives, friends and strangers); Fourth, the relationship between countries (equality, fraternity or narrow nationalism).

　　In this thrilling art history related to the plague, we have seen the despair and struggle of mankind, the untimely death of many outstanding artists, and more hope and strength. Art constantly reminds us how to get along with nature, society and the past. We should face challenges together and build a community of human destiny with a more universal, equal and broad mind.

　　I hope that the power of art will continue to advance with mankind, and that mankind will never die and art will never die.

　　(This article is reproduced from Tsinghua University)

　　6月1日出版的第11期《求是》杂志发表中共中央总书记、国家主席、中央军委主席最高领袖的重要文章《中国式现代化是中国共产党领导的社会主义现代化》。

　　文章强调，党的二十大报告明确指出：“中国式现代化，是中国共产党领导的社会主义现代化。”这是对中国式现代化定性的话，是管总、管根本的。党的领导直接关系中国式现代化的根本方向、前途命运、最终成败。

　　文章指出，党的领导决定中国式现代化的根本性质。党的性质宗旨、初心使命、信仰信念、政策主张决定了中国式现代化是社会主义现代化，而不是别的什么现代化。我们党始终高举中国特色社会主义伟大旗帜，坚定不移地走中国特色社会主义道路，确保中国式现代化在正确的轨道上顺利推进。我们党坚持把马克思主义作为根本指导思想，不断开辟马克思主义中国化时代化新境界，为中国式现代化提供科学指引。我们党坚持和完善中国特色社会主义制度，为中国式现代化稳步前行提供坚强制度保证。我们党坚持和发展中国特色社会主义文化，为中国式现代化提供强大精神力量。只有毫不动摇坚持党的领导，中国式现代化才能前景光明、繁荣兴盛；否则，中国式现代化就会偏离航向、丧失灵魂，甚至犯颠覆性错误。

　　The article points out that the party’s leadership ensures that the goal of Chinese modernization is stable and far-reaching. Our party has always adhered to its original mission, determined to seek happiness for the people of China and the rejuvenation of the Chinese nation, persisted in unifying lofty ideals and phased goals, and continued to struggle, struggle hard and struggle unremittingly. Since the reform and opening up, our goal of building a socialist modern country has been gradual and consistent, and has been enriched and improved with the development of practice. The 20th National Congress of the Communist Party of China drew a clearer picture of the goal of China’s development by 2035, and scientifically described the grand blueprint for building a socialist modernization power in an all-round way and promoting the great rejuvenation of the Chinese nation in an all-round way. Building a socialist modern country is the consistent goal of our party, which has been pushed forward from generation to generation, and has continuously achieved brilliant achievements that attract worldwide attention and shine in history.

　　The article points out that the party’s leadership has inspired a strong driving force for building Chinese modernization. Reform and opening up is a key measure to determine the fate of contemporary China, and it is also a key measure to determine the success or failure of Chinese modernization. After the reform and opening-up, our party has continuously promoted the system reform in various fields, and formed and developed a vibrant system and mechanism that conforms to the national conditions of contemporary China. Since the 18th National Congress of the Communist Party of China, with great political courage, our party has comprehensively deepened the reform, broken through the shackles of ideological concepts, broken through the barriers of solidification of interests, and resolutely eliminated the shortcomings of various institutional mechanisms. The reform has changed from local exploration and breakthrough to system integration and comprehensive deepening, and many fields have achieved historic changes, systematic reshaping and overall reconstruction, injecting inexhaustible power into Chinese modernization.

　　The article points out that the party’s leadership embodies the majestic power of building Chinese modernization. Our party deeply understands that Chinese modernization is the cause of hundreds of millions of people, and the people are the main body of Chinese modernization. We must rely on the people closely, respect their creative spirit, and pool the wisdom and strength of all the people to promote the continuous development of Chinese modernization. We adhere to the party’s mass line and strive to win the heartfelt support of the people for the party’s theory, line, principles and policies. We adhere to the people’s yearning for a better life as the goal of struggle, adhere to the people-centered development thinking, and let the achievements of Chinese modernization benefit all the people more and more fairly. Our party develops people’s democracy in the whole process, ensuring that the people manage state affairs, economic and cultural undertakings and social affairs through various channels and forms according to law, and devote themselves enthusiastically to modernization with the spirit of ownership. Our party inspires, inspires and inspires people with the beautiful vision of Chinese modernization, and condenses the majestic power of building a socialist modern country in an all-round way.

Beijing News Shell Financial News (Reporter Wang Linlin) On November 17th, the new BMW 5 Series long wheelbase version of BMW Group was launched in the world at Guangzhou Auto Show. The new car will be listed at the end of January 2024 and delivered one after another.

The new BMW 5 Series long wheelbase is a customized model in China market, and the BMW Group claims that it has the ability to expand to L3-class automatic driving; In addition, the new BMW 5 Series applies L2+ intelligent driver assistance system and is equipped with BMW’s first automatic lane change function with line-of-sight confirmation. In addition, the BMW 5 Series introduced pure electric vehicles for the first time, and the BMW i5 adopted the fifth-generation BMW eDrive electric drive technology and BMW’s latest charging technology; The launch of BMW i5 also means that the pure electric products of BMW Group cover almost all major market segments.

In the first 10 months of this year, the sales volume of BMW pure electric vehicles in the domestic market increased by 211% year-on-year to 78,568 vehicles. In terms of charging infrastructure, by the end of October 2023, BMW’s public charging network had connected more than 580,000 public charging piles nationwide; In August this year, the BMW Super Charging Station project, which is open to all brands of electric vehicles, was officially launched. BMW plans to cover nine cities including Guangzhou within three months, and it is estimated that about 50 stations will be completed by the end of 2023.

Editor Song Yuting

Proofread Junyan Zhang

[Autohome Shanghai Promotion Channel] brings you exclusive promotions: the most talked-about models are currently under major promotion in Shanghai, and you can enjoy a car purchase subsidy of up to 30,000 yuan. The minimum starting price of this hardcore SUV has been adjusted to 209,800 yuan, providing consumers with an attractive car purchase option. To seize this rare promotion opportunity, be sure to click the "Check Car Price" button in the quotation form to ensure access to the latest market offers and personalized car purchase plans.

The exterior design of the Beijing BJ60 is full of hardcore off-road atmosphere. The front face is equipped with a family-style five-hole air intake grille and rough chrome decoration, showing strength and recognition. The body lines are smooth and firm, and the overall style is both modern and traditional off-road style, showing the toughness and luxury of off-road models.

With its 5040mm body length, 1955mm width and 1925mm height, the Beijing BJ60 exhibits a robust and atmospheric body proportions. The wheelbase reaches 2820mm, ensuring ample interior space and driving stability. Its side lines are smooth, outlining the combination of power and elegance. The distribution of the front and rear wheel bases of 1620mm makes the overall body more balanced. The tire specification is 265/65 R18, and it is matched with a delicate wheel rim design, which not only strengthens the visual impact of the vehicle, but also ensures good grip and driving performance.

The interior design of the Beijing BJ60 focuses on the combination of luxury and practicality. It uses a delicate leather steering wheel to provide a comfortable grip, supports manual up and down + front and rear adjustment, and is convenient for drivers to adjust as needed. The center console is equipped with a 12.8-inch large-size touch screen, which has clear display effects and rich functions. It supports automatic speech recognition control system, which is easy for drivers to operate during driving.

In terms of seats, the Beijing BJ60 is made of imitation leather, and the front seats support front and rear adjustment, backrest adjustment, high and low adjustment (4 directions), leg rest adjustment and waist support (4 directions), providing excellent ride comfort. In addition, the front seats are also equipped with heating, ventilation and massage functions, so that the driver can also get all-round care during long-distance driving. The passenger seat is also rich in configuration, which can be adjusted front and rear, backrest adjustment and high and low adjustment (2 directions), and is equipped with waist support (4 directions).

It is worth noting that there are also USB and Type-C ports in the car. There are 3 ports in the front row and 2 in the back row, which is convenient for passengers to charge electronic devices and provide wireless charging function for mobile phones. The addition of these configurations makes the interior of the Beijing BJ60 meet not only the sense of luxury, but also the needs of modern technology and practicality.

The Beijing BJ60 is powered by a 2.0T turbocharged engine capable of delivering a maximum power output of 120 kilowatts and a maximum torque of 400 Nm. The power unit delivers 163 horsepower and is paired with an eight-speed manual transmission to meet the driver’s demand for performance and handling.

Summarizing the owner’s evaluation, the Beijing BJ60 won his recognition for its unique body design and powerful functionality. The owner said that the streamlined design of the body not only shows domineering, but also allows him to experience convenience in actual operation, especially the fashion sense of the front and the beauty of the rear. This comprehensive performance has undoubtedly won the love of many owners of the Beijing BJ60 and become a reliable partner for their confident travel.

　　On August 8, the Tiggo 8L global launch conference was grandly held in Chengdu. Chery’s self-developed flagship SUV Tiggo 8L was officially launched, once again demonstrating the industry’s benchmark strength. It not only interprets the king’s style with natural power, but also has all-dimensional advantages such as the king of space, the king of performance, and the king of safety. It can be called a car that delights the family and can meet the diverse needs of the whole family.

　　The global listing of Tiggo 8L, the official guide price of the new car 129,900 – 174,900 yuan. The current order can also enjoy five car purchase gifts:

　　The women’s volleyball team’s 100 million yuan guardian fund: before August 31, the car purchase user "shared 100 million guardian fund, the car purchase will be reduced by 10,000 yuan in cash;

　　Exclusive replacement gift: up to 15,000 replacement subsidy;

　　Exclusive quality assurance gift: send 10,000 yuan worth of vehicle lifetime quality assurance (exclusive to the first owner);

　　Exclusive traffic gift: enjoy 2 years of free entertainment traffic + lifetime free basic traffic (exclusive to the first owner);

　　Exclusive service gift: free roadside assistance.

　　King of performance Gold FederationConquer the scene

　　Tiggo 8L is equipped with a full-stack self-developed "Double Ten Best" golden power combination, which brings super power performance. Among them, the 2.0TGDI Kunpeng power engine has won the title of "China Heart" Top Ten Engine, with a maximum power of 187kW and a peak torque of 390N · m. It has four advantages: high-efficiency thermal management system, second-generation high-efficiency combustion system, low-resistance motion system, and high-response booster system. The Kunpeng 8AT transmission not only has the characteristics of ultra-smooth and high-performance, with silky shifting and the highest mechanical efficiency of 96%. It has also undergone global development and verification to achieve global quality. It forms a perfect combination with the 2.0TGDI Kunpeng power engine, giving Tiggo 8L an unparalleled power and control experience, helping users easily control the whole scene of family cars.

　　In addition to self-developed engines and transmissions, Chery has also achieved global strength in the field of self-developed chassis. The full-stack self-developed full-scene intelligent control four-wheel drive system includes 7 different driving modes that can be freely switched, covering more than 17 types of terrain and road conditions such as snow, mud, sand, etc., allowing users to enjoy speed and passion while having the ultimate stable control, calmly conquering every journey.

　　Security king, all-dimensional protection is impeccable

　　In a family car, safety is the greatest luxury. Tiggo 8L is a global standard and has been tested thousands of times to create a full-dimensional guard for users from the inside out. Tiggo 8L adopts a rock body design, with high-strength steel accounting for 85%. It is supplemented by double anti-collision beams and oversized aluminum alloy anti-collision beams to provide users with rock-solid body protection. Bosch Intelligent IPB Brake gives the new car excellent braking performance with fast response and stable braking, which is more reliable at critical moments. At the same time, Tiggo 8L has a 7-airbag configuration, covering the advantages of remote airbags, 2060mm curtain airbags and ultra-long 6S pressure holding. With fatigue monitoring system and E-CALL rescue call system, it forms a comprehensive passive safety guarantee for users combining soft and hard.

　　In terms of active safety, the Tiggo 8L is equipped with L2.5 + level intelligent driving assistance, ACC full-speed domain adaptive cruise, SCF speed assistance control, LDW lane departure warning, AEB automatic emergency braking, IHC automatic far and near light switching, and other 19 full-dimensional intelligent driving assistance systems, covering all-dimensional car scenarios such as following, driving, merging, and night driving, adding a solid barrier to family safety on the basis of strong passive safety.

　　King’s style, vivid interpretation of the aesthetics of natural power

　　Exceptional appearance, instant heart. Tiggo 8L is based on the design concept of "Art in motion", drawing design inspiration from the "shape", "color" and "sound" of natural things, and integrating the new natural force aesthetics into every detail of the car.

　　The front face of Tiger Roar is based on the bionic appearance design, such as the roar of a tiger and full of tension. The sharp teeth lattice grille is like the tusks of a tiger, sharp and sharp, quite majestic. The designs of smart sharp-eyed lamps, bright-eyed LED headlights and tiger-ear indicator lights complement them, further creating a strong natural vitality full of power, showing the king’s posture all the way up, bringing users a bright visual aesthetic experience.

　　Space king, open a new experience of smart home furnishing

　　The Tiggo 8L is tailor-made for home users. It is based on a leapfrog size of 4795x1930x1729mm and a long wheelbase of 2770mm. It fully considers the diverse needs of family travel in terms of spatial layout, achieving an exceptional experience with larger space, more flexible layout, and more comfortable ride.

　　The new car adopts a 5 + 2 seat layout, and the "room acquisition rate" is as high as 70.04%. The actual space is far larger than what you see, ensuring that every family can enjoy a comfortable experience. By putting two or three rows of seats down, you can achieve a 2065L suitcase volume, which is enough to hold 30 suitcases, and can be turned into a "big bed room" in seconds when camping outdoors. With 38 convenient storage spaces, all kinds of odds and ends of family travel can be found in their own place, and they can be stored freely.

　　On the basis of wide space, Tiggo 8L realizes "comfort equality" between the front and rear rows. The main driver supports electric 10-way adjustment, one-button resting of the co-pilot, front 10-point massage, front 3-gear heating and ventilation and other comfortable configurations. The rear row is also equipped with B-pillar out trend, independent control of the second-row air conditioner, electric adjustment of the backrest, and a number of user-friendly functions such as one-button letting go of the second-row electric, so that the whole car can comfortably take care of each family member, and the family travel experience will be upgraded.

　　At the same time, Tiggo 8L has been strictly certified by the "Golden Nose", with an odor level of 3.0, which is far superior to the national environmental protection standards, ensuring that every breath of the family is natural and healthy. The Sony palace-level 14 Yang surround sound tuned by the "Golden Ear" master provides a concert hall-like listening experience for the journey, and the headrest sound carried by the main driver also supports private solo play without disturbing the rest of the family. Based on the double high standards of "Golden Nose" and "Golden Ear", Tiggo 8L has created the cockpit as a very comfortable resting space, giving users an extraordinary experience like home.

　　While enjoying the flexibility and comfort of the cockpit, Tiggo 8L users can also enjoy the ultimate intelligence under the blessing of AI technology. The new car is equipped with Qualcomm 8155 smart chip, based on AI large model empower, users can have smooth and natural voice interaction with the intelligent voice assistant, and support OurHours no-wake, dialect no-switch, family members can also interact at will. In addition, 15.6-inch narrow-sided 2.5K high definition screen, 10-inch meter, high definition W-HUD, two-row air conditioner screen and other configurations also support intelligent multi-screen linkage, making navigation and entertainment more superior.

　　Helping home users move towards a quality new life

　　With full self-developed strength, it has created the flagship of the home king. Tiggo 8L integrates beautiful appearance, comfortable space, top ten performance and full-dimensional safety, bringing a unique and excellent travel experience to home users, which can be called a model of home SUV. The price from 129,900 yuan brings rare cost performance, highlighting Chery’s user-centered car concept.

　　At the same time, the listing of Tiggo 8L also marks another technological milestone for Chery. Chery firmly practices the concept of oil and electricity synergy. Not only is the new energy field growing rapidly, but also in the fuel field, it has achieved full self-research of the "three major components" with deep self-developed technical reserves, helping to "overtake" the Chinese auto industry. In the future, Chery will continue to make efforts to respond to consumer expectations with higher-quality products and create a better travel life together.

　　(Xinmin published this article for the purpose of transmitting automobile information, which does not represent the views of this website)

Recently, I believe that the flour who is ready to buy a car has been attracted by the "huge discounts" of various car brands. But I hope that the shrewd people will not be disturbed by the price of their original car demand. For example, SUVs that have always maintained a hot topic in China have always had two groups of loyal fans.

The first group was naturally those who often commuted in the city and occasionally went out to drive. The second group was those who often challenged various difficulty off-road scenarios and often went camping in the wild. But between the two groups, would there be some consumers who needed to commute in the city and go camping on holidays?

I believe the answer is yes.

Of course, it is the second-generation big dog of Haval, the protagonist of our test drive.

I believe that those who are concerned about the Haval brand know that the first generation of Haval Big Dog (Parameters) is launched for young consumers, and its strength is also remarkable. The second generation of Big Dog, based on the advantages of the first generation, increased the length, wheelbase and front wheelbase, allowing the second generation of Big Dog to transform from a compact SUV into a medium-sized SUV.

In terms of power that everyone cares about the most, the maximum horsepower and torque of its 2.0T engine have been improved by 27 horsepower and 50 Nm compared with the previous generation, and the gearbox has also been upgraded from the previous generation’s 7DCT to 9DCT. Whether it is for city driving or off-road scenarios, its acceleration performance, escape ability and fuel economy can be greatly improved. As for other aspects of the second-generation big dog, let’s find out in this test drive.

When I first saw the actual car of the second generation of the big dog, I felt that it was more wild than the first generation. The slender middle net extended directly to the headlights on both sides, making it a tougher look from the newer shape of the previous generation. On the side of the car, the lines clearly engraved on the front and rear fenders give it a sense of muscular power.

In addition, the rivets on the anti-scratch wheel arch will be more obvious than the first generation, making its wild characteristics more prominent. As for why the taillights do not use the most popular through-type taillights, this can only be said to be a matter of opinion. But the headlights and taillights are hidden in the dog bone shape of the turn signal, this small detail is quite interesting.

Sitting in the car of the second-generation big dog, you will first be attracted by its two huge display screens. Its LCD meter is 12.3 inches, and there is a large 14.6-inch central control screen. It can be said that you are directly putting the screen of a mainstream laptop on the center console. And we tested the top model, so there is also a Hud head-up display.

It is worth mentioning that the brightness of this central control screen is as high as 1000 nits, and the hardness has reached the Mohs 7H level, which is not afraid of scratching by daily objects. And it also has three coatings, which can achieve the effects of anti-glare, anti-reflection and anti-fingerprint. It can be seen that in addition to urban use, it also takes into account the use of your off-road scene.

You must know that the most famous national highways such as 318 and 219 are on the plateau, because the daytime sun will be very dazzling. If the brightness of the central control screen is not enough, or there is no anti-reflection function, then when driving in these places, you cannot clearly see the navigation or vehicle status.

Then, in terms of the gear handle, the knob shift of the previous generation has been replaced by the electronic gear shift lever of the tank 300. Next to the gear lever, there are control buttons such as differential lock, handbrake, and knobs for driving mode. There are also physical buttons such as air conditioning and multimedia listed at the bottom of the central control screen. This is to facilitate drivers to perform blind operations in the city or off-road to avoid affecting driving safety.

Of course, the second-generation big dog’s car is equipped with the 8155 chip, and when there is a signal, you can control it by voice to execute various commands. For example, switch on and off the sunroof or windows, adjust the air conditioner, choose songs, check the weather or navigation, etc. Its response is very fast. And you can also speak commands continuously to make it execute, without calling it frequently. Ultimately, its performance is in the same level.

However, what surprised me the most was the comfort of the second-generation big dog seats, both in the front and rear seats, which were excellent. Let me sigh again, what people used to say about the Nissan sofa is really not an advantage now. Look at 100,000 cars like the big dog, it can present a comfortable feeling like the Nissan sofa, and its comfort is that the surface cushion is soft. When you sink in to a certain extent, it will have a support to support you. You wouldn’t say that the whole person is sinking in.

So in this test drive, whether it is on a city road, a country road, or a bumpy mountain road, the big dog gave me a good sense of comfort. Coupled with the longer wheelbase, the legroom in the rear row is also very good. Oh, by the way, I almost forgot to mention that the angle of the rear seat backrest of the first generation of big dogs cannot be adjusted. Now the second-row seat backrest of the second-generation big dog is already adjustable. When you go to Shihe Distance again, the rear passengers can have a more comfortable sitting position and sleep peacefully.

Finally, in terms of some details, the second generation of big dogs has a magnetic camping mosquito repellent lamp, which can also be used as a flashlight or a signal light. There is also a table board in the trunk (to be used with camping carts, etc.), which can be used for 5 people to eat around while camping. The rear window has a rare sunshade of the same class, and the front row has a 50-watt wireless charging. The new cup holder also adopts a shape similar to the fixed seat belt, which is convenient for you to stuff water glasses or drinks of different sizes.

This design, in the process of driving on the mountain road, let me get a real experience. Because when running on the mountain road, the car body shakes because of the bumps in the road, and then my knee directly hits the plastic bottle in the cup holder, which helps me cushion the force. Think about it, if it was a traditional plastic cup holder, it would definitely hurt to hit my knee.

Coming to the driving part, we have to go back to the big dog’s car and talk about its help for off-road driving. I believe those who have played off-road know that off-road depends on the performance of the car and four-wheel drive performance, but also requires the driver’s own excellent driving skills. The second-generation big dog is equipped with a 360-degree panoramic image, plus a 180-degree transparent chassis, and has different visual mode switching, allowing you to clearly see the position of the four wheels on the road, as well as the steering angle.

In addition to the vehicle angle, power output of the four wheels, altitude and other data. It can be said that this is the biggest difference between the second-generation big dog and other city SUVs. I believe that if an off-road white, with the help of this system, he can already challenge some light and moderate off-road sections. If it is an off-road expert, he can even challenge some medium and high-difficulty off-road sections.

Finally, in terms of power, its 2.0T plus 9Dc offers a significant improvement in both power and fuel economy compared to the previous generation of Big Dog. Coupled with its intelligent electronically controlled four-wheel drive, two locks, and nine driving modes, it can really easily respond to urban roads and some off-road road conditions.

In this test drive, we drove on city roads and found that the 9DCT does allow the engine to rotate at a lower speed than the 7DCT at the same speed to increase fuel efficiency. If you don’t drive on city roads like a hardcore SUV, you have to transform into a grease monster/gold swallowing beast. Then on the test drive on the mountain road, there are just one or two hairpin bends, and there will be cross-axles. But we only use the AUTO mode, and the big dog can easily pass these cross axles without the need for locks or other off-road modes at all.

In addition, the big dog is equipped with a tooth-embedded differential lock, which allows you to actively lock, while most of the differential locks of other city SUVs are Eaton’s, which are passive differential locks. It will allow the vehicle to slip for a period of time before intervening, so in terms of escape efficiency, I think the second-generation big dog’s ability to get out of trouble will indeed be stronger. However, the feeling that the second-generation big dog gives me is that its throttle travel will be longer. When you step down, you will find that the depth of the throttle will be a little different from the power you want. You may have to step deeper to achieve the power effect you want. This will take some time to get used to.

After a whole day of test driving, the second-generation big dog gave me the feeling that its power is definitely enough. Whether it is driving on city roads or highways, it is completely fine, and it is easy for beginners to get started. And in the off-road area, if you have a certain off-road foundation, plus the various off-road auxiliary features of the big dog, I think you can also become a bit of a strong off-road expert. Of course, this is only for some intermediate and advanced off-road environments. If you want to challenge some very high shell craters or very steep slopes, then I think you should use a hard-core SUV to go wild.

But if you spend 50% or 60% of your time in the city, as I said at the beginning of this article, and the rest of the time you go out and go wild, then this second-generation big dog is fully capable. And it has been upgraded in technology configuration and all aspects. It is much better than the previous generation, and it is thousands of dollars cheaper. So I think for prospective owners who want to get it all in one step and hope to have both. The second-generation big dog is really an excellent SUV that can balance both urban and off-road environments.

Domestic new energy vehicles are "one-sided", and "interesting" cars like this need to appear, and now, the price and configuration information that everyone is most concerned about is finally here!

Today (September 22), Changan Qiyuan E07 officially opened the pre-sale, the pre-sale price range is 24.99-31 9,900 yuan, the launch of extended range and pure electric version models optional, all standard Changan high-end intelligent driving, equipped with 12 global first configuration, 60 same-level leading configuration and 40 industry first function, product force directly full.

As for the pre-sale rights and interests, for the first 10,000 users who ordered, launched 6 luxury gifts worth 66,000 yuan: including 2,000 to 5,000 cash deduction gifts, equivalent to 3,000 yuan in disguise; Changan high-end intelligent driving function worth 28,000 yuan, directly free for life; and the smart magic carpet set (empty hanging + CDC) worth 20,000, and the technology enjoyment set worth 5,000 is also directly free; more importantly, the whole vehicle, three electricity, air suspension lifetime quality assurance, which can be said to be quite sincere.

At the same time, in order to meet the individual needs of users, the official also launched a series of configuration function options, including matte ink lime optional price of 5,000 yuan; 21-inch wheels + Michelin tires limited time only 10,000 ********lti-functional roof rack optional price of 1,000 yuan, for users who often travel outdoors is very worth choosing.

If you often go out to cross-country to have fun, the official launched a "off-road function set" worth 20,000 yuan, including three functions such as upgrading to and equipping with speed mad bull. For those young people who pursue the trend of technology, the official also launched a "social talent set" worth 20,000 yuan, including four functions such as the star ring front interactive screen and driving pattern. For the "practical party", this configuration is not recommended.

Of course, buying a car is not just for your own enjoyment, but also to take care of your family. To this end, the official specially launched the "Family Comfort Package", including the co-pilot screen, rear seat massage, rear electric adjustment, rear partition electric reclining, electric suction door, flowing water ambient light and exclusive co-pilot and other 6 functions. Considering its 15,000 optional price, individuals still feel that it is worth the money and worth choosing.

From the specific version configuration, the first is the range extension 39Kwh Max intelligent driving version, its pre-sale price is 249,900 yuan. According to the official introduction, the range extension version is equipped with the latest generation of range extension platform independently developed by Changan Quanzhou – Changan Tianyu intelligent range extension, which can effectively reduce the noise and vibration of the range extender.

According to the information previously disclosed, the range extension version will have two versions of single motor and dual motor, equipped with a 1.5T engine as a range extender, and both versions are equipped with a 39-degree golden bell battery, which can provide a battery life of 200 kilometers and 180 kilometers respectively. Since the official did not specify which version this pre-sale is, there may be a lower-priced version in the later stage.

As for the pure electric version, there are two-wheel drive and four-wheel drive models to choose from, respectively, the pure electric 90Kwh Max smart driving version and the pure electric 90Kwh Ultra high-performance version, the pre-sale price is 269,900 yuan and 319,900 yuan respectively, and the price difference between the two versions is 50,000 yuan.

The first is the power performance. Both models are equipped with 800V high-voltage fast charging and a 90-degree battery pack. The CLTC has a battery life of 701km and 650km respectively, but the four-wheel drive high-performance version only takes 3.96 seconds to accelerate 100 kilometers, and the performance acceleration is faster. Thanks to the boost charging technology, the E07 can be charged fast without picking up piles. Charging for 15 minutes supplements the cruising range of 365 kilometers. Coupled with the super power saving function, one click can increase the cruising range by 20%.

In addition to the differences in battery life and performance, the main configuration differences are reflected in the configuration of four-wheel drive off-road, full car massage, and front interactive screen. These configurations are basically based on the optional price, and everyone can choose according to their own needs.

Write at the end

In a strict sense, the Changan Qiyuan E07 is currently a direct competitor in the market, but from the perspective of price and SUV positioning, the extended-range version is targeted at products such as L7 and L7, while the pure electric version is targeted at Tesla.

As a benchmark product for the Changan brand to move up and enter the 20-400,000 price range for the first time, the burden behind Changan Qiyuan E07 is self-evident. However, the beginning of the article also said that domestic new energy vehicles are "one-sided", and "interesting" cars like Changan Qiyuan E07 need to appear to bring real value to Chinese home users. Now, the pre-sale price of the new car has been released, and consumers who like it can hurry up and place an order first!

　　In "The Rest of Your Life, Please Teach Me More", Yang Zi and Xiao Zhan can be said to be the top combination of traffic. However, the old routines and the repeated characters until the end of the broadcast, the volume it harvested, compared with the traffic levels of the two leading actors, can almost be said to be an upside-down failure

　　Min Scarlett

　　"Agarwood Like Crumbs" is almost a one-to-one replica of "Fragrant Honey Like Frost": starring Yang Zi, an online novel adaptation, an ancient love that spans the past and present, but it failed to replicate the success of 2018. The episode has been broadcast for two-thirds, and has not yet shown a score on Douban; looking at it in another dimension, it has just passed the volume of 42,000 people "watched", and "Fragrant Honey Like Frost" exceeds the mark of 180,000 "seen", which also just shows the quantitative standard between "paste" and "out of the circle".

　　But whether this "paste" is an external problem of the type of ancient puppet drama, or an internal problem of the stagnation of Yang Zi’s acting skills in similar roles as an actor, it may have to be viewed from a more macroscopic perspective, so this year’s other drama "Rest of Life, Please Teach" has become the reference object. Compared with "Agarwood Fragrance", "Rest of Life, Please Teach" seems to have a more "explosive" sense of vision. Yang Zi and Xiao Zhan’s traffic top match combination, and the urban background is also easier for people to enter. However, perhaps because it was filmed in 2019, the routine was old and the characters were repeated until the end of the broadcast. Compared with the traffic level of the two leading actors, the volume it received can almost be said to be an upside-down failure.

　　The decline in the reputation of the two major dramas has brought a point of discussion about Yang Zi. From the perspective of the actor’s life cycle, Yang Zi, who is about to turn 30 this year, is indeed entering a new era. She, who has come all the way from a child star, may be the one who knows the most about the anxiety of appearance among the actresses of the same generation. The interview content that has been repeatedly mentioned, Song Dandan’s kind advice to Yang Zi to "grow up like this, or stop acting", although cruel, also shows the truth. "Grow up like this" refers not to the appearance standard of ordinary people in daily life, but to the appearance ecology of the entertainment industry that takes appearance as an important ranking standard. In her childhood, Yang Zi could still walk beyond this standard by relying on the age limit of her character and her own commonality, but when she grew up, she had to face the aesthetic standards of the adult world.

　　The girl next door and the adult world

　　When we look back at "Family with Children", Yang Zi’s performance is indeed stunning, but this kind of stunning is limited to the role of Xiaoxue: the child next door, excellent, proud, and strong self-esteem. The affinity of the girl next door, a description with a sense of praise, is actually a bit cruel to Yang Zi as an actor, it points to "not beautiful enough" and "ordinary". But a family melodrama like "Family with Children" complements this kind of ordinary, which is the local atmosphere that the audience needs. The delicate situation of the girl as the eldest sister in a multi-child family, the sensitivity of the adolescent girl, and the ruthlessness and pride of the Beijing girl are part of Yang Zi’s performance, and part of it belongs to herself in that period.

　　But the hard truth is that girlhood and national daughters are a state of very short shelf life and time expiration, similar to the "child star curse" often mentioned in Hollywood. Many actors who have become famous as child stars have to face the road of rediscovering their acting direction. Shirley Temple is the best example of losing the magic of the screen in adulthood. In the significantly different Eastern context and Chinese entertainment industry, its cultural background and entertainment ecology have created a more brutal environment. A large number of actors choose to extend their girlhood and girlhood as much as possible. This path is not for everyone. The shelf life of the appearance and the appropriate matching of the characters are indispensable. Zhou Xun is an example of the extremely long girlhood of the screen, and there is a head traffic like Zhao Liying in the field of TV dramas.

　　The appearance conditions determined the path of "prolonging the girl’s sense", which was not suitable for Yang Zi, and the reason was to return to Xiaoxue’s approved affinity. This kind of girl’s sense, which was not equivalent to the "beauty" painting, had almost no acting advantages when she grew up, especially in this era of flattery to beauty.

　　The burnout period is a good proof. After "Family with Children 2" in 2006, Yang Zi, who entered puberty, has works but does not enter the hot discussion field. From today’s perspective of all young traffic, it can be defined as a low period. For Yang Zi at this stage, acting is not the problem, but appearance is the threshold.

　　Yang Zi’s problem may be the problem of ordinary girls. She can’t stay in her teenage years forever, nor can she be put into the characters that use beautiful women as templates in the market. But Yang Zi’s choice is to get close to that template and do everything she can, even if the price is to sacrifice her acting skills.

　　Moderation and performance singularity

　　In 2014, "War in Changsha" was Yang Zi’s highest-rated work. In addition to the bonus of the team, Yang Zi could also make a richer, layered and emotional performance in the performance at that time. The character changes that grew up and woke up in the turmoil could not be said to be profound, but there was a kind of popular moving. But she was still not suitable for the role. Age is one thing, and the Beijing accent also makes people play. The heroine of the cast was not her at the beginning, and the temporary role change brought this turnaround. In the later stage of the story, Yang Zi’s performance was even more cramped, unable to understand or support the heaviness of the turmoil of the big era.

　　"Ode to Joy" and "Dear, Love" should be regarded as the two works with the highest degree of character matching between Yang Zi and her characters. Qiu Yingying’s cramped resume at the job fair, and her flexible position as a mobile person in the relationship between the four girls were all very suitable for Yang Zi at that time, and they were also within the control of her acting performance and performance. But we can already see the price she paid for her beauty from now on, especially when her facial expressions are strong, and the incongruity between her facial features has begun to destroy her acting skills.

　　Compared to Qiu Yingying, Tong Nian in "Dear, Loved" is not so down-to-earth in terms of setting, soft and cute straight-A student is even a bit of an overhead character, so Yang Zi’s Tong Nian will give people a strong sense of "reading white" when saying any lines involving professional parts. This kind of professional performance makes people feel abruptly awkward, and the traces are as heavy as a mask painted on the character’s face. Similarly, there is 2021’s "Female Psychologist".

　　From 2016’s "Ode to Joy" to the present, Yang Zi is indeed gradually approaching the adult aesthetic standards of the entertainment industry, and has also taken on many roles of beautiful women. Accompanied by this, the face muscles are stiff, the emotional details of the face are lost, and the scope of micro-expression activities is limited. This disconnection between the actor’s appearance and acting skills is most obvious in Yang Zi’s first role as a beautiful woman, trying to create a fairy and cold texture in "Qingyun Zhi". In the latest "Agarwood Fragrance as Crumbs", even when angry or angry, Yang Zi can only rely on the eyes, brows, and mouth to touch the face, expressing emotions very limited.

　　But what’s interesting is that on this road that is gradually approaching the aesthetic standards of adults in the entertainment industry and is gradually limited in performance control, "Fragrant Honey Sinking Ashes Like Frost" has instead become a special existence. Jinmi, who ate the Absolute Love Pill, is ruthless and loveless, so in the pre-awakening part, it can be rewarded with numb external stimulation and emotional offensive. This contrast between intensity and indifference is instead an integral part of the Xianxia drama "Su Sense"; in the mid-stage, the part with a veil can cover up the lack of performance to the greatest extent and take advantage of the performance of the eyes. Therefore, the success of "Fragrant Honey Sinking Ashes Like Frost" is due to diverse factors, and the shortcomings in the actor’s career happen to be stuck in the texture and gap of the character’s characteristics. This is the unique singularity in the actor’s career that cannot be repeated or continued.

　　The irreplaceability of "not beautiful enough"

　　Returning to "Agarwood as Crumbs", when we are already tired of Yang Zi’s quirky aesthetic, the fairy tales of the past and present cannot provide a deep performance space, and the protagonist’s dull and rigid facial expressions cannot support the sadomasochistic love that spans generations, so the audience will no longer pay the bill.

　　But a topic worth discussing is that we, as the audience, are very accepting of Yang Zi’s role as the "beauty" in the setting. The daughter of the flower god, the incarnation of the sun, and the white snake are all like this. Objectively speaking, they are all characters that Yang Zi cannot suppress with his appearance at this stage.

　　If we classify Xianxia dramas and idol dramas from the audience’s mentality, most of the successful ones meet the audience’s two expectations. One is the "sense of imagination" that is far away from life and looking at the legend, and the other is the "sense of substitution" that is close to oneself and immersed in the drama. No one will feel that they are Zhao Yazhi in "The Legend of the New White Lady", and very few people will replace Liu Yifei in "Menghualu". Their "beauty" is a highlight and a barrier, isolating the audience under the stage. When we look at them, we are reading the legend.

　　But another type of work is completely different, represented by the popular works starred by Yang Zi, which may be used as a reference. Today’s Yang Zi and Ariel Lin in the "Kiss of Mischief" period have certain similarities. They are cute, but not too beautiful, and sometimes they are not even very good-looking. The performances are flawed, stiff and embarrassing, but it is these rough rough edges that make us feel that we can be "them". Their affinity, sense of neighborliness and dullness are not offensive in any way, and they can also be replaced in the viewing imagination. So the audience gets a sense of substitution in the viewing, and their substitutability of "not beautiful enough" just constitutes the irreplaceability of actors in idol drama products. We see them as entering a legend.

　　The paradox here is that from the perspective of audience psychology, "not beautiful enough" has become the key factor for Yang Zi’s success, but from the perspective of industry standards, "not beautiful enough" has become the appearance anxiety imposed on her. She made a choice for this, and paid a price. As a woman, will "they" who live in other social fields have more choices?

[Opening]

In the world of light and shadow, every gorgeous turn of the stars carries the eyes of countless audiences. However, shining under the spotlight, they are also facing the ups and downs of their career path, just as the recent focus of the film industry – Ruan Jingtian’s new film, seems to be experiencing a storm. "Ruan Jingtian’s new film has eaten one after another", the short eight characters, like a narrative poem of ups and downs, reveal the many difficulties encountered by this powerful actor on the road of artistic exploration. However, it is these bumps that may be the only way to achieve a masterpiece and create a deeply rooted character.

[Text]

One Cut: The Hard Journey of Screenplay Polishing

The soul of a movie lies in the script. According to industry sources, the script of the new film that Ruan Jingtian participated in this time has undergone several subversive revisions, from the story framework to the character setting, all of which have undergone repeated scrutiny and reconstruction. The deep collision between the screenwriting team, the director and the actors is like a battle of ideas, and the change of each draft is a deep excavation and reshaping of the core of the story. Ruan Jingtian himself is also deeply involved in it, overthrowing himself several times and reinventing the characters. This persistent pursuit of art, although the script polishing process is full of hardships, also indicates that the new film will present a richer and more diverse character style and emotional depth.

Re-cutting: The wind and rain of the shooting process

During the filming, the crew encountered many unpredictable difficulties. Bad weather, venue changes, technical difficulties, etc. followed one after another, just like the many obstacles encountered by the protagonists in the film, testing the adaptability and collaboration spirit of the entire team. As the lead actor, Ruan Jingtian, is even more of a leader. Whether he insists on shooting in the wind and rain, or repeatedly speculates on the role in the cold wind of the night, his dedication has won unanimous praise from the crew. These bumps in the shooting process not only tempered Ruan Jingtian’s acting skills, but also gave the new film a real and moving vitality.

Three cuts: the excellence of post productin

The post productin of a film is a key part of transforming the pre-shot material into light and shadow magic on the screen. However, the new film also encountered challenges during the post productin process. The complexity of special effects production, the control of editing rhythm, and the meticulous design of sound effects require meticulous adjustments and polishing. Ethan Ethan actively participated in the post-production discussions, working closely with directors, editors, sound effects engineers, etc., to achieve perfection in every detail. This adherence to artistic quality makes the new film more and more prominent in its unique artistic charm despite the twists and turns in the post productin stage.

[End]

"Eating one cut after another" is not a pejorative meaning for Ruan Jingtian’s new film, but a glorious medal. It witnesses the whole process of the film from conception to birth, and records the reverence and dedication of every participant to art. We have reason to believe that it is these ups and challenges that will inject deeper emotional heritage and artistic value into the new film. When the big screen lights up, the audience will have the honor to witness how Ruan Jingtian forges ahead in adversity, and how he creates another deeply rooted character image with tenacity and talent. At that time, all the "one cut after another" will be turned into shining stars, illuminating the depths of the hearts of fans.

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