Looking up to See Happiness —— Opening of the special online auction of Wu Yueshi’s calligraphy works

　　Beijing Rongbao — — Look up and see the joy. The special online auction of Wu Yueshi’s calligraphy works was held on January 8 at 10:00— The online preview will start at 10:00 on January 9, and the shooting will start at 10:00 on January 9 and end at 21:00 on January 11.

　　See you this time — — The special exhibition of Wu Yueshi’s calligraphy works specially brings you more than 20 masterpieces of Mr. Wu Yueshi’s calligraphy. Mr.’s calligraphy traces back to the Wei and Jin Dynasties, cherishes the ancient meaning, and is also full of the charm of the real grass, and is also influenced by the calligraphy style of the Ming Dynasty. His brushwork is ups and downs and smooth.

Wu Yueshi

　　Wu Yueshi, born in 1945, now lives in Beijing. Researcher of China Academy of Art, tutor of Wu Yueshi Studio of China Academy of Art, researcher of China National Painting Academy, tutor of Wu Yueshi Studio of China National Painting Academy, director of China International Cultural Exchange Center, director of Chinese Painting Society and member of China Artists Association.

　　On Mr. Wu Yueshi’s Calligraphy

　　At present, Mr. Wu Yueshi is recognized by the world for his great freehand brushwork. For decades, Mr. Wang has his own ideas and ideas in many fields, such as flowers and birds, landscapes, people and so on. In particular, the life atmosphere and mind reflected in the paintings are just in line with the deep temperament and core of China’s cultural spirit. Because of this, Mr. Wu Yueshi is considered as one of the unique representatives of the paid literati painting tradition in the contemporary era.

　　Mr Wu Yueshi never talks much about his calligraphy. Not to plunder the reputation of "calligrapher". For decades, studying books in Linchi, although a day class, was only used as a cultivation of self-cultivation, calligraphy and pen and ink. So that it is regarded as a means to explore the taste of pen and ink and to open up the artistic conception of works. Therefore, Mr. Wang never shows off his calligraphy skills, especially against the so-called "calligrapher" who takes calligraphy as his "hard work" On weekdays, Mr. Wang doesn’t write easily except after school. Those who ask for characters should also write the name of Zhaitang for friends and disciples at the convenience of the title, postscript or writing. It can be said that most of Mr. Wang’s writings belong to the kind of "accidental book" that "has something to report" (Ouyang Xiu’s language). Therefore, in Mr. Wang’s pen, the spiritual atmosphere and the mood of pen and ink are always unexpected. Its freshness and interest in dust are memorable.

　　As far as style and inheritance are concerned, Mr. Wang’s calligraphy seems to be greatly influenced by the Yellow Valley and the Ming Dynasty. The ups and downs of his brushwork and his indifferent attitude have laid the initial pattern of Mr. Wang’s calligraphy.

　　On the whole, Mr. Wu is good at calligraphy. Cursive writing is common in titles, letters, banners and sectors. This, of course, has something to do with Mr. Wang’s personal temperament, and also has something to do with his freehand brushwork!

　　It is also difficult to define Mr. Wang’s writing in a style category, and it is more about the freedom and freedom of "writing as the body". As far as his pen is concerned, Mr. Wang is an expert, implicit and expressive, and he can put it away freely This may have something to do with his heavy use of pens in painting. Mr. Wang said, "To learn Chinese painting, regardless of landscapes, flowers, birds and figures, we should first practice writing.". If you have a pen, you will have energy, and if you have energy, you will have power. As the saying goes, the energy will follow the spirit, and the potential will come from the pen, so practicing the pen is a crucial method … … Brush strokes are related to the life of painting … …” ("On Painting with Pleasure"). In writing, Mr. Wang, as he himself said, has a pen and power, takes the pen with the potential, and takes the pen with the potential. This is an important feature of his elegant and unconventional writing style.

　　Mr. Wang’s writing is natural, vivid and often surprising. This is not a deliberate design and management, but an objective reflection of the openness of mind regardless of things. The structure of Chinese characters is just like all kinds of things in nature, and each has its own place in Fiona Fang, which expresses the laws of nature, the so-called "nature". And people’s writing, it is also on the basis of following people’s "nature" that they "follow the trend" and follow the heart. There is no mercy and pretence here, only the nature and reflection like water and clouds. Between the lines of Mr. Guan’s calligraphy, you will feel this way. Throughout, strange, spontaneous, cautious and restrained, all kinds of images in the streets are so vivid and full in his works. In a word, Mr. Wang’s calligraphy is an objective representation of his inner world. What those clean lines and comfortable postures reflect is actually a clean and undyed heart.

　　In a word, although Mr. Wu Yueshi doesn’t regard himself as a calligrapher, it may be because of his humility or his inner truth, but this can’t hide Mr.’s deep understanding and understanding of the tradition of calligraphy and Taoism. In this respect, Mr. is a true calligrapher.

　　Text/Wang Dengke