爱上海龙凤

Time Network News, directed by Huang Mingsheng and starring Ren Xianqi, Ren Dahua, Fang Zhongxin, Tan Yaowen, and Wu Zhuoxi, the crime Hong Kong film "Edge Walker" officially landed in major theaters across the country today, and the public poster was also exposed.

Marginal Walker

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113 Minutes – Crime/Action will be released on April 15, 2022

"Marginal Walker" sets the background of the story in Xiangjiang on the eve of its return in 1997. At that time, the situation was chaotic, and disputes between multiple forces continued. At present, Lin Yaochang (Ren Dahua, played), a gang talker, entrusted an important task to his crony A Luo (Ren Xianqi, played). A Luo with multiple identities wandered between black and white under the chaotic situation of the rivers and lakes. Brothers with different camp positions chose to stick to love and righteousness in the face of the fetters of human nature.

The film brings together Ren Xianqi, Ren Dahua, Fang Zhongxin, Tan Yaowen, Wu Zhuoxi, Hong Jinbao, Chen Guokun, Lin Xiaofeng, Zhang Zhaohui, Zeng Jiang and other golden lineups, which can be said to be a collective gift from the old boys of Hong Kong films.

The Dongguan taxi fare adjustment will hold a hearing in early June

The fuel surcharge plans to cancel the starting price, the onward price, and the waiting fee may increase

　　On May 6, the Dongguan Municipal Development and Reform Bureau held a media briefing to reveal that Dongguan will hold a hearing on improving the taxi fare structure in early June. 22 hearing participants are now solicited from the community, and two sets of hearing plans have been announced simultaneously.

　　According to the plan, the taxi fuel surcharge in Dongguan is to be cancelled, and the starting price, onward freight, and waiting fee are expected to be raised to varying degrees

　　According to the Municipal Development and Reform Bureau, Dongguan taxis are mainly operated by economic contracting. After the taxi company obtains the right to operate, it provides vehicles and related management services to the contractor and collects the contract fee. The driver (contractor) operates the taxi, collects the freight, pays the contract fee and bears the fuel cost, vehicle insurance, maintenance fee and other expenses during the operation.

　　At present, there are 32 taxi enterprises in the city, which are divided into three types. The first type of car (formerly "blue") obtains the right to operate by bidding, and can be operated across districts. There are three major group companies: Xiangyun, Guantong, and Huayue. The second type of car (the new "blue") is uniformly allocated by the government and can be operated across districts. The third type of car ("yellow") is uniformly allocated by the government, and the operation area is restricted. In order to cooperate with the "treatment" work, the second and third types of cars have been put into use one after another since October 2007. They are all public taxis ("public"). There are currently 29 enterprises.

　　The city’s taxi capacity is 7,699, all of which are CNG/gasoline dual-fuel vehicles, including 4,369 first-class vehicles and 880 second-class vehicles; 2,450 third-class vehicles, with a total of about 15,000 taxi drivers.

　　Freight Adjustment Plan ?

　　According to the "Dongguan City Improves Taxi Freight Structure Plan" announced this time, the first hearing plan proposes to unify the city’s various taxi freight rates, and adjust the starting price, onward freight, and waiting fee accordingly.

　　Option 1

　　Adjust the starting price

　　From the original "blue" 7 yuan/2 kilometers (1 yuan fuel additional per train), the "yellow" 6 yuan/2 kilometers will be adjusted to 8 yuan/2 kilometers uniformly, and the fuel surcharge will be cancelled.

　　Adjust the onward freight

　　After exceeding the starting mileage (2 kilometers), the original "blue" 2.4 yuan/kilometer and 2.6 yuan/kilometer, and the "yellow" 2.4 yuan/kilometer are uniformly adjusted to 2.80 yuan/kilometer (1 yuan per 357 meters jump meter).

　　Adjust the waiting fee

　　The waiting fee has been adjusted from the original 1 yuan/3 minutes (20 yuan/hour) to 0.5 yuan/minute (30 yuan/hour).

　　The second hearing plan proposed that the "blue" and "yellow" be priced separately, and the starting price, onward freight, and waiting fee should be adjusted accordingly.

　　Option 2

　　Adjust the starting price and mileage

　　The starting price of the "blue" has been adjusted from the original 7 yuan/2 kilometers (1 yuan fuel surcharge per train) to 9 yuan/2.3 kilometers, and the fuel surcharge has been cancelled: the starting price of the "yellow" has been adjusted from the original 6 yuan/2 kilometers to 8 yuan/2.3 kilometers.

　　Adjust the onward freight

　　After exceeding the starting mileage (2.3 kilometers), the "blue" is adjusted from the original 2.4 yuan/kilometer and 2.6 yuan/kilometer to 2.70 yuan/kilometer (1 yuan per 370 meters skipping meter): the "yellow" is adjusted from the original 2.40 yuan/kilometer to 2.65 yuan/kilometer (1 yuan per 377 meters skipping meter).

　　Adjust the waiting fee

　　The "blue" waiting fee has been adjusted from the original 1 yuan/3 minutes (20 yuan/hour) to 0.50 yuan/minute (30 yuan/hour): the "yellow" has been adjusted to 0.45 yuan/minute (27 yuan/hour).

　　■ Settlement

　　The average cost of a single ride increases by more than 10%

　　What impact will adjusting taxi fares have on relevant parties?

　　A relevant person in charge of the Municipal Development and Reform Bureau analyzed that according to the operation data calculated by the survey, the average freight rate of the first hearing plan was 3.66 yuan/kilometer, which was 12.61% higher for the "blue" and 22.82% higher for the "yellow". The average freight rate of the second hearing plan was 3.56 yuan/kilometer for the "blue" and 3.31 yuan/kilometer for the "yellow". Compared with the original freight rate, the "blue" was increased by 9.54% and the "yellow" was increased by 11.07%. The freight level of the plan was basically the same as that of the surrounding cities.

　　For taxi passengers, the fare levels of the two schemes have increased to varying degrees, which will increase passenger freight expenses, but the mileage will have different effects.

　　Among them, according to the "blue" average distance (5.93 kilometers), the hearing plan compares the original freight price, the "blue" passenger increases by 1.6 yuan/train during the day, an increase of 9.1%, and the night increases by 2.12 yuan/train, an increase of 10.13%: the "yellow" passenger increases by 3.6 yuan/train during the day, an increase of 23.08%, and the night increases by 4.32 yuan/train, an increase of 23.08%.

　　Hearing plan 2 Compared with the original freight rate, the "blue" passengers increased by 2.12 yuan/train during the day, an increase of 10.13%, and the night increased by 2.60 yuan/train, an increase of 12.43%: the "yellow" passengers increased by 2.35 yuan/train during the day, an increase of 12.55%, and the night increased by 2.42 yuan/train, an increase of 12.93%.

　　For taxi operators, the above-mentioned person in charge believes that under the premise of current market operation, the freight adjustment plan will directly increase the income of taxi drivers. However, if the market environment, freight adjustment and other factors affect passenger flow and actual load rate, the income level will increase or decrease accordingly.

　　■ Explanation

　　The adjustment of freight rates is due to the continuous increase in various costs

　　The launch of the taxi fare adjustment is not unrelated to the rising operating cost pressure in recent years.

　　The Municipal Development and Reform Bureau explained that in recent years, the operating environment and operating costs of the taxi market have changed greatly, and the operating efficiency of the industry has declined, especially the driver’s income has been greatly reduced. The income level is asymmetric with its labor intensity and operating risks, which affects the stable and healthy development of the industry.

　　At the same time, the overall direct cost of taxi operation has risen, mainly reflected in the following aspects.

　　First, labor costs are rising year by year. In recent years, due to factors such as raising the minimum wage standard, rising price index, and improving labor and social security, labor costs for enterprises have risen year by year.

　　The second is the increase in maintenance costs. Vehicle maintenance costs are gradually increasing. After using dual-fuel vehicles, it is necessary to increase costs such as maintenance and testing.

　　Third, the cost of vehicle insurance and accident compensation has increased greatly. The taxi industry is more risky, and it is necessary to purchase compulsory traffic insurance, third-party liability insurance and other types of insurance. With the increase in compensation for traffic accident casualties, the rate of third-party liability insurance has continued to increase. For risk protection, the amount of insurance purchased by enterprises has also increased. It has increased from the original 300,000 yuan to the current maximum 1.50 million yuan. At present, the annual insurance premium for each car is basically more than 10,000 yuan. Moreover, the insurance policy has been adjusted more this year, and the rate has been adjusted according to the number of accidents, which has greatly increased the cost of vehicle insurance. In addition, although the amount of insurance purchased has increased, the amount of compensation for major traffic accidents is far from enough, and enterprises need to compensate.

　　Fourth, fuel costs have changed a lot. When the current freight rate was implemented in early 2002, the price of No. 90 gasoline was only 2.30 yuan/liter, but it has now reached 5.58 yuan/liter (No. 92 gasoline), which has risen sharply compared to the time when the freight rate was formulated. Since 2008, Dongguan’s taxis have successively implemented "oil to gas". At present, most of the "blue" use natural gas, and about 40% of the "yellow" use natural gas. When the price of refined oil is high, the cost of using natural gas fuel can be saved by up to 40%. However, compared with the price when the freight rate was formulated and launched into the market, there has also been a significant increase.

　　First, compressed natural gas (CNG) for vehicles has risen from 4.2 yuan/cubic meter in 2009 to about 6.20 yuan/kg (about 4.56 yuan/cubic meter) at present. Secondly, in terms of calorific value and specific gravity, the current price of compressed natural gas for vehicles is about 5.27 yuan/liter of No. 92 gasoline, and the price advantage of using natural gas is not obvious. In the long run, energy prices are also on the rise. On the other hand, the business environment has changed a lot. The decrease in the floating population, the impact of "special car" and "network car rental", and illegal operations have reduced the actual load rate of taxis and greatly reduced driver income.

　　Freight management does not adapt to the development status quo

　　The current taxi freight management does not adapt to the development status quo, which is another major reason for initiating freight adjustment.

　　According to the Municipal Development and Reform Bureau, the current "first-class vehicle" and "second and third-class vehicle" freight rates have been implemented for more than 14 years and 8 years respectively. During this period, the city’s social and economic development, industry management policies, public transportation development, mass travel methods and needs have all undergone great changes. The current freight rates can no longer reasonably reflect the development status of the taxi industry. In particular, the starting price, onward freight, and waiting fee in the freight structure have appeared some unreasonable situations, which need to be further adjusted and improved. " For example, the starting price of the’yellow ‘is low, and there is a phenomenon of refusing to carry and not charging meters for short-distance passengers; the starting price of the’blue’ and the’yellow ‘is 2 yuan apart, which is unreasonable, resulting in an unfair operating environment; the waiting fee standard is not suitable for the urban congestion situation, and drivers are unwilling to enter the busy road section in the central area of the town during the peak period, which indirectly causes the phenomenon of difficult taxis and road trips in the urban area during the peak period. In addition, the fuel surcharge is a temporary measure, and it is necessary to adjust the freight price in the long run to ease the impact of rising fuel costs on the taxi industry. "

　　The Municipal Development and Reform Bureau revealed that from the perspective of the previous cost supervision and review, the monthly net income of Dongguan taxi drivers (two people) has dropped to between 5,163.71 yuan and 7,510.8 yuan. It is expected that after the adjustment according to the hearing plan, the monthly net income of taxi drivers (two people) is expected to increase to between 6,780.71 yuan and 10,116.8 yuan.

　　■ Zhiduo D

　　There are two ways to apply for 22 hearing personnel

　　In early June, the Municipal Development and Reform Bureau will organize a hearing on the improvement of the taxi fare structure in Dongguan City, and is now soliciting 22 participants, including: 9 consumers (including 1 low-income target); 2 taxi companies; 1 other passenger transport company; 3 taxi drivers; 1 municipal People’s Congress representative and 1 CPPCC member each, 1 relevant personnel from the Municipal Transportation Bureau, Municipal Consumer Committee, and Municipal Taxi Industry Association, and 2 experts and scholars.

　　The Municipal Development and Reform Bureau said that participants in the consumer hearing will register voluntarily, and when the number of applicants exceeds 9, they will be selected randomly; when the number of applicants is less than 9, they will be recommended by the bureau through consumer organizations or relevant departments.

　　Taxi drivers open voluntary registration, when the number of applicants exceeds 3, it is randomly selected; when the number of applicants is less than 3, it is recommended by industry organizations or relevant departments.

　　Taxi companies and other passenger transport companies will also open up voluntary registration, and when the number of applicants exceeds 2 and 1 respectively, they will be randomly selected; when the number of applicants is less than 2 and 1, they will be recommended by industry organizations or relevant departments.

　　NPC deputies, CPPCC members, Municipal Transportation Bureau, Consumer Committee, experts and scholars, industry associations, and other hearing attendees shall be hired by the Municipal Development and Reform Bureau.

　　Anyone who wishes to become a hearing participant, observer, or news media can register for the hearing through the following methods:

　　(1) Applicants may apply directly to the Price Management Section of the Municipal Development and Reform Bureau.

　　(2) Log in to the official website of Dongguan Municipal Development and Reform Bureau (URL: http://dgdp.dg.gov.cn/) to download the application form, fill it out and fax it or mail it to the Price Management Section of the Municipal Development and Reform Bureau. Applicants are requested to truthfully provide their name, gender, age, education level, occupation, ID number, residence address, contact information and other personal information as required.

　　(3) Registration time and place

　　Registration time: May 6 to May 19 (On-site registration time: 8:30 am – 12:00 am, 2:30 pm – 5:30 pm every weekday)

　　Address: 6th Floor, Main Building, Administrative Service Center, No. 99 Hongfu Road, Dongguan City (Postal Code: 523888)

　　Contact: Yuan Huanggan or Zhang Jiawei

　　Contact number: 22830661 or 22830672

　　Fax number: 22830690

Lead: in the inheritance of national culture, let business be good.

Throughout the ages, countless splendid civilizations in the long river of human history are like stars all over the sky, and as the only uninterrupted civilization among the four major civilizations in the world, Chinese civilization has always been shining.

In recent years, with the continuous improvement of Chinese people’s cultural self-confidence and national identity, Chinese elements, oriental implications and national non-legacy crafts are breaking through the cultural circle of modern trends and redefining the concept of "fashion".

At the same time, China’s traditional culture is injecting more and more creative inspiration and spiritual core into China brand, colliding with modern trends and technology to produce symbolic "totem products" and cultivating them into a unique cultural symbol for a generation, of which Hua Xizi is one.

Following the series of "Miao Impression" and "Dai Impression", Hua Xizi recently officially launched a series of new products of "Mongolian Impression", including six kinds of makeup including "jade nourishing honey powder cake", "jade nourishing gauze powder cake", "jade nourishing air cushion", "blush", "eye shadow tray" and "lip gauze", and combined with the famous makeup artist and star stylist Park Kewen to create a casual look.

As a "Chinese-style exploration" linking public welfare and business, the series of "Mongolian Impression" is new, and at the same time, Huaxizi’s public welfare "clothes and veins pass down plan" is also in its third year. This year, Hua Xizi brought brand-new national uniforms to 10 schools and more than 3,300 Mongolian students in Horqin, Inner Mongolia.

First, inherit the Mongolian ingenuity

Convey the beauty of multi-ethnic culture

Saddles, quiver, leather pots, purses … Long-term nomadic life has made Mongolians develop the habit of sewing necessities with fur as raw materials. Over and over again, leather goods have become the epitome of Mongolian culture, and it is also Mongolians’ insistence on beauty to depict or burn beautiful patterns on leather.

It is understood that each Mongolian leather painting has to go through painting, leather cutting, carving, dyeing, polishing, setting and other processes, and it takes dozens of pure manual processes to complete a leather painting. In 2008 and 2021, Mongolian harness making skills and Mongolian leather arts were approved to be included in the second and fifth national intangible cultural heritage lists respectively. However, due to the complicated working procedures and high material cost of harness making and leather making, its inheritance and protection are facing bottlenecks.

Adhering to the original intention of inheriting the intangible ingenuity of the Mongolians, in the series of "Impression of the Mongolians", Hua Xizi fully integrated traditional saddle craftsmanship, intangible leather carvings, Mongolian totem patterns and other elements. In order to make the products truly reflect the artistic essence of the Mongolian people, Hua Xizi invited Mr. Gawa, the non-genetic inheritor of Mongolian Kerqin leather carving paintings, to explore the leather carving skills together.

Makeup is the integration and unity of material creation and experience creation. In addition to the inheritance of national intangible arts and crafts, Hua Xizi’s "Mongolian Impression" series of new products is also closely related to Mongolian traditional culture, costumes and daily life, which is both artistic and practical. For example, the color of blush is inspired by the rosy and shining cheeks of Mongolian girls under the sunlight; The color of lip yarn is inspired by Mongolian daily food-Mongolian pot tea; The seven colors of the makeup tray come from seven different natural scenery colors such as Xiaguang, Desert, Grassland, Starlight, Mountain and Red Sun.

In addition, in order to convey the cool and comfortable beauty of Mongolian people from the perspectives of cosmetics, makeup and makeup education, Hua Xizi also joined hands with Du Fu, the brand image spokesperson, and Park Kewen, a famous makeup artist/star stylist, to launch the cool and comfortable beauty cosmetics in combination with the Mongolian national characteristics, combining the freedom, agility and coolness of horseback riding people with China’s makeup innovation, giving the beauty of traditional fashion.

From the "Miao Impression" series, which combines the forging and engraving technology of Miao silver ornaments and the representative totem patterns of Miao Yin, to the "Dai Impression" series inspired by the Dai classic peacock totem, Dai classic flower plants and Dai makeup, and finally to the "Mongolian Impression" series recently launched, Hua Xizi is exploring more possibilities for the integration of traditional cultural propositions and fashion tracks, and gradually building a complete and diverse series through deep excavation of the traditional culture of the Chinese nation.

Second, join in national public welfare

Burning lamps in the dark and sowing seeds in the sun.

While drawing nutrition and inspiration from national culture, Hua Xizi also devoted himself to the cultivation of national public welfare undertakings and became a member of the inheritance of national culture. This year, along with the new series of "Mongolian Impression", Huaxi Zi’s public welfare "clothing and vein passing down plan" came to its third year. Previously, the program had customized "exclusive national uniforms" for 1,800 Dai students and 1,600 Miao students in mangshi, Dehong Prefecture, Yunnan Province, and Leishan County, Qiandongnan Prefecture, Guizhou Province. “

In 2021, the Legend of Clothes Project was initiated by Zhejiang Yige Charity Foundation with the support of Huaxizi brand. It is dedicated to creating school uniforms with its own national cultural characteristics for 56 ethnic groups, enriching campus culture, highlighting the beauty of ethnic groups, enhancing students’ national identity and pride, enhancing their self-confidence in national culture, and promoting the protection and development of national culture.

This year, Hua Xizi cooperated with the team of professional designers of China Academy of Fine Arts for public welfare, and brought exclusive national school uniforms with national characteristics and modern aesthetics to 10 schools and more than 3,300 Mongolian students in Horqin, Inner Mongolia.

These exclusive school uniforms take sky blue and Hadabai with strong regional culture of Inner Mongolia as the main color matching, skillfully use the modeling elements such as Hamur pattern, pomegranate pattern, button tab and vest with strong Mongolian characteristics, and incorporate the ancient edging technology of splicing rags. At the same time, the school uniform also combines contemporary design elements and sports and leisure styles, and the overall design is solemn, generous, comfortable and free.

As a matter of fact, the plan of "from generation to generation" is just one of Hua Xizi’s "Yiwen public welfare". At present, the brand has also landed in the "paying fire inheritance plan" of "ethnic culture entering the campus". The first phase of this project has entered Liangshan Prefecture, Sichuan Province, and it is planned to invest 5 million yuan in five years, which will help young people to contact, learn and inherit the distinctive intangible cultural projects in the classrooms of 100 local minority schools. It is estimated that 100,000 students will directly benefit.

Huaxizi, founded in 2017, is a young brand, which is doomed to have no time to show its true side to the outside world. However, in the cultivation of national public welfare undertakings year after year, the public will gradually realize that the cultural connotation and social responsibility carried by Hua Xizi are far deeper and broader than expected, which will become a valuable invisible asset of the brand and support the brand to go longer and further.

Third, build China’s fashion discourse system.

Let culture and technology meet at the top of the mountain

Nowadays, when people mention oriental make-up, Hua Xizi is basically the brand that is first remembered. More crucially, this association has not only happened in China, but also in the global scope.

In the past few years, Hua Xizi has gradually brought "Oriental Culture" and "China Makeup" to more than 100 countries and regions around the world, such as the United States, by building a global independent station, entering Amazon and creating official overseas media content.

On the eve of "China Brand Day" this year, at the first China Brand Global Communication Conference hosted by Xinhua News Agency, Hua Xizi was selected as the TOP10 outstanding cases in the comprehensive field of global communication of China brands, among which Maotai and Huawei were among them.

From oriental wisdom, such as Chinese herbal medicines and ancient prescriptions for beauty, to traditional materials, such as bamboo weaving, Suzhou embroidery, filigree inlay, glass, and then to carved lipstick, jade-nourishing series and Mongolian impression series, behind one creative aesthetic product after another, it is Hua Xizi’s fusion and innovation of China traditional culture, and it is also the condensed result of his years of deep cultivation and scientific research.

From the very beginning, Hua Xizi took it as his responsibility to inherit the oriental culture, constantly improved the product research and development power, brand culture and aesthetic value with the standard of a century-old brand, constantly dug deep into traditional aesthetics and crafts, collided and combined modern science and technology with traditional culture, and endowed tradition with fashion.

In order to better explore China’s characteristics in the fields of color, technology and materials, Hua Xizi has repeatedly broken into the "no man’s land" in the field of makeup since its establishment. In China, Huaxizi is not only the first brand that explicitly proposes to build an "Oriental Beauty Cosmetics R&D System", but also owns the first CMF laboratory of China Beauty Cosmetics brand and the first holographic AI sensory behavior research system in China.

Last year, Hua Xizi announced for the first time its five-year plan to build an oriental beauty research and development system, and planned to invest more than 1 billion yuan to lay out the layout in several areas of product innovation, basic research and applied basic research, so as to create a comprehensive and technologically advanced oriental beauty research and development system.

Specifically, the research and development system of oriental beauty cosmetics is not only a point-like exploration of combining oriental characteristics in formula or raw materials, but also includes a whole system of research on skin color of oriental skin, theoretical research of traditional Chinese medicine, research on oriental raw materials, research on oriental formula, research on oriental technical system, research on oriental color system, research on oriental materials, oriental crafts and modern applications.

Cultural self-confidence is the most basic, deepest and lasting force in the development of a country and a nation. So is the cultural self-confidence of the brand. For a long time, the standards, culture and system of China’s make-up industry have been deeply branded by the West. For domestic make-up, the establishment of the research and development system of Oriental Beauty Makeup needs long-term persistence.

From dermatology research, raw material research, formula innovation, to strict quality control standards, to a comprehensive evaluation system … Huaxizi, whose roots in science, technology and culture are getting deeper and deeper, is gradually building its own fashion discourse system and "going out" on behalf of China brand, so that the power of China brand and China culture can be seen by the world.

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　　"year of the loong Spring Festival orders burst! Our whole family is too busy to mobilize. "

　　The son dances dragons, the daughter designs dragons, and the wife makes dragons … Every Spring Festival, the family of Chen Xingguo, the national inheritor of Fenghua Bulong, also ushered in the busiest moment of the year.

　　Dragon dance orders are scheduled for the Lantern Festival.

　　"Our dragon dance team is busier this year than in previous years, and the orders are scheduled for the Lantern Festival. This year, we received an invitation from Huizhou, Guangdong Province. " Chen Liangliang, the son of Chen Hangguo and the provincial inheritor of Fenghua Bulong, estimated that there were two performances every day in recent days.

　　This year is year of the loong, and dragon dancing has become an indispensable "standard".

　　Recently, the Fenghua Tiaozhai Dragon Dance Team, headed by Chen Liangliang, presented a wonderful dragon dance performance to the audience at the opening ceremony of the non-legacy market in Nantang Old Street.

　　The Dragon Ball moves up and down in the hands of the dragon dancers. The dragon dancers follow the rhythm of the Dragon Ball, sometimes leaping and rising, sometimes swimming and hovering, making the dragon seem to have life.

　　During the performance, the dragon dancers also changed their formations from time to time, sometimes jumping and sometimes sneaking, showing the shape and charm of the dragon to the fullest.

　　"No shortage of orders, lack of people! Our dragon dance team has a full schedule. " When interviewed by reporters, Chen Liangliang and his teammates were on their way to the next village to perform.

　　Careful observation of Chen Liangliang’s palm shows that the yellowing calluses are particularly obvious, which are left by holding the dragon pole all the year round.

　　Chen Liangliang said that the most common thing his father said to him was that the key to dragon dancing is to make the dragon "live", not only in action, but also in expression. There is no shortcut, only persistent training.

　　Chen Liangliang studied dragon dancing with his father since he was a child. He began to dance dragon in Tiaozhai Primary School at the age of 7. At the age of 26, he became an international referee and coach for dragon and lion dancing. Now he is a provincial non-genetic inheritor, which has provoked the burden of inheritance and innovation of Fenghua Bulong.

　　"On the basis of traditional retro routines, we have arranged some new movements, especially combined with local elements in Fenghua, not only to dance with vigor, but also to dance with characteristics, so as to make everyone shine." Chen Liangliang revealed that he is currently studying how to combine Fenghua Bulong with Fenghua’s specialty peaches to create a set of "Peach Blossom Dragons".

　　This year, Fenghua Bulong will also carry out in-depth cooperation with Tencent’s mobile games, which is the first case of cross-border cooperation between Ningbo Intangible Heritage and e-sports games.

　　By then, Fenghua Bulong’s cultural elements, performance routines and the image of the inheritor will be reflected in the game, so that more young people can understand, love and spread the legacy.

　　Young people relay to hold up the banner of dragon dance

　　For Chen Xingguo’s family, making and dancing Bulong is a matter of persistence and inheritance.

　　Chen Xingguo, who is 65 years old this year, has been attached to dragon dancing for nearly 50 years. "Our Chinese nation is a descendant of the dragon. My greatest wish is to hope that Fenghua Bulong can be passed down for a long time and carry forward the spirit of the dragon."

　　"I am relieved that there are successors!" Now, Chen Xingguo is extremely proud to see his son Chen Liangliang become the soul of the Dragon Dance Team, taking the Dragon Dance to a bigger stage, and his daughter Chen Jingjing opening a shop in Taobao and pushing Fenghua Bulong to the world.

　　At present, the "Chen Dragon" produced by Chen Xingguo’s family has broken more than ten thousand pieces, which not only swims in the land of China, but also has been exported to more than ten countries such as the United States, Britain, South Korea, Spain, Japan, Singapore and Turkey, and the dragon culture has also spread all over the world.

　　The Dragon Dance Team of Tiaozhai Village in Fenghua, led by Chen Liangliang, not only inherited the excellent traditional routines and skills of Fenghua Bulong, but also introduced new modeling movements and routines. At present, the Dragon Dance Team consists of 22 young adults, the oldest being 38 years old and the youngest being only 17 years old.

　　Last year, Tiaozhai Village Dragon Dance Team participated in the warm-up performance of the opening ceremony of the 4th Asian Paralympic Games in Hangzhou, and together with several other dragon dance teams from all over the country, staged a wonderful "Hundred Dragons War".

　　"This is an opportunity for Fenghua Bulong to go global. We all hope to present the charm of Fenghua Bulong in the most perfect state, and it is worthwhile to work hard and get tired again." Chen Liangliang, who was the leader, recalled the training scene at that time.

　　In January this year, Chen Liangliang was invited to participate in the 11th annual exhibition "Dragon and Lion Dance Training Course" in He Xinchun, North and South Tianshan Mountains, and carried out the teaching work for half a month. This is the farthest footprint of Fenghua Bulong in China.

　　"I feel very honored to be invited to Fuhai County, Altay, Xinjiang, which is more than 4,000 kilometers away from Fenghua, and to bring the traditional culture of my hometown to the northwest of the motherland." Chen Liangliang introduced that he took 75 class hours of training, trained more than 130 students, and set up six dragon dance teams for the local area.

　　Fenghua Bulong has not only attracted much attention in China, but also "flew" to the international stage many times: he went to London, England to participate in the cultural exhibition of the Olympic Games, the performance of Shakespeare’s Drama Festival, and went to South Korea to participate in the "Daegu Colorful Celebration", which made Fenghua Bulong shine on the international stage.

　　Chen Liangliang leads Fenghua Bulong to perform in South Korea.　

　　"I want more people to know about dragon dance. Now dragon dance is not only a traditional culture and art, but also a sports event. We have also promoted it to kindergartens, primary and secondary schools and even universities." Chen Liangliang said.

　　Chen Liangliang, who has deep affection for dragon dance, made his twins join the dragon dance team.

　　"When I was in kindergarten, my father gave me a stick and asked me to start from the basic skills of the eight-character dragon dance. It took several hours to practice. Now I also give my child a stick. This tradition should start with dolls. " Chen Liangliang said, I have always kept in mind my father’s words, "What my ancestors left behind, if I don’t do it, it will be gone."

　　Dragon dance moves constantly bring forth the old and bring forth the new, making Fenghua Bulong’s performance more colorful; The members of the dragon dance team have new faces one after another and become younger, which makes Chen Xingguo particularly happy: "Young people have already held up the banner of dragon dance."

　　University library. Bright picture

　　On the first day of the postgraduate entrance examination on December 21st, English for postgraduate entrance examination was on the hot search because it was "difficult". Coincidentally, on December 14th, CET-4 and CET-6 came to an end. A question about how to express "four generations under one roof" in Chinese-English translation stumped a group of college students and became the hot news of the day.

　　"Can translate ‘ Four generations under one roof ’ Does that mean my English is good? Fluent dialogue is a good proof of English. " After the exam, a netizen left a message like this.

　　How to measure English level scientifically? Since the examination was started in 1987, CET-4 and CET-6 have been accompanied by Chinese candidates for 32 years and become an important reference for the evaluation of social English talents. Although the results are objective, "unable to measure at the same level as foreign exams" is the main aspect of public opinion calling for its reform.

　　On December 13th, the China English Proficiency Scale (hereinafter referred to as the Scale) completed the docking with the TOEFL test. Prior to this, IELTS, Preston and the scale completed direct docking. At the same time, the national English proficiency test in many places was suspended. What does this mean? When will the new test form "China English Proficiency Test" be published? The reporter interviewed Wu Sha, director of the Foreign Language Assessment Division of the Examination Center of the Ministry of Education, and Liu Jianda, the chief expert of the national foreign language proficiency assessment and a professor at Guangzhou University of Foreign Studies.

　　1. Has the English proficiency test gone out?

　　Reporter: The China English Proficiency Scale has recently released the docking results with the TOEFL test. What does this mean? Does it mean that China has taken an important step in the scientific nature of English testing?

　　Wu Sha:The successful completion of the research on foreign English test docking scale is of great significance to promoting the international recognition of China English proficiency rating scale and promoting the openness and internationalization of foreign language education in China.

　　To meet the needs of China’s development strategy in the new period and future social development, foreign language teaching and examination need to be more scientific and international. China, as the country with the largest number of English learners and test participants, will link the scores of international tests such as TOEFL with China’s ability standards, which will not only help China students and users better understand international tests and choose tests rationally, but also help other countries and regions in the world better understand China’s standards and students’ ability.

　　Liu Jianda:If China English Proficiency Rating Scale wants to go out of China, go to the world and be accepted internationally, it must be connected with internationally renowned standards and examinations. China English Proficiency Scale can provide reference for English learning, teaching and evaluation in China, and it is a good way to let the world understand English education in China. Through the docking of English rating scale with other scales and exams in the world, foreign scholars can better understand English education in China.

　　Since the publication of China English Proficiency Rating Scale, the R&D team has used different international and domestic academic conference publicity scales, and the Scale has also been widely recognized by scholars and experts at home and abroad. The development and hosting organizations of some mainstream scales and exams in the world have taken the initiative to connect their scales and exams with the China English Proficiency Scale, which also shows that the China English Proficiency Scale has a certain influence in the world.

　　2. When will the new English Test be issued?

　　Reporter: We have noticed that many local national English proficiency tests have been suspended. Then, when will the National English Proficiency Test based on China English Proficiency Scale come out? What is the current research progress?

　　Wu Sha:The State Council’s "Implementation Opinions on Deepening the Reform of Examination Enrollment System" puts forward that to strengthen the construction of foreign language proficiency assessment system, the development of the China English Proficiency Scale and the development of English Proficiency Test are the specific tasks in the construction of the assessment system.

　　Liu Jianda:The construction of the national foreign language proficiency assessment system includes five aspects, the first is to establish standards, and the other is to develop a grade examination based on standards. Now, the China English Proficiency Scale has been issued, and the design of English Proficiency Test based on the Scale has been completed.

　　It should be pointed out that the National English Proficiency Test was conducted according to the international common norms and principles from the beginning, and the test developers have done a lot of research on the reliability and validity of the test, with the aim of making the National English Proficiency Test internationally recognized. After the development and maturity of the National English Proficiency Test, it is entirely possible for English candidates in China to use the scores of the National English Proficiency Test to replace some popular test scores in the world and make relevant academic applications.

　　At present, the English proficiency test under development has only five levels, which is not one-to-one corresponding to the nine levels in China English Proficiency Scale. Moreover, the five levels are not aimed at students at any particular stage. English learners and users can voluntarily choose the exam suitable for their current ability level according to their own ability level. The overall design of the national English proficiency test, the development of all levels of the test is under way. At present, the development of the 5 th and 6 th levels of the test has been completed, and the development of sample papers and benchmark papers, the writing and demonstration of test instructions have been basically completed. Experts and scholars are building a test bank for related exams and have done a lot of test work. The relevant units are going through the relevant declaration and approval procedures, and the specific date of promulgation will be announced by the relevant units.

　　3. Will CET-4 and CET-6 be replaced?

　　Reporter: The reform of CET-4 and CET-6 has been called for. Will the National English Proficiency Test be connected with CET-4 and CET-6 in the future? Or will the new national English proficiency test replace the CET-4 and CET-6?

　　Wu Sha:CET-4 and CET-6 have played an important role in promoting college English teaching in China for 30 years, and have also become a reference for social evaluation of talents’ English ability. In the new era of foreign language education development, CET-4 and CET-6 should also be integrated into the new evaluation system with reference to the new standards, so as to play a better role and better promote the reform and development of teaching and evaluation. Because there are many links involved in the implementation of the examination, it is necessary to make the existing examination smoothly integrate into the new system and reduce the inconvenience to candidates and society.

　　Liu Jianda:Whether the English proficiency test will replace the CET-4 and CET-6 remains to be investigated and demonstrated by the relevant units. Because the reform of CET-4 and CET-6 will be carried out according to the concept of the Scale, and the English proficiency test is also developed based on the Scale, the two tests may have a lot in common, and it is not impossible to merge the two tests at an appropriate time in the future. However, it should be pointed out that the purpose of the English Proficiency Test is to test the English proficiency level of candidates, not especially for students at any stage. Any English learners and users at home and abroad can voluntarily sign up for this test.

　　4. Can we use more tests in the future and reduce repeated tests?

　　Reporter: Will the introduction of "Scale" play the role of multi-purpose in one exam and reduce repeated exams? How will it affect college English teaching and evaluation?

　　Wu Sha:The Scale can help to construct a diversified and multi-level college English curriculum system. Colleges and universities can design courses that meet the needs of students and majors, meet the diverse needs of students, and implement personalized teaching according to the characteristics of running schools and referring to the ability description of relevant scales. According to the actual needs of our school, we can refer to the ability dimension and specific ability description of the Scale in terms of test design, grading standard design and student achievement feedback, so as to make the test objectives in teaching more specific and clear, the standards more consistent and the feedback more abundant.

　　With the help of the Scale, students can make self-evaluation and mutual evaluation of their English level, diagnose their English ability, adjust their learning objectives and methods according to their actual situation, choose suitable learning materials, and participate in appropriate training or proficiency test.

　　Liu Jianda:The establishment of "Scale" provides a basis for exam design, the compilation of exam content outline, and the optimization of question types, provides a unified standard for the formulation of grading standards, the report and interpretation of scores, and the judgment of whether the exam objectives are achieved, and provides a reference for comparing the ability levels of existing exams and making the results of different exams comparable (Council of Europe, 2001, 2018). Therefore, the establishment of the national English proficiency test based on the Scale is not aimed at the reform of a certain English test item, nor is it simply to adjust the existing test items. Instead, on the basis of the national unified English proficiency standard, we should sort out and integrate some existing English test items, improve the systematicness, scientificity and functionality of English test items, scientifically design new English proficiency test items, promote the communication and mutual recognition of learning achievements at all levels, and promote the coherence and order of English tests at all levels and realize ".

　　Grade examination comprehensively examines the comprehensive language application ability, which can meet the diversified needs of evaluation, further education and employment, and can be used for multiple purposes and reduce repeated examinations.

　　However, the Scale itself is not mandatory, and there are corresponding teaching outlines or guidelines for English education and assessment at all stages in China, which should be subject to. However, the Scale provides a coherent reference for all kinds of outlines or guidelines at all levels and provides the basis for the implementation of "one-stop" English education. At present, both Chinese and English versions of the Scale have been published, and the docking with the European Language Common Reference Framework and other international famous exams such as IELTS and TOEFL has been basically completed. However, the Scale needs to be continuously improved in practice, and the verification and revision of the Scale can be said to be a continuous work, and the corresponding scientific research work needs to be followed up from all aspects to make the Scale play its due role.

　　 (Reporter Yao Xiaodan)

　　Whenever people mention the Beijing-Hangzhou Grand Canal, they can’t help but call it "beautiful". In fact, the beautiful Beijing-Hangzhou Grand Canal, apart from its antiquity and civilization, has a unique flavor for its shiplocks. Especially in the northern Jiangsu Canal, it can be said that there are ten locks and ten landscapes. They are like ten bright pearls embedded in the 404-kilometer Grand Canal, and the ancient Grand Canal is decorated with beautiful scenery, which is particularly enchanting. In the 1980s, as a member of maintaining social order in the northern Jiangsu section of the Beijing-Hangzhou Grand Canal, I fought, patrolled, lived on the Grand Canal, and had zero contact with ten shiplocks along the way, and fully felt their unique scenery, mood and taste.

　　In the spring of 1980, after I retired from the army, I was assigned to the Shao Bo Police Station of Jiangsu Canal Public Security Bureau (No.8 Gangkou Road, Huaiyin City). The police station is located on the bank of Shao Bo Lake in the lower reaches of Hongze Lake with beautiful scenery. Together with Shaobo Ship Lock, it hides in a thick cedar and tall unlined upper garment forest. If it weren’t for the loud "cry" of ships coming and going, it would be a paradise. The police station and the lock management office are located in a small courtyard next to the lock, surrounded by a circle of antique glazed tile walls, fan-shaped wall holes and a small round door, which wraps three rows of bungalows (two rows are the rooms for the lock management office and one row is the place for the police station). Since then, I have camped in the police station and stayed with Shaobo Ship Lock day and night.

　　Shaobo Ship Lock was first built in 1934. Although the old lock has been scrapped, there is still an old lock wall standing along the river on the east bank of the canal. On this site, there is the autograph of "Jiang Zhongzheng", with three Chinese characters one meter square, embedded in the canal bank with cast iron, which fully shows how much attention the Kuomintang government paid to the development of canal transportation and water conservancy. Later, the ship lock was built in 1962. The lock chamber made of reinforced concrete and four watchtowers, like "Four donkey kong", stood on the Grand Canal. Because I was single, I had to take Zhajia as my home and guard the Subei Canal with the "Four donkey kong".

　　The scenery of the ship lock in those days was unique and charming. In the early morning, I can stroll by the Shao Bo Lake near the gate and feel the beautiful scenery of the lake overlooking the lake, with vast smoke waves and little fish sails; Walking up and down the lock, smelling the passing ships burning small stoves and making breakfast, the smoke and rice fragrance floating out are refreshing and appetizing. In addition to its architectural beauty, scenic beauty and greening beauty, the ship lock also has the unique beauty in the lock room, which is constantly presented to me.

　　The first is the beauty of "fishing for money".

　　Unlike now, toll collectors on the gates are all in remote dispatching stations or central command rooms, using computers to complete the tasks of registering and charging passing ships. At that time, the toll collectors on the gates were all beautiful women with special skills. Each of them carried a ballot box, held a wallet and put a long rope (cotton) on their wrists. After calculating the cost of crossing the gates according to the number and tonnage of ships crossing the gates, they tore off the quota invoice and clamped it with iron clips. With the waving of their arms, the long rope flew out of a dazzling arc and landed on the docked bow accurately. The boatmen are always happy to accept invoices, change into banknotes, and then throw them at the toll collectors with iron clips. The beauty toll collectors pulled hard by inertia, and the long rope crossed a beautiful arc in the air and fell into their arms.

　　The second is the beauty of releasing water.

　　The water level difference between the upstream and downstream of a ship lock is usually several meters or more than ten meters. When the ship enters and exits, it must pass through the gate entry, gate closing and water release from downstream to upstream, and then open the gate and leave the gate after the water level is equal to that of the upstream. The release of water from the lock chamber is a scene of the lock. When the lock workers turn on the hoist (the button was manually operated in those days, but now it is controlled by the computer), the river in the upper reaches is like a runaway wild horse, rushing out from the lock wall, and the big waves, the noise and the water mist constitute a symphony of the lock. Under the refraction of sunlight, water mist can sometimes form a seven-color rainbow over the ship lock, which is beautiful and dreamlike. And I often worry about the safety of the ship in the lock room under this beautiful scenery. In fact, there is no need to worry. Before the fleet entered the lock, the broadcast on the watchtower reminded: "Attention, comrades of the crew, the lock is about to release water. Please put on your life jacket, fasten the cable and take the bamboo pick. Pay attention to safety. " The beauty announcer of the ship lock, the gentle and drizzling reminder, made the passing crew full of enjoyment in their vigilance.

　　The third is the beauty of rock climbing.

　　In those days, you had to climb the approach pier of the ship lock and hand in the navigation book to the gate workers before registering for crossing the gate. After entering the lock, you have to climb the lock surface along the lock wall and take away the navigation book. When the ship lock is in low water, it is thirty or fifty meters away from the lock surface. When the crew members walk on the Grand Canal all the year round, they will inevitably climb up and down at the lock. In the long run, they will all practice a unique skill of "rock climbing". Whenever the lock releases water, you can always see many crew members climbing. The simple costume, the vigorous figure, the bronze skin and the protruding muscles, like geckos, walk up and down the lock, vividly showing a "rock climbing map" of the lock.

　　The fourth is the beauty of lookout.

　　There are four watchtowers at the four corners of the lock. The one in the southeast is the command tower, also called the dispatching tower. Climbing to the top of the tower, the surrounding scenery is unobstructed. Looking to the west is the rippling Shaobo Lake, and the derricks of Subei Oilfield are dotted in the distance. Looking eastward, the ancient town of Shao Bo is near by the river, and the big docks, Dawang Temple and Shiban Street where Emperor Yangdi and Qianlong set foot in ancient times can be vividly seen. Looking to the south, the Grand Canal suddenly widened, connecting with Shaobo Lake, and flowing to the ancient city of Yangzhou against the backdrop of the slate of the east bank canal levee. Looking to the north, the Grand Canal floats from the north like a silver ribbon, and flows to the ancient town of Shao Bo in the guise of green trees on the west bank canal levee.

　　The above four beauties can be said to be the common beauty of Subei Canal and ten shiplocks. Of course, apart from the similarities, there are also many characteristics that show the beauty of individuality. As for the difference of beautiful scenery, it should be that ten shiplocks are different. For example, Shiqiao Ship Lock in Yangzhou is famous for its royal garden style. Its rockery pavilion, small bridges and flowing water echo the ship lock architecture, and its pines, cypresses and winding paths add color to Shiqiao Ship Lock. In the last century, she was included in Yangzhou, an important place to receive foreign guests. I also served as the security guard for delegations from Romania, Albania and North Korea under the arrangement of the police station.

　　Our Huai ‘an Ship Lock is famous for its water conservancy hub, and the water interchange upstream of the ship lock is the only one in China. Huai ‘an Fanshui Station is an important project of North-to-South Water Transfer Project, which has made great contributions to continuously transporting Yangtze River water to Beijing, Tianjin, Hebei and Shandong. The Siyang Shiplock in Suqian is famous for being located in an orchard. The fragrance of fruits, cherries in spring, peaches in summer and apples in autumn make the past crew linger. The Zaohe Shiplock in Suqian is surrounded by luoma lake on the left and Zaohe Ancient Town on the right. The history that Qianlong stayed in Zaohe Palace for many times added a heavy stroke to the classical beauty of Zaohe Shiplock. The Jietai Shiplock in Xuzhou is full of flowers and trees. Entering a ship lock is like stepping into a world of flowers, a green ocean.

　　This is the canal lock that I remembered more than 30 years ago. Nowadays, many of the ten shiplocks have built three-line shiplocks and double-line shiplocks. Our two shiplocks in Huai ‘an are all three-line shiplocks, and they are the first shiplocks to realize modern management, ranking first in scientific management in China, especially in remote control, which has reached the world-class level. As the heart of ship lock command — — The Subei Navigation Management Office of Jiangsu Provincial Communications Department of Beijing-Hangzhou Canal is located on Yan ‘an East Road in the urban area, which plays an important role in the urban and economic development of Huai ‘an. Although Shidao Shiplock is not what it used to be, its aura is still there, and its scenery is more beautiful.

　　(Source/Huai’ an Literature and History Network Author/Shen Weihua)

The ancients did not deceive me. This posture is really comfortable.

When I was a child after 1980, I was scolded by my parents for only watching TV;

When I was a child after 90, I was scolded by my parents and only knew how to play computer.

After 00, I am being scolded by my parents who only know how to play mobile phones;

I used to be addicted to smoking cigarettes, but now I am addicted to playing mobile phones.

I used to beg from passers-by on the roadside, but now I ask netizens for money in front of my mobile phone.

Watch less mobile phones and spend more time with your family. The scenery outside is actually beautiful.

In the past, friends’ parties were all about going to the smoking house, but now friends’ parties are all about taking a shower.

The couple used to smoke together, but now they watch it together.

History is always strikingly similar. In the past, wearing a yellow vest was a royal, but now wearing a yellow vest is a beautiful group.

I sent prisoners together in previous lives, and now I send people meals together.

I used to keep my knife, but now my bag is carried everywhere.

In the past, the Kingsguard was very arrogant when going out. Now, when it rains, you have to run. If you don’t run, you will have no money.

The only constant is that it used to serve people, and now it still serves people.

I used to stand on the side of the road with a stick and a bowl, but now I walk on the road with a mobile phone and a tube.

I guess your posture is like this now.

A few decades ago, a foreigner put forward a theory, "nipple music". It is to create a closed circle and trap the energy of ordinary people in it, so that they have no strength to think about themselves. And this circle is mobile phones and television.

Put down the phone and look up more.

Original title: How to treat the "usefulness" and "uselessness" of culture?

Zhongqingbao Zhongqingwang reporter Xia Wei

For drinking tea, it is obvious that ordinary white porcelain bowls can meet the demand, but why do we prefer porcelain tea set with fine workmanship? When writing, the arm rest is used to prevent the arm from being stained with ink. Obviously, as long as it has the function of putting the arm, why do we pay attention to its material and the carving on it? When we are moved by the beautiful artistic conception of an ancient poem, when we are fascinated by the exquisiteness and elegance of a handicraft, what do we get from it? What can those humanistic details and artistic values bring to our lives? Or, is culture "useful" or "useless" to our life?

The "uselessness" of culture is also "great use"

In the dialogue session hosted by Bai Yansong at the 15th Cultural China Forum, Pan Lusheng, chairman of China Folk Writers Association, pointed out that "useful" means "practical" and "useless" means aesthetic "useless". Material and spiritual use and life use are both useful and practical, while useless is also useful and even useful.

Pan Lusheng introduced that in Lin ‘an City in the Southern Song Dynasty, the palace culture, the literati culture and the street culture were integrated, which formed the idea of "craft for practical use", and also created a life style of unity of practicality and aesthetics in the Southern Song Dynasty. During this period, the weaving technology was superb, and the fabrics made were dense and light as cicada’s wings. Not only were there various types of yarn, Luo, Qi and Ling, but the silk reeling and embroidery techniques were also superb. The gardens in the Southern Song Dynasty are like three-dimensional landscape paintings with pavilions and winding paths, which contain the spiritual complex and aesthetic artistic conception of literati. From the clay figurines of children in the Song Dynasty in Zhenjiang Museum, to the Children’s Plays in the City in Taipei Palace Museum, from the white porcelain children’s pillows in Dingyao in the Palace Museum, to Song Jin’s Paintings of the Hundred Immortals in Cleveland Art Museum in the United States, all of them reflect the aesthetics and interest of life in which humanities and art are combined with street life.

In contrast, in today’s fast-paced diet and fragmented culture, modern people no longer seem to have an attitude of attaching importance to life aesthetics, and traditional crafts no longer pursue use value. In this context, should we learn from the ancients and return to the "elegant life" way of the Southern Song Dynasty?

"The handicraft tradition of the Southern Song Dynasty is historical and contemporary, which runs through the traditional Chinese aesthetic spirit, lifestyle and cultural taste." Pan Lusheng said. Therefore, he proposed to develop a new economy of Song rhyme culture, take people’s life needs as the guide, enhance cultural life experience, and study how elegant lifestyle can be integrated into today’s life, so that people can gain a sense of cultural identity.

Pan Lusheng believes that, on the one hand, by reviving traditional crafts, we can explore how to better inherit and utilize traditional craft and cultural resources at present, inject the culture of Xixiang into education and cultural communication, and serve people’s spiritual and cultural life. On the other hand, through the development of cultural industry with cross-industry barriers, traditional craft culture can be transformed into the resources of contemporary Song Yun cultural industry, creating higher economic value, thus better serving people’s material and cultural needs.

"Cultural pension" is worth looking forward to.

On the aesthetic level of life, the "usefulness" and "uselessness" of culture may be a philosophical proposition, but in the medical field, the "usefulness" of culture is indispensable. According to Zheng Xiaoying, academician of the Academy of Sciences of developing countries and director of the Peking University Population Research Institute, culture is even more "useful" than science and technology.

Zheng Xiaoying said, "Everyone’s ultimate wish is to grow old healthily and say goodbye to the world happily. This is by no means a problem that can be solved by relying solely on science and technology or medical means, but a realm that must be achieved through the combination of culture, art and technology. In this sense, the infiltration of culture is more important than the development of science and technology. "Zheng Xiaoying believes that" medical art education should be integrated into medical education so that every doctor can accumulate deeper artistic accomplishment and cultural heritage. "

Zheng Xiaoying pointed out that cultural blessing is also needed to deal with the problem of population aging. She introduced that with the intensification of the aging process, the life expectancy of China’s population is also increasing rapidly. However, most of the increased life expectancy is unhealthy, that is, life expectancy with disabilities. Among the disabled people in China, 53% are elderly people. To solve the problems of these elderly disabled people, we need the support of science and technology, but more importantly, we need the support of culture. "Let them be happy and enjoy the benefits brought about by the reform and opening up to the maximum. This is not a problem that can be solved by a simple assistive device."

At the same time, Zheng Xiaoying emphasized the concept of "cultural support for the aged", which is a way to support the aged on the premise that the material needs of the elderly are basically guaranteed, on the basis of meeting spiritual needs, on the basis of communicating emotions, exchanging ideas and having a healthy body and mind, and on the purpose of publicizing individuality, advocating independence and enjoying the spirit of happiness and pleasure. "Cultural pension meets the spiritual needs of the elderly. For the elderly without children, this pension model is particularly important." Zheng Xiaoying said.

How to realize the mutual integration of science and technology and humanities

Undoubtedly, the integration of culture, art and technology can make people’s lives better. So, as an individual, how should we start from ourselves and realize the integration of technology and humanities? This is also a question that Wang Yuming, an academician of China Academy of Engineering and an expert in fluid sealing engineering technology, is often asked.

Wang Yuming laughed and called himself a "science man". "However, although my main business is mechanical engineering, I am not" mechanical "culturally. He is a student of Mr. Ye Jiaying, a consultant of the Chinese Poetry Society, the director of the Poetry Working Committee of colleges and universities, and the president of the Tsinghua University Lotus Pond Poetry Society. It can be said that he is a person who perfectly balances "poetry and distance".

When answering the question "how to realize the mutual integration of science and technology and humanities", Wang Yuming believes that in terms of values, science and technology and humanities and arts are both pursuing truth, goodness and beauty, and they are essentially interlinked; In the mode of thinking, both of them need logical thinking and inspiration epiphany thinking, which can promote each other. The same is true of many masters of science and technology (such as Einstein, Yang Zhenning, Qiu Chengtong, Gu Yuxiu, Qian Xuesen, etc.). However, the most important thing is to have a "pure heart" in both scientific research and literary creation.

On the "Use" of China Culture from the Outside

The Chinese culture has a long history, and the "useful" culture not only created the fashion life of the ancients, but also injected spiritual strength into solving modern social problems, and also brought about an impact on the civilized development of neighboring countries.

In the dialogue session, Cheng Yonghua, former Japanese ambassador extraordinary and plenipotentiary to People’s Republic of China (PRC) and executive vice president of China-Japan Friendship Association, introduced the "use" of Japanese culture to neighboring countries. He said that China’s culture had a profound influence on the Korean Peninsula, Viet Nam and Japan. Take Japan as an example. The Sui, Tang and Song Dynasties were the historical peaks of Sino-Japanese cultural exchanges. During this period, ancient Japan sent 19 groups of envoys to China to study, with a maximum of 600 people at a time. In addition to sending envoys, a large number of international students also came to China from ancient Japan. Many of them stayed for many years, and some even stayed in China to work as officials in Chang ‘an until they died and were buried in Chang ‘an. In 645 AD, the ancient Japanese carried out the "Dahua Innovation" movement, abolished the monopoly regime system in big noble, and established an ancient centralized state with reference to the rules and regulations of the Tang Dynasty in China. During the Song Dynasty, more and more Japanese people came to China to study. Jian Zhen, a monk in the Tang Dynasty, traveled eastward to preach the precepts to Japan and was honored as the ancestor of Japanese Buddhist legalists. The Tang Zhaoti Temple complex built by him and his disciples in Nara, Japan, embodies the architectural characteristics of the Tang Dynasty and is the largest and most beautiful building in Japan’s existing Tianping era. Japanese characters are also born out of Chinese characters. At first, there were only languages but no characters in Japan. In asuka period, Buddhist classics introduced into Japan along with Buddhism made Chinese characters penetrate into Japanese life. The first Chinese characters were used by ancient Japanese as phonography, but they were troublesome in the process of use, so heian period invented katakana and hiragana with reference to the radicals and cursive scripts of Chinese characters. In addition, the present Japanese court music-gagaku,It is also music from the Tang Dynasty in China.

Cheng Yonghua said that Sino-Japanese exchanges have a history of 2,000 years. Today, Japanese young people are still attracted by China’s rapid economic development and technological innovation, and feel that "they should go to China to see more and communicate more".

Whether it is "practical" or "useless", the China culture of the same strain needs and deserves to be passed down and carried forward by contemporary people. As Pan Lusheng said, culture is a nation’s overall lifestyle and value system. If the ancients’ fashion is integrated into contemporary life, we may be able to create a pioneer culture with temperature, connotation and taste in the new era.

Source: China Youth Daily

There are many excellent niche games in today’s game market. They may not be advertised by big manufacturers, but they have unique gameplay and deep storylines. The following are some niche games I recommend for you. They all have unique features and charms. I hope you will like them.

1.《Celeste》

Chinese name: azure

Celeste is a platform game released by Canadian game developer Tommo. In the game, the player plays a girl named Madeline, who climbs a mountain and overcomes her inner fear. The game screen is simple and fresh, the music is beautiful, and the game is extremely difficult, which requires players to constantly challenge their limits.

2.《Papers, Please》

Chinese name: Please show me your certificate.

Papers, Please is a simulation game made by American game developer Lucas Pope. The player plays a border inspector to check the documents and information of passengers to prevent illegal entry. The game screen is simple and plain, and the music is dull, but the game plot is exciting and thought-provoking.

3.《Stardew Valley》

Chinese Name: Tale of Star Dew Valley

Stardew Valley is a simulated business game produced by American game developer ConcernedApe. The player plays a city resident, inherits an abandoned farm, and needs to manage the farm, grow crops, breed animals, collect resources, etc., and experience the fun of rural life. The game screen is exquisite, the music is soothing, and the game content is rich. It is a very suitable game to relax.

4.《Undertale》

Chinese name: undertale.

Undertale is a role-playing game created by American game developer Toby Fox. Players play a human trapped in the underground world and need to communicate with various monsters and choose different fighting methods. The cartoon of the game screen is lovely, and the music is cheerful and pleasant, but the game plot is profound and thought-provoking.

The above are some niche games that I recommend for you. They all have unique characteristics and charm, and are worth a try by players.

Transfer from: People’s Daily Client Sichuan Channel

Wang yongzhan

Just after the 100-day countdown to the 31st Universiade, this upcoming youthful and energetic sports event has already ignited sports enthusiasm all over the city.

On the morning of April 21st, the "Happy Run for the National Universiade" activity and the awarding ceremony of the "Beidou Cup" National Youth Sports Competition (chengdu railway station) and the Guinness World Record Certification Ceremony were held in the Yaodu District Gymnasium.

The "Beidou Cup" National Youth Sports Competition is an important part of a series of fitness activities with the theme of "Run for Teenagers" initiated by the State Sports General Administration, the Ministry of Education, the National Health and Health Commission, the All-China Federation of Trade Unions, the Central Committee of the Communist Youth League and the All-China Women’s Federation. The competition features the innovative combination of Beidou and sports, and brings a new experience of sports by means of digital participation.

As the host city of the 31st Universiade and "the happiest city in China", Chengdu has formed a public sports space layout with Tianfu Greenway as the main trunk, venues and parks as the nodes, and "Jinjiao Yinbian" as the basis, which promotes people’s livelihood and well-being with colorful sports scenes and shows the development concept of "people-centered".

As an important event for Chengdu to welcome the Universiade, this competition takes the whole city as the venue and all residents as participants, fully demonstrating the concept of "green, wisdom, vitality and sharing" for Chengdu Universiade and creating a good social atmosphere for all people to welcome the Universiade. Pidu District took the lead in launching the Guinness Book of World Records activity of "A single event received the most sports declaration". Twenty-three districts (cities) and counties in the city participated in the activity, and many towns, communities and other units contributed to the record-setting work. Universities, primary and secondary schools also actively organized young people to participate in the activity.

On the occasion of the 31st Universiade, the activity further promoted the extensive development of national fitness, constantly improved the enthusiasm of community residents to participate in sports, enriched their amateur cultural life, and formed a strong atmosphere of healthy community sports. In the end, based on the data of 241,675 citizens’ sports declarations, the event successfully won the Guinness World Record certification of "receiving the most sports declarations in a single event in one month".

During the awarding ceremony, the Guinness World Records Certification Officer awarded the Guinness World Records Certification Certificate to the founding unit, and the relevant leaders awarded the winners the "National Universiade Happy Running" activity and the "Big Dipper Cup" National Youth Sports Competition (chengdu railway station) Excellent Organization Award, the Top Ten Players in the City and the Third Runner-up Award, and the District (City) and County Champion Award. After the award ceremony, the participating leaders officially launched the "National Universiade Happy Run" experience activity and the "City-wide Training Neighborhood Fun Tour" community sports festival for Pidu District.