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Mazda officially released the CX-70 series in the North American market at the end of January 2024. As the second combat-capable CX-70 with a vertical rear-drive chassis in the North American market, it soon appeared on the sales market. North American Mazda, in late February, announced the complete price setting on its website. The price of the 3.3-liter turbine model entering the car series starts at $40,445 (without tax), while the price of the PHEV model starts at $54,400. According to the US Mazda website, the CX-70 is currently available in a total of two power and seven models.

The more interesting part is that the price of the CX-90 has been announced for sale in February 2023, and from the current North American Mazda website, it can be seen that the price of the CX-90 series starts from $37,845 to $57,450. From the price point of view, the price of the 5-seat CX-70 series is even more expensive than the three-row seat CX-90. Is it just like the price of a two-door sports car is higher than that of a sedan? The fewer doors, the more expensive it is, and the fewer seats, the higher the price!

Of course, the less the door, the more expensive the argument is a joke, and the price setting of the 5-seat CX-70 is higher than that of the 3-row CX-90, which is also a misunderstanding. After careful comparison, it will be found that Mazda in North America has programmed the CX-90 from the entry-level Select model, followed by Preferred, Preferred Plus, Premium, Premium Plus, S, S Premium, S Premium and other models, plus 3.3T and PHEV two power unit options, the CX-90 car series has a total of 11 models.

As for the seven car series of the CX-70, the entry is the Preferred model, and it is not like the CX-90 with the Select model as the entry configuration. The entire product positioning is quite different. After further comparison, it will be found that whether it is the CX-70 or the CX-90, the price setting of the same model is exactly the same. The 3.3 T Preferred model of the CX-70 is priced at $40,445 untaxed, while the 3.3 T Preferred model of the CX-90 is also priced at $40,445 untaxed, and the rest of the models are the same.

In terms of body size, the CX-70 and the CX-90 are actually not far from each other, with a length of about 5,100mm (inclusive). The similar size highlights the difference in the original intention of the product, which also means that the main product differences between the CX-70 and the CX-90 still lie in the differentiation of interior space application and vehicle demand.

　　[PConline Information]On May 13, Huawei joined handsChina MobileHuawei Ascend P7 Mobile 4G New Product Launch Conference was held in Beijing. Li Huidi, Vice President of China Mobile, Yu Chengdong, CEO of Huawei Consumer Business, and many channel partners attended the conference. The retail price of the mobile version of Huawei P7 is 2,888 yuan. It has been sold on seven major online platforms since May 13. It is expected that offline physical channel sales will be fully launched on May 17.

The mobile version of Huawei P7 has been officially released

　　The Huawei Ascend P7, with its outstanding advantages in design, photography, network connectivity, and a variety of built-in China Mobile custom applications, will surely become a new benchmark in high-end smartphones, creating a more intimate and convenient smart mobile life for customers. Huawei Ascend P7 adheres to the ultimate fashion and elegance unique to the P6. In terms of appearance design, the combination of metal and glass materials has created a high-texture exquisite craftsmanship, showing the beauty of technology and fashion. The fuselage is made of brushed design and sandblasted material. The thickness of the fuselage is only 6.5mm, creating the thinnest record in similar 4G LTE mobile phones. The body weight is also controlled at 124g. The bottom arc transition is natural, unique, and the whole machine looks elegant and smart. In addition, the back design of Huawei Ascend P7 adopts Corning’s third-generation gorilla glass back. After 7 layers of technology, the visual effect is more transparent and three-dimensional, and the fine texture and ultra-small lattice design are more beautiful and luxurious. It has become the unique "most beautiful mobile phone back" in the industry.

HUAWEI P7

　　　Huawei Ascend P7 adopts a 5-inch 1080P full high definition screen with a resolution of 1920 × 1080 pixels, equipped with a 1.8GHz HiSilicon Kirin 910 quad-core processor, 2GB RAM + 16GB ROM. Built-in integrated 2500mAh lithium polymer battery, coupled with Huawei’s intelligent power saving technology, light customers can use it for more than two days, and heavy customers can also use it for one day. In terms of mobile phone power management, Huawei Ascend P7 has added one-click power saving and comprehensive power consumption detection management, which can monitor the operation of mobile phone background applications at any time and choose to close and other operations. If all background applications are closed, the measured standby of Ascend P7 for 10 hours only consumes less than 5% of the power. It is particularly worth mentioning that the Huawei Ascend P7 also adds an extreme power saving mode for users. When the battery is remaining at 10%, the phone is restored to the function mode, and only the function of making calls and sending text messages is retained, which can stand by for more than 24 hours.

　　In terms of photography and imaging, the rear camera adopts the latest 13 million Sony back-illuminated IMX214 sensor lens, and is equipped with a SLR camera-level independent ISP (image processor), which has the exposure focus separation function only available in professional cameras, and has stronger photosensitive performance. At the same time, it can perform noise reduction without losing color and detail, and supports manual adjustment of the sensitivity to ISO 800, F2.0 large aperture. This combination gives Huawei Ascend P7 the most powerful low-light shooting capability in the industry, capable of shooting high-quality photos in extremely weak light. For example, watching a concert, you can easily shoot the stage scene, friends in bars, KTV parties can also be clearly photographed, so that you will no longer miss the important moments of entertainment and gathering, can be called "party photo artifact". P7 front 8 million camera, using the industry’s extremely rare 5-layer aspherical optical lens and blue glass technology, so that the clarity of the picture is greatly improved, avoiding the purple edge effect, object deformation and other ordinary camera shooting problems, so that many people take selfies, take pictures in front of the landscape and other panoramic selfie effect is better, and make mobile phone shooting more interesting.

　　The Huawei P7 Mobile released this time has a unified domestic retail price of 2,888 yuan. From May 13, Huawei Mall, JD.com, Tmall Huawei Flagship Store, Suning.com, Gome Online, No. 1 Store, and Amazon seven online platforms have started sales. Sales of the top ten Huawei brand stores across the country have been launched on the same day, and it is expected that offline physical channel sales will be fully launched on May 17.

On March 18th, 2024, the flagship new product launch conference of Glory Spring was held in Beijing. At the conference, flagship new products such as RSR Porsche Design, Glory Magic6 to Zhen Edition and Glory MagicBook Pro 16 were released. After the meeting, a media group interview was held in honor.

In the interview, Zhao Ming, CEO of Glory, introduced the product positioning of the Porsche design version of Glory Magic6 RSR and the innovative design and features of Glory’s own products, and responded to the hot issues concerned by the participating media. Let’s summarize the contents of this group visit from three angles: AI, Porsche design cooperation and continuous R&D investment.

Now doing AI mobile phones can’t bypass Magic’s glory and deepen platform-level AI capabilities.

On many previous occasions, Zhao Ming has repeatedly said that Glory is constantly developing platform-level AI capabilities. He emphasized that HONOR’s AI capability is not only reflected in the convenience of daily use, but also shows its unique advantages in cross-system and cross-device integration solutions.

First of all, based on its AI four-tier architecture, HONOR can deeply learn and understand users’ habits and needs in daily use. Through the daily interaction of users, such as reading, listening to music and using various services, the mobile phone can continuously carry out AI training, making it more and more "smart" and more understanding of users. This massive accumulation of training data makes HONOR perform best in the diversified bearing of AI services.

Secondly, HONOR’s AI capability is not only at the application level. Glory is more committed to deep AI layout at the operating system level, which is a long-term and steady strategy. This layout not only improves the user experience, but also lays a solid foundation for the growth of AI capability in HONOR.

In addition, HONOR has also made an important breakthrough in cross-system and cross-device AI interconnection. Through the unified account of MagicRing, users can seamlessly switch between different devices to realize resource sharing and collaboration. This concept of "fat terminal" integrates HONOR, tablet, notebook computer, wearable device and IOT products into a whole, which greatly improves the efficiency and convenience of users.

To sum up, HONOR’s AI ability is reflected in its ability to deeply learn and understand users’ needs, the deep layout at the operating system level, and the integrated solutions across systems and devices. The comprehensive function of these capabilities makes HONOR have outstanding performance in providing personalized and intelligent services, bringing unprecedented convenience and comfort to users.

At the same time, I also answered the media’s questions about Glory’s progress in the application of AI technology to mobile phones and PCs, and hoped to understand Glory’s definition of AI mobile phones and future planning.

In this regard, Zhao Ming said that the first generation of Magic mobile phone "opened the door of mobile phone wisdom", which was the originator of AI mobile phone and had a far-reaching impact on the later development of AI mobile phone. Glory’s AI layout is clear and complete, consumer-centered, and uses AI to manage and allocate various resources to achieve cross-system and cross-device interconnection.

Zhao Ming further elaborated the concept of "fat terminal" introduced by Glory in the era of cross-operating system and cross-device, that is, HONOR, tablet, notebook computer, wearable device and IOT products under the same account can be integrated into a complete device to realize resource sharing and allocation. He exemplified the convenience brought by this integration, such as calling the mobile phone camera when using a notebook, or using the tablet as a secondary screen. When going out, the watch can be used as a connection point with a notebook or mobile phone at home, and the AI computing center can be used to send instructions and receive results.

Zhao Ming emphasized that Glory has a grand vision for the future AI technology and is committed to bringing consumers a more convenient, intelligent and Magic experience.

Without reference to Huawei Porsche Edition, pricing is mainly based on the value of its own products.

In the interview, some media asked about the pricing of the Porsche design version of Glory Magic6 RSR based on what factors? Did you refer to the pricing of Huawei Extraordinary Master Edition? In this regard, Zhao Ming said: The pricing did not look at Huawei’s extraordinary master edition. In terms of glory, the Porsche design of Magic6 RSR was considered from the innovative design of its own products and the whole series.

Zhao Ming mentioned that for the glorious Porsche design, it is not only a bearing of innovation, but also a limited edition of design, because every generation of Porsche design, from the perspective of overall sales, glory is still located in the limited edition of design. Not every generation or every product will be launched. When the generation of glory and Porsche have many innovations at the same time, and different innovations need different products to carry, for example, this generation of glory has launched the version of glory and the Porsche design version at the same time.

The Porsche design version of Glory Magic6 RSR has unique advantages in technological innovation and design. For example, the innovative technology of double-stack series OLED architecture screen is adopted, and the display effect and user experience brought by this technology are also important factors to be considered in pricing. At the same time, the addition of Porsche design has also brought a unique aesthetic design to the mobile phone, making this version more unique and attractive in appearance.

In addition, the relationship between market supply and demand is also an important factor affecting pricing. For example, the dual-stack series OLED architecture screen used in the glory Magic6 RSR Porsche design version has difficulties in supply, so it will also increase the hardware cost of the glory Magic6 RSR Porsche design version.

Glory R&D investment is as high as 11.5%, insisting on long-term and deep-rooted platform-level AI.

In the interview, Zhao Ming mentioned that Glory has maintained a high R&D investment ratio in recent years, which specifically means that Glory’s investment in R&D accounts for a high proportion of the company’s overall sales revenue. According to Zhao Ming’s description, Glory’s R&D investment accounted for 10.5% of sales revenue in 2021, 11% in 2022 and 11.5% in 2023. Such a high R&D investment ratio is very prominent in all terminal companies. In the future, with the growth of income in 2024, glory’s R&D investment may exceed 11%.

This high R&D investment ratio has a far-reaching impact on the competitiveness of glory products. First of all, high R&D investment means that Glory has more resources for R&D and innovation of new technologies, so as to achieve more breakthroughs in product design and function. For example, the Porsche design version of Magic6 RSR displayed by Glory at the press conference adopted Tandem double-stack series screen innovation solution, and the realization of this innovation is inseparable from a large amount of R&D investment.

Secondly, high R&D investment has also improved the product quality and user experience of glory. Through continuous R&D and optimization, glory products have been significantly improved in performance, battery life, photography, screen display and so on, thus meeting consumers’ demand for high-quality products.

In addition, high R&D investment will also help Glory to establish a leading position in technology in the market. With the continuous progress of science and technology, consumers have higher and higher requirements for the performance of smart devices such as mobile phones. Glory has won the trust and recognition of consumers in the market by increasing investment in research and development and constantly introducing innovative and leading products.

At the same time, glory is also insisting on deepening the platform-level AI capability, which spans multiple devices and systems and realizes cross-system and cross-device interconnection. This ability enables glory devices to work together better and bring users a smoother and more efficient experience.

Secondly, glory’s platform-level AI capability has powerful computing power and low power consumption. By optimizing algorithm and hardware design, glory devices can reduce power consumption and extend battery life while ensuring performance. This enables users to use the device for a longer time without worrying about the problem of running out of power.

In addition, glory’s platform-level AI capability also has real-time electronic fence function. This means that glory devices can perceive the user’s environment and needs in real time, and provide personalized services and recommendations accordingly. This ability makes the glory equipment more intelligent and can better meet the needs of users. Glory’s platform-level AI capabilities are still constantly developing and improving. With the continuous progress of technology and the constant changes of the market, Glory will continue to invest in research and development, improve the performance and stability of platform-level AI capabilities, and bring users a better experience.

summary

It can be seen that Glory has demonstrated its strong innovation ability and technical strength at this conference. In an exclusive interview, Glory Zhao Ming also introduced how Glory can continuously promote the development of the industry through high R&D investment and continuous technological innovation, realize the upgrade of consumer experience, and invest in the long-term development of AI mobile phones. In the future, we can expect glory to make more breakthroughs and achievements in screen eye protection, Porsche design cooperation and platform-level AI capabilities.

1905 movie network news On October 15th, Odagiri Joe, a famous Japanese actor, made her debut in the 3rd Pingyao International Film Festival, and was selected for the "Crouching Tiger" section of the film festival, which was the first screening of the film in China. The film stars Akira Emoto, Chuan Dao Lingyao, Nijiro Murakami, etc., and was also shortlisted for the Venice Day unit of the 76th Venice International Film Festival.

On the same day, director Odagiri Joe walked onto the red carpet of the film festival and appeared in a press conference to be interviewed by the media. At the meeting, Odagiri Joe gave an in-depth account of the creation of this film, and also responded to media reports about his poor health for the first time.

He clarified that the report was a bit exaggerated. "I did have a bad result when I went to the physical examination for the first time, but I went to the second precise examination. As a result, there was nothing wrong with my body. Please rest assured." At the same time, he also revealed that when he saw the inspection report for the first time, he began to think about his life path and reminded himself to hurry up and make a movie.

Co-directing has no influence on my creative style.　

I don’t want to make an entertaining movie.

"The Story of a Boatman" tells the story of the late Meiji period and the early Taisho period. Ten cities were a boatman whose family was settled by the river. His daily job was to row boats to transport people of all kinds across the river. In order to facilitate villagers’ travel, a bridge across the river is about to be completed. The villagers happily discussed the convenience after the completion of the bridge, and only ten cities had mixed feelings about it. One day, he saved an injured mysterious young woman from the river. Nowhere to go, she finally returned to her home in ten cities, and this encounter began to change the life of ten cities.

When talking about creative inspiration, Odagiri Joe said that the pace of Japanese society is very fast now, which led him to reflect on "Is it really good to live this life?"? If you can live a life free from money or time, will you be happier? " Out of this idea, he took Japan 150 years ago as the creative stage, focusing on ordinary people living in nature.

He started writing plays in 2010. During this period, he also appeared in many film and television works directed by different directors, including the latest collaboration with China director Lou Ye. He said that each director’s style is different and will not have a direct impact on his film creation, but he will learn from the strengths of these directors and add his own ideas.

At the beginning of his creation, he decided to shoot an anti-entertainment film. "Now the audience likes a style that is more entertaining and faster, and the scenes are constantly changing and they can’t get tired of watching it." "I don’t want to make an entertainment film, I want to make a quiet statement and show a calm and comfortable way with the cooperation of pictures and music." The pace of this film is slow, the scene changes less, and the duration is longer than that of ordinary movies. Odagiri Joe admits that in order not to let the audience get bored for a long time, he has put a lot of effort into the script, which is also a big challenge for him.

In the process of script creation, he will take himself as the prototype reference, and his lines will also have his inner projection. Referring to whether he agrees to build a bridge in the film, he thinks that when the bridge is built, the local cultural characteristics of boatmen rowing will disappear, so he falls into a kind of thinking about tradition and modern civilization. "Is the convenient age seen by everyone really good?" This is what I want to convey to the audience through movies. "

I searched twenty or thirty places for the perfect scene.

Excavated Du Kefeng’s photographic aesthetic skill.

The time background of the film was set at the end of Meiji, and Odagiri Joe explained that it was set in this era because it was a period when Japanese culture and western culture blended together, and it was also a period when Japan’s unique culture was preserved. At that time, the natural scenery and life maintained Japanese characteristics.

In order to find the ideal perfect location, Odagiri Joe found twenty or thirty places. "I hope it will be beautiful in summer, winter, morning and evening. Every frame in the film should exist like a painting. "Finally, he chose a mountain river area in Niigata Prefecture, Japan. In the end, the crew filmed there for 35 days in summer and one week in winter.

The visual picture of this film is very beautiful, which is inseparable from the credit of photography director Du Kefeng ().

Odagiri Joe said that he and Du Kefeng reached a consensus in their early years of cooperation, when Du Kefeng promised Odagiri Joe, "If you want to make a film, I would like to be your photographer". Odagiri Joe also thinks that Japanese photographers have become accustomed to Japanese scenery. If you use a foreign photographer like Du Kefeng, you can use a foreigner’s perspective to discover unique beauty that Japanese people can’t see.

He also described Du Kefeng as an "atmosphere maker" on the shooting scene, and he also existed like a team leader, giving great support to Japanese staff. "In the past, he liked to improvise in making movies, so that the actors could perform directly in front of the camera, but my film didn’t have any improvisation, so the shooting method was up to me." Odagiri Joe thought that as a director, he also fully tapped Du Kefeng’s skill in photography aesthetics, so that all the scenes were perfectly presented.

Self-directing and self-acting cannot take care of both.

Tadanobu Asano, Yuu Aoi, etc. are all reliable friends.

Akira Emoto is the leading actor in the film, and Odagiri Joe admits that he didn’t direct and act himself because he has self-esteem as an actor and wants to do his best as a director, so both sides can’t take care of it at the same time.

He revealed that in order to shape the role of boatman, Akira Emoto found a real boatman to learn and train boating before shooting, and finally reached his ideal figure state.

In addition to starring in the film, Tadanobu Asano, Yuu Aoi, Masatoshi Nagase, Isao Hashizume and other well-known actors joined the guest appearances. Odagiri Joe said that he wanted to gather some friends who he liked and trusted in this film. These actors didn’t ask for specific remuneration, but paid more attention to the quality of the film.

I want to continue to modify the finished film.

I will think about the script while performing in the future.

Odagiri Joe said that he never thought about the box office, and he couldn’t understand the fact that film creators pursued the box office. "I just want to make a movie about what I am interested in. If it is related to the box office, I have no motivation to shoot. If you consider the box office, then this movie can’t be made into a movie. "

Regarding whether he is worried that many people will only pay attention to the film for his face value or name, he said that he only hopes that more people will watch it. As for the purpose, it is everyone’s freedom. "If they find the film interesting after watching it, then I will be very happy."

In addition, Odagiri Joe responded that he would always keep a distance from the trend of the times and choose something different from popular culture to show his more possibilities. Just like making a movie, he wants to make a movie that no film company can make. "If I make a popular movie style and content, it doesn’t make sense. I hope the work conforms to my personality, and it is also something I think is worth doing. "

Now, he is quite satisfied with the completion of The Story of a Boatman. "Although the more times you watch it, the more you want to modify it, but there is no end to modifying the film."

Will you be a director again? Odagiri Joe didn’t give a clear answer. He said that he still wanted to shoot a movie with his original script, and he wouldn’t shoot it without inspiration. In the future, he will still work as an actor while thinking about the script.

　　Beijing Youth Daily News (Reporter cui wei) Fatimah Li, a 16-year-old Hui girl born in 2002, recently published her first novel, Miss Liu, through Changjiang Literature and Art Publishing House. The novel was written in Chinese and then translated into English by Fatimah.

　　Fatimah Lee is the daughter of Li Yong, a former CCTV host, and Ha Wen, a director and producer. The creative opportunity of "Miss Liu" is to listen to the love story of her mother, Grandma Fatimah, accidentally told by her mother Ha Wen. In the 1940s, Miss Liu was pursued by a Kuomintang officer, but eventually she married a Communist party member, that is, Fatimah’s grandfather, and then her family moved from the northeast to Ningxia Hui Autonomous Region. It is a pity that Havin can’t know more details because his mother has passed away, but this simple sentence has aroused Fatimah’s infinite imagination. Fatimah, who went abroad to study as a teenager, said that she was completely unfamiliar with the history of China in the 20th century and had not experienced love and marriage personally. However, the 16-year-old post-00 generation felt very cordial when she wrote the story of her grandmother’s 16 years old. Of course, many details were invented in the book.

　　The novel uses two clues to describe the love story of Miss Liu and my illness, both of whom are fifteen or sixteen years old. Miss Liu and Mr. two of a kind, who wears military uniforms, send letters to express their feelings, and my illness is tied to the words of a matchmaker in Montenegro, and they will stay together for the rest of their lives. When asked by my daughter why her surname was not Liu, I replied, "I don’t want to be the majority." Fatimah said that although he didn’t know China’s representative youth literature works, he also looked through them in bookstores. He didn’t like reading and writing campus literature, and he didn’t like flowery rhetoric and inexplicable sadness. In the process of translating the story of Miss Liu into English, when she feels bored, she will look at the English translation of Haruki Murakami’s works.

　　This is Fatimah’s first novel, which was written with the encouragement of his father Li Yong. In July this year, she handed over the final version to Changjiang Literature and Art Publishing House, which published Yong Yuan Yi in Li Yong. Before the editor of the publishing house sent this book to press, he also discussed with Fatimah to ask the three of them to do a live video broadcast of the new book launch remotely. Unfortunately, Fatimah’s father Li Yong will be absent forever.

　　conversation

　　Fatimah Lee: My father has no regrets when he saw my book published.

　　Inspired by stories told by my mother.

　　Beiqing Daily: The source of the story is the story of the elders told by my mother. How much is true?

　　Fatimah: The inspiration for writing this book was my accidental discussion with my mother. My name is quite special, and when I talked about my grandmother’s name, I was very curious. When I asked how my grandmother’s name came from, my mother told me this story and suddenly wanted to write it down. The point is that the inspiration comes from the story my mother told me, but it is still a fictional novel in essence, because many plots need me to make up and think for myself.

　　Beiqing Daily: As a teenager who went abroad to study very early, what did you use to supplement so many grounded scenes in the story? I heard that you have consulted a lot of materials. Can you tell me about two or three things that impressed you in the creative process?

　　Fatimah: I didn’t go abroad until I was 13 years old. I grew up in Beijing, so I haven’t derailed from these things, but I know a little bit about them. As for the difficulties encountered in writing due to the age, the focus is still on, for example, the varieties and names of some cigarettes, what kind of furniture made of wood was popular at that time, and there is no channel to know now, so I just look up some historical materials on the Internet, which were imported in large quantities at that time.

　　"Dad will modify my opinion in some details."

　　Beiqing Daily: Did you show the manuscript to your father and mother? How do they feel?

　　Fatimah: It doesn’t mean that they will take the initiative to read and review it. I will write a paragraph and if I think I like it very much, I will take the initiative to share it with them, and they will give some constructive suggestions. In particular, my father pays great attention to details and will give me some suggestions for revision in some details.

　　"If you want to write, you have to write."

　　Beiqing Daily: How to control a historical love story at the age of 15?

　　Fatimah: I wrote it at that time, including now, which is similar to Miss Liu’s age at the beginning of the book. Except that the times are different, the feelings of mind and mood should be similar to some extent, so it is not very difficult to write it like this.

　　Beiqing Daily: What specific words from your parents prompted you to write this book?

　　Fatimah: My parents said, "You don’t always tell us your ideas, you have to write them if you want", so I thought it was time to write something.

　　Beiqing Daily: A novel published at the age of 16 may be evaluated as immature in writing and connotation. What do you think?

　　Fatimah: I accept everyone’s comments. After all, I’m really 16 years old, and I don’t have the mature and refined style of writing. I can change, after all, I’m only 16 years old.

　　"Dad saw my book published."

　　Beiqing Daily: What kind of girl are you in life? Are you more like your father or your mother?

　　Fatimah: As for my personality, I may be a little more casual, sometimes more straightforward, which is quite similar to my parents. After going abroad, my independence has become stronger, but overall it is almost the same as before.

　　Beiqing Daily: Did father see this book published?

　　Fatimah: My father didn’t regret seeing my book published.

　　Beiqing Daily: What books do you like to read? Or who do you think is more influenced by your style of writing?

　　Fatimah: I just finished reading Haruki Murakami’s Norwegian Forest, which is not limited to a certain writer or a certain style of writing. Personally, I prefer a more casual and free style of writing, which does not require flowery words. It is a spiritual communication between the author and the reader, either flowery words or good ones.

　　Beiqing Daily: If you encounter problems, are you a girl willing to communicate with your parents? Is there anything that your father taught you that benefited you the most?

　　Fatimah: My relationship with my parents is like friends. My family is more equal. I will tell them any questions. There is nothing I can’t say. They are very experienced, so I can learn a lot from them. What my father taught me is basically to do what comes to mind, and actions speak louder than words. Always act when it’s time to act, don’t always talk about it.

　　Text/Beijing Youth Daily reporter cui wei

Liverpool, the Premier League giants, did not perform well at the beginning of this season, which once made fans fail to see their hope of winning the Champions League next season. Fortunately, with the deepening of the season, Liverpool gradually came out of the trough. In the last round, the Double Red Club wiped out the old enemy Manchester United 7-0 at home, climbing to the fifth place in the standings, only three points behind Tottenham in one game less, which can be said to have grasped the initiative in the battle for World War IV! This week, the 27th round of the Premier League started in full swing, and Liverpool went to the away game to challenge Bournemouth. During the first leg of the season, Liverpool beat their opponents 9-0 at home, which is why fans thought they could easily kill each other.After the game started, Liverpool took advantage of the scene, but it was too late to score. On the contrary, Bournemouth took advantage of a few offensive opportunities and Billing scored the only goal in the game. In the end, Bournemouth avenged Liverpool 1-0!

Although the opponent’s strength is not very strong, klopp didn’t let his guard down. After all, the Premier League has always been unpopular. In this game, Uncle Zha followed the 4-3-3 system, allison continued to play for the team, and Arnold, konate, Fan Dike and Robertson formed a four-back, Elliot, Fabinho and bajcetic sat in the midfield, while the front trident was Salah and Gack who scored twice in the last game.

After the referee blew the whistle at the start of the game, Liverpool kept the ball firmly under their feet and stormed towards Bournemouth’s goal. In the 5th minute, Liverpool got a right corner kick, Arnold drove the ball to the back, Fan Dike jumped high and headed the ball to the far corner. Bournemouth’s goalkeeper had given up, but it was cleared by the defender’s goal line.

However, two minutes later, Arnold made a fatal mistake in the midfield, which made Bournemouth hit back conveniently. Ouattara got a single-handed goal. Unfortunately, after passing allison, Liverpool missed the goal at a small angle, and scored in the 13th minute. Gakpo scored the goal after receiving the ball from his teammate in the restricted area. The referee immediately signaled offside and cancelled the goal.

In the 23rd minute, Bournemouth hit back again.Ouattara succeeded in offside on the right. After receiving a long pass from his teammates, he directly killed Liverpool’s restricted area. Then he made a cross from the bottom and found Billing who followed in the middle. The latter easily pushed and scored meritorious deeds, helping Bournemouth to take a 1-0 lead.

In the second half, klopp changed into jota, and wanted to continue to strengthen the team’s attack. In the 49th minute, Jota finished a threatening shot at the front of the restricted area, but the Bournemouth goalkeeper was in a very brave state, and he managed to save the ball to keep the goal clean.

In the 67th minute, Milner sent a cross from the right, and jota headed the goal. The ball hit the open arm of the Bournemouth defender and went out of the bottom line. After returning to VAR, the referee gave Liverpool a penalty.Unfortunately, Salah’s penalty kick was wide of the mark, and Bournemouth was lucky to hold the lead by one goal.

In the next 30 minutes, the backward Liverpool put a lot of pressure on Bournemouth’s goal, but it bombed indiscriminately and failed to knock on the opponent’s goal. In the end, it could only accept the result of losing 0-1. The Double Red Club bloodied Manchester United with 7 goals, and then lost to the relegation team 0-1. This is also the reason why many fans ridiculed after the game. Liverpool did everything to humiliate the old enemy Manchester United!

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Ambarella’s CV3 AI domain controller SoC series (hereinafter referred to as "AMBA", NASDAQ: AMBA, a semiconductor company specializing in AI vision chips) was awarded the annual automobile product award in the 2022 Electronics Industry Award, and was highly praised in the annual semiconductor product category.

The Electronic Industry Award is sponsored by British @CIE magazine, which aims to recognize the best professionals, products, projects and companies in the entire electronic industry.

In the annual "Electronics Industry Awards" of "Components in Electronics", a well-known British media (magazine/website), Ambarella won the "2022 Product Award" by virtue of CV3 automotive AI domain controller SoC.

Anba’s award-winning CV3 series realizes centralized AI sensing processing (including high-pixel vision processing, millimeter-wave radar, laser radar and ultrasonic radar), multi-sensor deep fusion and regulation and control of autonomous vehicles by integrating multiple sensors on a single chip. As a result, ADAS L2+ to L4 automatic driving systems have a higher level of environmental awareness.

The selection method of "Electronic Industry Award" is to invite experts in the industry to vote online, and add the votes of an independent expert jury to finally get the winner. The award has entered its fifth year and will soon become an important activity in the industry, opening the door for new business opportunities.

About Anba

Anba’s products are widely used in artificial intelligence computer vision, video image processing, video recording and other fields, including video security, advanced driver assistance system (ADAS), electronic rearview mirror, driving recorder, driver and cabin intelligent monitoring, intelligent car unmanned driving and robot application, etc. Anba’s high-performance, low-power AI processor provides ultra-high definition image processing, video compression and powerful neural network processing. It can extract valuable data from high-resolution video and radar information, and it plays an important role in the fields of intelligent perception, sensor fusion and central domain control processing system. For more information, please visit www.ambarella.com.